Faggionato v. Lerner

500 F. Supp. 2d 237, 2007 U.S. Dist. LEXIS 23443, 2007 WL 959102
CourtDistrict Court, S.D. New York
DecidedMarch 30, 2007
Docket06 Civ. 2614(LAP)
StatusPublished
Cited by9 cases

This text of 500 F. Supp. 2d 237 (Faggionato v. Lerner) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Faggionato v. Lerner, 500 F. Supp. 2d 237, 2007 U.S. Dist. LEXIS 23443, 2007 WL 959102 (S.D.N.Y. 2007).

Opinion

*239 MEMORANDUM AND ORDER

PRESKA, District Judge.

Plaintiff Anne Faggionato (“Faggiona-to”) brought the above-captioned action seeking specific performance, damages including lost profit and/or sales commissions and damages for loss of reputation, and costs, of a supposed agreement by Defendant Randolph D. Lerner (“Lerner”) to purchase a painting. Lerner now moves to dismiss this action pursuant to Rule 12(b)(1) of the Federal Rules of Civil Procedure for lack of subject matter jurisdiction and Rule 12(b)(6) for failure to state a claim upon which relief may be granted. For the following reasons, the motion to dismiss for lack of standing is granted.

BACKGROUND

Faggionato is a citizen of the United Kingdom and a dealer in paintings. (Complaint, filed April 3, 2006 (“Compl.”) ¶ 1.) Lerner is a citizen of the United States and a resident of New York City. (Comply 2.) This lawsuit alleges the breach of a contract to purchase a painting of a haystack (“meule” in French) by the painter Claude Monet 1 (the “Painting”) and seeks damages in the sum of $13 million, the alleged sales price of the Painting. (Comply 5.) Faggionato alleges that Lerner entered into a binding agreement to purchase the Painting, subject to receiving the customary documentation establishing its authenticity and provenance. (CompU 5.) Faggionato asserts that this documentation was supplied to Lerner on or about February 2, 2006, but that Lerner refused to consummate the purchase. (Comply 5.)

Lerner maintained a relationship with an established New York art dealer Curt Marcus (“Marcus”) and informed Marcus of his desire to purchase a Monet haystack. (ComplY 9.) In May, 2005, Marcus sought Faggionato’s help in locating such a painting. (Compl. ¶ 10.) In November, 2005, Faggionato informed Marcus that she had located an early Monet haystack, the Painting, which had not been included in the Wildenstein Institute’s comprehensive catalogue of Monet’s works. (Comply 11.) The Wildenstin Institute (“Wildenstein”) is an expert on Monet paintings and the publisher of the comprehensive catalogue raisonné of Monet’s paintings. (Comply 12.) A document issued by Wildenstein (often called an “attestation” or “certificate”) attesting that a painting is or will be listed in the Wilden-stein catalogue raisonné is evidence of a painting’s authenticity. (Comply 12.)

Between November 30, 2005, and January 10, 2006, Faggionato and Marcus exchanged a series of e-mails concerning the Painting, including Lerner’s questions about the Painting. (ComplY 12.) These questions concerned the authenticity of the Painting, its provenance, condition, ownership, and the reason for its absence from the Wildenstein catalogue raisonné. (Compl. ¶ 14, Declaration of Leonard S. Baum, Esq., dated June 30, 2007, (“Baum Deck”), Ex. B.) On September 8, 2005, the Wildenstein Institute executed an attestation letter stating that the Painting would be included in an upcoming supplement to the catalogue raisonné. (Compl. ¶ 15, Baum Deck, Ex. A.)

On December 22, 2005, Marcus wrote to Faggionato, stating that Lerner sought a confirmed date to view the Painting. (Compl. ¶ 16, Baum Deck, Ex. C.) On December 27, 2005, Marcus wrote to Fag-gionato, stating that Lerner “has already *240 allocated the money for this purchase” and that “pending the viewing, confirmation of date, as well as condition, he will act fast____ His wife approves, his accountant completely approves, the money is sitting and waiting.” (Compl. ¶ 17, Baum Deck, Ex. D.)

On January 4, 2006, Faggionato asked Marcus for a document from Lerner’s lawyer or banker confirming Lerner’s readiness to pay $13 million for the Painting. (Comply 16.) Also on January 4, 2006, Douglas C. Jacobs, an accountant for Lerner, executed a “letter of intent” stating that Lerner is, “prepared to purchase the Monet ‘Meule’ painting in the amount of U.S. $13 Million, subject to his viewing and approval, and the receipt of customary documentation.” (Compl. ¶ 18, Baum Deck, Ex. E at 3.)

On January 7, 2006, Marcus wrote to Faggionato stating that he had two questions: “1. Was the painting originally purchased from the artist or through a dealer? 2. Will my client receive a bill of sale from the owner? Will we know the original owners [sic] identity?” (Compl. ¶ 21, Baum Deck, Ex. H at 1.) Faggionato responded that the first purchase would be “disclosed in ‘Provenance’ and can be checked in due course (through Wilden-stein Institute).” (Compl. ¶ 21, Baum Deck, Ex. H at 2.) However, as to the second question, Faggionato replied that Lerner would not receive a bill of sale from the owner, but would learn of his identity “in due course.” (Compl. ¶21, Baum Deck, Ex. H at 2.) Also on January 7, 2006, Marcus wrote to Faggionato expressing Lerner’s concern “as to what recourse he would have, should he receive a letter one day from a collector in Paraguay stating that they are the actual owners ... if he does not have a bill of sale from either the owners/seller or from a company that traditionally deals with this kind of transaction/money.” (Compl. ¶ 22, Baum Deck, Ex. I at 1.) Faggionato replied, “Fret not my friend[ ] the painting has been in the same family for the last 100 years, Art [L]oss Register ha[s] no record, I am working on the disclosure issue and the pigment analysis has already been done.” (Compl. ¶ 22, Baum Deck, Ex. I at 3.)

Kendris Private is a prominent wealth management firm in Europe and a manager of Nouvelle Soeiété Anonyme des Arts, the company with which Faggionato was working in implementing the sale. (ComplA 18.) On January 8, 2006, Lerner’s assistant, Kim Lazzara, wrote to Kendris Private stating that she would wire a 10% refundable deposit on January 9, for the Painting that Lerner would be viewing in Paris on January 10. (Comply 25.) On January 8, 2006, Fag-gionato wrote to Marcus, “On [T]uesday [m]orning [January 10], I will produce 3 copies of a file containing: description of the painting!,] copy of the Certifieate[,] copy of the Passport[,] copy of both condition reports[,] copy of the search result in the Art Loss Register[,] and and any other relevant documents.” (Compl. ¶ 24, Baum Deck, Ex. J.) Faggionato alleges that on January 9 or 10, she delivered copies of those documents, including the [Wilden-stein] certificate, two condition reports, and search results from the Art Loss Register, but not the export license for the Painting (the “Passport.”) 2 (CompU 24.) In her originally filed Complaint, Faggion- *241 ato claims to have delivered the Art Loss Register report on January 9 or 10, but later notes in the annotated Complaint submitted in the Baum Declaration dated June 30, 2007, that “it appears that the Art Loss Register was issued January 17, 2006” but does not explain this inconsistency with the allegation in the Complaint. (Compl.

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Bluebook (online)
500 F. Supp. 2d 237, 2007 U.S. Dist. LEXIS 23443, 2007 WL 959102, Counsel Stack Legal Research, https://law.counselstack.com/opinion/faggionato-v-lerner-nysd-2007.