Faggionato v. Lerner

500 F. Supp. 2d 237, 2007 U.S. Dist. LEXIS 23443, 2007 WL 959102

Opinion

MEMORANDUM AND ORDER

PRESKA, District Judge.

Plaintiff Anne Faggionato (“Faggiona-to”) brought the above-captioned action seeking specific performance, damages including lost profit and/or sales commissions and damages for loss of reputation, and costs, of a supposed agreement by Defendant Randolph D. Lerner (“Lerner”) to purchase a painting. Lerner now moves to dismiss this action pursuant to Rule 12(b)(1) of the Federal Rules of Civil Procedure for lack of subject matter jurisdiction and Rule 12(b)(6) for failure to state a claim upon which relief may be granted. For the following reasons, the motion to dismiss for lack of standing is granted.

BACKGROUND

Faggionato is a citizen of the United Kingdom and a dealer in paintings. (Complaint, filed April 3, 2006 (“Compl.”) ¶ 1.) Lerner is a citizen of the United States and a resident of New York City. (Comply 2.) This lawsuit alleges the breach of a contract to purchase a painting of a haystack (“meule” in French) by the painter Claude Monet 1 (the “Painting”) and seeks damages in the sum of $13 million, the alleged sales price of the Painting. (Comply 5.) Faggionato alleges that Lerner entered into a binding agreement to purchase the Painting, subject to receiving the customary documentation establishing its authenticity and provenance. (CompU 5.) Faggionato asserts that this documentation was supplied to Lerner on or about February 2, 2006, but that Lerner refused to consummate the purchase. (Comply 5.)

Lerner maintained a relationship with an established New York art dealer Curt Marcus (“Marcus”) and informed Marcus of his desire to purchase a Monet haystack. (ComplY 9.) In May, 2005, Marcus sought Faggionato’s help in locating such a painting. (Compl. ¶ 10.) In November, 2005, Faggionato informed Marcus that she had located an early Monet haystack, the Painting, which had not been included in the Wildenstein Institute’s comprehensive catalogue of Monet’s works. (Comply 11.) The Wildenstin Institute (“Wildenstein”) is an expert on Monet paintings and the publisher of the comprehensive catalogue raisonné of Monet’s paintings. (Comply 12.) A document issued by Wildenstein (often called an “attestation” or “certificate”) attesting that a painting is or will be listed in the Wilden-stein catalogue raisonné is evidence of a painting’s authenticity. (Comply 12.)

Between November 30, 2005, and January 10, 2006, Faggionato and Marcus exchanged a series of e-mails concerning the Painting, including Lerner’s questions about the Painting. (ComplY 12.) These questions concerned the authenticity of the Painting, its provenance, condition, ownership, and the reason for its absence from the Wildenstein catalogue raisonné. (Compl. ¶ 14, Declaration of Leonard S. Baum, Esq., dated June 30, 2007, (“Baum Deck”), Ex. B.) On September 8, 2005, the Wildenstein Institute executed an attestation letter stating that the Painting would be included in an upcoming supplement to the catalogue raisonné. (Compl. ¶ 15, Baum Deck, Ex. A.)

On December 22, 2005, Marcus wrote to Faggionato, stating that Lerner sought a confirmed date to view the Painting. (Compl. ¶ 16, Baum Deck, Ex. C.) On December 27, 2005, Marcus wrote to Fag-gionato, stating that Lerner “has already allocated the money for this purchase” and that “pending the viewing, confirmation of date, as well as condition, he will act fast____ His wife approves, his accountant completely approves, the money is sitting and waiting.” (Compl. ¶ 17, Baum Deck, Ex. D.)

On January 4, 2006, Faggionato asked Marcus for a document from Lerner’s lawyer or banker confirming Lerner’s readiness to pay $13 million for the Painting. (Comply 16.) Also on January 4, 2006, Douglas C. Jacobs, an accountant for Lerner, executed a “letter of intent” stating that Lerner is, “prepared to purchase the Monet ‘Meule’ painting in the amount of U.S. $13 Million, subject to his viewing and approval, and the receipt of customary documentation.” (Compl. ¶ 18, Baum Deck, Ex. E at 3.)

