Films by Jove, Inc. v. Berov

250 F. Supp. 2d 156, 2003 WL 1907792
CourtDistrict Court, E.D. New York
DecidedMay 8, 2003
Docket1:98-cv-07674
StatusPublished
Cited by4 cases

This text of 250 F. Supp. 2d 156 (Films by Jove, Inc. v. Berov) is published on Counsel Stack Legal Research, covering District Court, E.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Films by Jove, Inc. v. Berov, 250 F. Supp. 2d 156, 2003 WL 1907792 (E.D.N.Y. 2003).

Opinion

MEMORANDUM AND ORDER

TRAGER, District Judge.

This litigation began in December of 1998 when plaintiffs Films By Jove, Inc. (“FBJ”) and Soyuzmultfilm Studio (“SMS” 1 ) brought an action for copyright infringement, breach of contract, unfair competition, and RICO violations against Joseph Berov (“Berov”), Natasha Orlova, Rigma America Corporation, and the St. Petersburg Publishing House and Group. A state-owned Russian company, the Federal State Unitarian Enterprise So-yuzmultfilm Studio (“FSUESMS”), subsequently intervened as a third-party plaintiff. 2 The central dispute between the parties concerns the ownership of copyrights in approximately 1500 animated films created by a state-owned Soviet film studio, Soyuzmultfilm Studio, between 1946 and 1991. 3

On August 27, 2001, this court granted summary judgment in favor of the plaintiffs, relying primarily on the submissions of the parties’ Soviet law experts, and also, in part, on interpretations of Soviet law from a series of decisions by the commercial courts of the Russian Federation, known as arbitrazh courts. See Films By Jove, Inc. v. Berov, 154 F.Supp.2d 432 (E.D.N.Y.2001). On December 18, 2001, the Presidium of the High Arbitrazh Court of the Russian Federation issued an opinion apparently overruling two of these lower court opinions. Following the High Arbitrazh Court’s ruling, as well as an October 2, 2001 decision from the Paris Court of Appeals, which defendants claim supports some of their arguments, defendants filed a motion, pursuant to Rule 60(b)(2) of the Federal Rules of Civil Procedure, for reconsideration of this court’s *159 August 27, 2001 decision, and for a stay of any enforcement proceedings pursuant to Rule 62(b).

Plaintiffs counter that the French and Russian decisions upon which defendants base their motion in fact establish no basis for reconsideration. The Paris Appeals Court’s decision, which, according to plaintiffs, has been appealed, is inconsistent with a previous ruling of the same court, upheld by the court of last resort, in another suit involving the same parties and turning on identical questions of Russian law. Moreover, plaintiffs contend that a French court’s interpretation of Russian law is, in any event, not controlling on this court.

An opinion from Russia’s High Arbi-trazh Court is no doubt of greater significance as evidence of the content of Russian law. However, plaintiffs contend that the December 18, 2001 decision, nevertheless, does not warrant reconsideration. First, plaintiffs claim that, although invited by this court to await the results of future decisions from the Russian courts, the parties expressly stipulated at oral argument that they would accept an immediate ruling. Second, plaintiffs maintain that even if this court were to entertain a motion to reconsider in reliance on the December 18 decision, notwithstanding the parties’ stipulation, that opinion does not address the question of copyright ownership central to this case and, therefore, provides no basis for altering the previous ruling in favor of plaintiffs. Third, plaintiffs contend that because Russia is a civil law jurisdiction, which lacks a system of stare decisis, it is appropriate for this court to ignore the holding of the High Arbitrazh Court and to make an independent assessment of Russian law based on the submissions of the parties’ experts — especially inasmuch as the High Arbitrazh Court’s decision adopts an unprecedented and illogical construction of Soviet statutory law. Fourth, plaintiffs have submitted an affidavit from a distinguished Russian jurist advancing general allegations of corruption and institutional biases against private enterprise within the Russian courts and presenting specific evidence of undue governmental influence over the arbitrazh court proceedings leading up to the December 18, 2001 decision. These facts, according to plaintiffs, explain the peculiar nature of the decision and demonstrate that the opinion was the product of judicial misconduct. Based on this evidence, plaintiffs argue that for this court to vacate its ruling in rebanee on the High Court’s decision would violate plaintiffs’ rights, in essence confiscating FBJ’s substantial investment in developing the commercial value of So-yuzmultfilm Studio’s animated films for the international market. Giving effect to the High Arbitrazh Court’s December 18, 2001 decision would therefore offend domestic public pobey with respect to private property rights, as well as norms of international law. Thus, if the decision is determined to have any relevance, plaintiffs contend that it should nevertheless be afforded no deferential weight. Fifth, plaintiffs advance an alternative claim to the disputed copyrights rooted in principles of equity and agency law.

Background

(1)

According to plaintiffs, on May 22, 1992, a valid licensing agreement was signed between FBJ, a California corporation, and the legal successor to a former state-owned Soviet film studio, Soyuzmultfilm Studio. See Mem. of Law in Supp. of Pis.’ Mot. to Dis. the 3D-Party Compl. Pursuant to FRCP 12(b)(6) [hereinafter “Pis.’ Mot. Dis.”] at 3. Founded in 1936, on property that had been expropriated by the Soviet state from the Russian Orthodox Church, Soyuzmultfilm Studio created ap *160 proximately 1500 animated motion picture films, many of which became very popular. See id. at 2. SMS, a privately-owned Russian joint stock company, is the successor to the entity with which FBJ entered into the May 1992 agreement. Thus, SMS claims to be the current successor to the original state enterprise Soyuzmultfilm Studio. See Decl. of Mila Straupe, Ex. 15, attached to Decl. of Julian Lowenfeld [hereinafter “Straupe Deck”] ¶ 12. The 1992 agreement purported to make FBJ the exclusive licensee worldwide for the animated films in the Soyuzmultfilm library, including those produced during the period of state ownership. See Pls.’ Mot. Dis. at 3.

In reliance on this agreement, FBJ invested more than three million dollars to restore and update the library of films, which, plaintiffs submit, was in “woeful condition” in 1992. Mem. of Law in Supp. of Pis.’ Mot. for Summ. J. and in Opp’n to Defs.’ Mot. for Summ. J. [hereinafter “Pis.’ Mot. for Summ. J.”] at 19. FBJ further embarked on an extensive revoicing project, hiring famous actors to produce English, French, and Spanish versions of the original Russian-language animated films. See Deck of Joan Borsten, Ex. 16, attached to Deck of Julian Lowenfeld [hereinafter “Borsten Deck”] ¶ 5.

FBJ and SMS accuse Berov, who operates several stores in Brooklyn that sell Russian-language entertainment products, of violating their exclusive rights in Soyuz-multfilm Studio’s films. 4 See Pls.’ Mot. Dis. at 3.

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Bluebook (online)
250 F. Supp. 2d 156, 2003 WL 1907792, Counsel Stack Legal Research, https://law.counselstack.com/opinion/films-by-jove-inc-v-berov-nyed-2003.