Ferrell v. Robinson Mann Creative Enterprises, Inc. (In Re Brown)

211 B.R. 183, 1997 Bankr. LEXIS 1104, 31 Bankr. Ct. Dec. (CRR) 186, 1997 WL 418032
CourtUnited States Bankruptcy Court, E.D. Pennsylvania
DecidedJuly 23, 1997
Docket19-10743
StatusPublished
Cited by3 cases

This text of 211 B.R. 183 (Ferrell v. Robinson Mann Creative Enterprises, Inc. (In Re Brown)) is published on Counsel Stack Legal Research, covering United States Bankruptcy Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Ferrell v. Robinson Mann Creative Enterprises, Inc. (In Re Brown), 211 B.R. 183, 1997 Bankr. LEXIS 1104, 31 Bankr. Ct. Dec. (CRR) 186, 1997 WL 418032 (Pa. 1997).

Opinion

OPINION

DAVID A. SCHOLL, Chief Judge.

A INTRODUCTION

Presently before us are two similar controversies arising in the bankruptcy cases of two prominent recording artists. Both artists seek a determination that their respective rejections of certain executory contracts pertaining to their creative work products will relieve them of any obligations under those contracts.

Consistent with the principles regarding the effect of rejection of executory contracts articulated by this court in In re Walnut Associates, 145 B.R. 489, 494-95 (Bankr.E.D.Pa.1992), and presently, in our perception, universally accepted, we deny the artists’ requests to be relieved from their contractual obligations. Alternative requests that we declare any breaches of those contracts as dischargeable debts in their respective bankruptcy cases must also be denied because, in the absence of any coherent claims of violations or potential violations of the contracts to date, such issues are not ripe for decision.

B. FACTUAL AND PROCEDURAL HISTORY

The first of these two cases to be filed was that of RACHELLE BARNES FERRELL (“Ferrell”). Ferrell is a songwriter, producer, arranger, pianist, and extremely talented singer of jazz and popular music, who, on February 27, 1996, filed an individual voluntary bankruptcy petition under Chapter 11 of the Bankruptcy Code. However, four months later, on June 28, 1996, the case was voluntarily converted to a case under Chapter 7 of the Code.

On May 3, 1996, Ferrell filed a motion seeking to reject her alleged executory contracts with Capitol Records, Inc. (“Capitol”) and Robinson Mann Creative Enterprises, Inc. (“RMCE”). The hearing on this motion was ultimately continued until July 31, 1996, but was not pursued by CHRISTINE A. SHUBERT (“the Trustee”), appointed upon conversion of the ease. The final audit papers in this case, administered as an asset case by the Trustee, are due September 1, *185 1997. The Debtor’s principal assets appear to be her rights to royalties and copyrights. The modest home in Yeadon, Pennsylvania, and automobile which were owned by Ferrell at the commencement of the case have been lost, and she presently resides in Santa Fe, New Mexico.

The instant adversary proceeding (“the Proceeding”) was filed by Ferrell against RMCE and its principals, ARTHUR M. MANN, an entertainment lawyer, and DONALD T. ROBINSON, a songwriter, producer, and arranger with whom she formerly collaborated. It is entitled “Complaint for Declaratory Relief’ and it seeks a declaration that, in light of the rejection of her contracts with the Defendants as a matter of law upon the failure of the Trustee to assume same within 60 days after the conversion, pursuant to 11 U.S.C. § 365(d)(1), she will be discharged from any monetary or injunctive relief sought by the Defendants pursuant to these contracts.

After two continuances, the trial of the Proceeding was conducted on June 5, 1997. The parties were accorded the opportunity to simultaneously file opening briefs by July 3, 1997, and reply briefs by July 11,1997.

RICARDO E. BROWN, JR., d/b/a Kurupt (“Brown”), filed an individual voluntary Chapter 11 bankruptcy case on May 14,1997. Brown is an artist who composes “gangsta rap” which has been recorded on several albums of Andre Young (professionally known as “Dr. Dre”) and Calvin Broadus (professionally known as “Snoop Doggy Dogg” or “Snoop”); was a member of Snoop’s backup group, Tha Dogg Pound; and contributed to the soundtrack of the movies “Poetic Justice” and “Above the Rim.” Many of these albums were extremely successful, resulting in sales of albums containing his compositions and performances which were estimated by Brown to be in excess of 36,000,000 copies.

On May 16, 1997, Brown filed what he termed an Omnibus Motion to Reject Certain Management, Recording, Publishing and Production Contracts Pursuant to 11 U.S.C. § 365(a) (“the Motion”). The contracts at issue include a Recording Contract, an Exclusive Songwriting Contract, and a Management Contract with Lamont and Kenneth Brumfield (“the Brumfields;” the contracts are referenced as “the Brumfield Contracts”), dated November 30, 1991, shortly after Brown’s 18th birthday; a recording contract with Death Row Record (“DRR”); a publishing contract with Suge Music, an entity owned by Marion (“Suge”) Knight, the presently-incarcerated president of DRR; an Inducement Letter with Inter-scope Records, an entity related to DRR; and a Management Contract with Sharitha Knight (“Sharitha”), Knight’s wife, all executed in January 1993.

Objections to the Motion were filed by the Brumfields, DRR, and Sharitha, although the Debtor represents that Sharitha has withdrawn her objection. The relief sought by the Motion is not only the rejection of these allegedly executory contracts, but also a declaration that none of them can be enforced against Brown and that he may seek future employment in the music industry as he chooses, without further contractual liability.

At Brown’s request, the Motion was listed for an expedited hearing on June 11, 1997. At the conclusion of the hearing, being aware that the Motion presented issues similar to those presented by the Ferrell Proceeding, we ordered the parties to simultaneously file briefs on the same schedule as had been established for the Proceeding, ie., opening briefs by July 3, 1997, and reply briefs by July 11, 1997. Of the respondents, only DRR has filed any briefs, submitting both an opening and reply brief. The Debtor filed an opening brief and a letter taking umbrage with a footnote in DRR’s reply memorandum which threatened that Brown’s allegations regarding DRR’s failure to make accountings of earnings to him could subject him to charges of perjury.

Virtually nothing else has transpired in the case except that a status hearing of July 23, 1997, to establish a deadline for Brown to file a plan and disclosure statement has been scheduled.

The facts pertinent to Ferrell’s Proceeding begin on October 26, 1987. On that date, Ferrell entered into an Exclusive Production Agreement (“the 1987 Agreement”) with *186 RMCE. Thereafter, the 1987 Agreement was amended several times, the last of which was the date of a further Co-Administration Agreement of January 12, 1990 (“the 1990 Agreement”) between the same parties. The parties agree that these contracts remained valid as of Ferrell’s bankruptcy filing and require that she provide RMCE with her exclusive worldwide recording services. In exchange for and in consideration of these services, RMCE was to pay all of Ferrell’s recording expenses, which were then to be recouped from any royalties payable to Ferrell.

These Agreements purport to bind Ferrell’s artistic work product to RMCE through the recording of her next eight albums. The Agreements also dictate the amount of royalties to which she is entitled, which range from fifty (50%) percent for the initial album to seventy-five (75%) percent for the eighth and final album remaining under the contracts.

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211 B.R. 183, 1997 Bankr. LEXIS 1104, 31 Bankr. Ct. Dec. (CRR) 186, 1997 WL 418032, Counsel Stack Legal Research, https://law.counselstack.com/opinion/ferrell-v-robinson-mann-creative-enterprises-inc-in-re-brown-paeb-1997.