In the Matter of James Taylor, Debtor. Delightful Music Ltd. v. James Taylor

913 F.2d 102, 23 Collier Bankr. Cas. 2d 1035, 1990 U.S. App. LEXIS 15480, 20 Bankr. Ct. Dec. (CRR) 1515, 1990 WL 125762
CourtCourt of Appeals for the Third Circuit
DecidedSeptember 4, 1990
Docket89-5700
StatusPublished
Cited by74 cases

This text of 913 F.2d 102 (In the Matter of James Taylor, Debtor. Delightful Music Ltd. v. James Taylor) is published on Counsel Stack Legal Research, covering Court of Appeals for the Third Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

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In the Matter of James Taylor, Debtor. Delightful Music Ltd. v. James Taylor, 913 F.2d 102, 23 Collier Bankr. Cas. 2d 1035, 1990 U.S. App. LEXIS 15480, 20 Bankr. Ct. Dec. (CRR) 1515, 1990 WL 125762 (3d Cir. 1990).

Opinion

OPINION OF THE COURT

FULLAM, District Judge.

James Taylor, as debtor-in-possession in this Chapter 11 bankruptcy proceeding, sought the bankruptcy court’s approval of his decision to reject certain executory contracts, including a music-publishing agreement dated November 13, 1985, between the debtor and the appellant, Delightful Music, Ltd. The latter objected, moved to dismiss the bankruptcy petition, and requested the court to abstain from ruling on the rejection request.

The Bankruptcy Court granted permission to reject the executory contract, and refused to dismiss the bankruptcy petition *104 or abstain. The district court upheld these rulings, In re Taylor, 103 B.R. 511 (D.N.J.1989), and Delightful now appeals.

Under 28 U.S.C. § 158(d), this court has jurisdiction to review “final” orders. In the bankruptcy context, finality is accorded a somewhat flexible, pragmatic definition, see, In re Comer, 716 F.2d 168, 171 (3d Cir.1983). The order approving rejection of appellant’s contracts fully and finally resolved a discrete set of issues, leaving no related issues for later determination; we conclude that that order is final and appealable for purposes of § 158(d) and 28 U.S.C. § 1291. See generally, Century Glove v. First Amer. Bank of N.Y., 860 F.2d 94, 97-99 (3d Cir.1988). The order refusing to dismiss the bankruptcy petition is likewise appealable, In the Matter of Christian, 804 F.2d 46 (3rd Cir.1986). 1

This appeal presents an issue which has not previously been addressed in any reported appellate decision, namely, whether executory contracts for the personal services of the debtor may be rejected under § 365 of the Bankruptcy Code. Appellant argues that personal-service contracts are not, and cannot become, part of the estate being dealt with in the bankruptcy court, and therefore cannot be rejected or otherwise affected in a Chapter 11 proceeding. Alternatively, appellant argues that rejection should not have been permitted in this case because it was not sought in good faith and would not benefit the estate. A final argument is that the bankruptcy petition should have been dismissed because the debtor was not insolvent at the time the petition was filed, and lacked a genuine reorganization purpose, and because the petition was not filed in good faith.

I. Factual Background

James Taylor is a well-known professional musician and entertainer. From 1979 until mid-February 1988, he served as the lead singer and principal songwriter in a group known as “Kool and the Gang” (“The Group”).

The services of The Group were furnished pursuant to various contracts arranged through “furnishing companies”— corporate entities in which various members of The Group held ownership interests. Thus, Quintet Associates, Ltd. was a corporation formed by the members of The Group to handle its recording contracts. Fresh Start Music, Inc. handled The Group’s musical publishing business. A third corporation, variously known as Road Gang Enterprises, Inc. and/or Road Gang Associates, Ltd., arranged The Group’s concerts and tours.

Until 1985, Quintet contracted to provide The Group’s exclusive recording services to DeLite Recorded Sound Corp., and the individual members of The Group were required to furnish their recording services to Quintet so that Quintet could fulfill its contractual obligations to DeLite. In 1985, DeLite assigned its rights to Polygram Records, Inc., which entered into a new agreement with Quintet. Mr. Taylor and the other individual members of The Group executed “inducement letters” assenting to these arrangements. Concomitantly, Quintet entered into a music-publishing agreement with the appellant, Delightful Music, Ltd., which was a corporate affiliate of DeLite. This arrangement, too, was sanctioned by “inducement letters” executed by Mr. Taylor and other members of The Group.

In November 1986, similar arrangements were concluded between Fresh Start and Polygram for the services of Group members as songwriters; by this agreement, Polygram was required to pay royalties for songs written by Group members but not recorded by The Group.

In consequence of these contractual arrangements, appellant obtained the exclusive worldwide copyrights in all of the musical compositions of The Group, and of Mr. Taylor as a principal writer for The Group. Appellant was obliged to secure and protect copyrights, make master recordings *105 and other audio-visual reproductions of The Group’s compositions, print, publish and sell sheet music of The Group’s compositions, market these products and issue licenses, and collect performance fees. And Mr. Taylor was contractually obligated to compose and perform, as a principal member of The Group, musical compositions sufficient to produce at least eight record albums (subject to various options). In the event Mr. Taylor should terminate his membership in The Group, he would remain personally liable to fulfill his remaining obligations as a solo artist — i.e., to compose and perform enough musical compositions to produce the required minimum number of albums — under a “leaving member clause” in the pertinent agreements.

Upon completion of a February 1988 tour of The Group, Mr. Taylor left The Group to pursue a solo career. The bankruptcy petition was filed on May 23, 1988. At that time, only one album had been released.

Beginning at least as early as 1985, The Group and its various related corporate entities experienced financial difficulties, apparently due in large part to life-styles involving unduly lavish expenditures, in excess of the substantial income generated by their performances. They borrowed money, from banks, their agent, and their pension funds, and these advances were secured by assignments of future revenues under the recording agreements, as well as by the personal guarantees of The Group members, including Mr. Taylor.

When the bankruptcy petition was filed, Mr. Taylor was in the following unenviable position: he was owed substantial amounts by Group entities, but with virtually no prospect of payment; he was contractually obliged to write and perform enough musical compositions to provide at least seven additional albums, but any revenues these efforts might generate would be retained by The Group’s creditors; and he had personally guaranteed the obligations of The Group and its related entities in amounts greatly in excess of the remaining equity in his home, which was his only significant asset.

II. Dismissal of the Bankruptcy Petition

If the bankruptcy court and district court erred in refusing to dismiss the bankruptcy proceeding in its entirety, the issue of contract-rejection would be moot. We therefore first address the dismissal question.

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913 F.2d 102, 23 Collier Bankr. Cas. 2d 1035, 1990 U.S. App. LEXIS 15480, 20 Bankr. Ct. Dec. (CRR) 1515, 1990 WL 125762, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-the-matter-of-james-taylor-debtor-delightful-music-ltd-v-james-ca3-1990.