On January 7, 2006, Marcus wrote to Faggionato stating that he had two questions: “1. Was the painting originally purchased from the artist or through a dealer? 2. Will my client receive a bill of sale from the owner? Will we know the original owners [sic] identity?” (Compl. ¶ 21, Baum Deck, Ex. H at 1.) Faggionato responded that the first purchase would be “disclosed in ‘Provenance’ and can be checked in due course (through Wilden-stein Institute).” (Compl. ¶ 21, Baum Deck, Ex. H at 2.) However, as to the second question, Faggionato replied that Lerner would not receive a bill of sale from the owner, but would learn of his identity “in due course.” (Compl. ¶21, Baum Deck, Ex. H at 2.) Also on January 7, 2006, Marcus wrote to Faggionato expressing Lerner’s concern “as to what recourse he would have, should he receive a letter one day from a collector in Paraguay stating that they are the actual owners ... if he does not have a bill of sale from either the owners/seller or from a company that traditionally deals with this kind of transaction/money.” (Compl. ¶ 22, Baum Deck, Ex. I at 1.) Faggionato replied, “Fret not my friend[ ] the painting has been in the same family for the last 100 years, Art [L]oss Register ha[s] no record, I am working on the disclosure issue and the pigment analysis has already been done.” (Compl. ¶ 22, Baum Deck, Ex. I at 3.)

Kendris Private is a prominent wealth management firm in Europe and a manager of Nouvelle Soeiété Anonyme des Arts, the company with which Faggionato was working in implementing the sale. (ComplA 18.) On January 8, 2006, Lerner’s assistant, Kim Lazzara, wrote to Kendris Private stating that she would wire a 10% refundable deposit on January 9, for the Painting that Lerner would be viewing in Paris on January 10. (Comply 25.) On January 8, 2006, Fag-gionato wrote to Marcus, “On [T]uesday [m]orning [January 10], I will produce 3 copies of a file containing: description of the painting!,] copy of the Certifieate[,] copy of the Passport[,] copy of both condition reports[,] copy of the search result in the Art Loss Register[,] and and any other relevant documents.” (Compl. ¶ 24, Baum Deck, Ex. J.) Faggionato alleges that on January 9 or 10, she delivered copies of those documents, including the [Wilden-stein] certificate, two condition reports, and search results from the Art Loss Register, but not the export license for the Painting (the “Passport.”) 2 (CompU 24.) In her originally filed Complaint, Faggion- ato claims to have delivered the Art Loss Register report on January 9 or 10, but later notes in the annotated Complaint submitted in the Baum Declaration dated June 30, 2007, that “it appears that the Art Loss Register was issued January 17, 2006” but does not explain this inconsistency with the allegation in the Complaint. (Compl. ¶ 24, Baum Decl., Annotated Complaint, filed June 30, 2007, ¶¶ 19, 24.) On January 9, 2006, Lerner’s lawyer, Joseph DeCampo wrote to Marcus describing the type of documentation De Campo wanted but also noting that if Lerner liked the Painting, the “next step would be to document the sale either in the form of a sales contract or bill of sale which we assume would be a direct contract between the sellers and our client, individually. It is this document that the seller will make various representations and warranties.” (Compl. ¶ 26, Baum Deck, Ex. L.)

On January 10, 2006, Lerner inspected the Painting at the offices of Art Transit in Paris. (Compkf 27.) That day, Lerner asked Faggionato for the Painting’s provenance. (Compkt 28.) Faggionato replied that “she could not guarantee that she could convince the owners to reveal their identities on official documents.” (Compkf28.) Faggionato claims that on January 10, 2006, at 5:00 pm, Lerner orally announced to Faggionato and Marcus, “I have made my decision. I am buying the painting.” (Comply 29.) Faggionato asserts that Lerner requested no payment terms but stated that as soon as the paperwork was finished, he would pay the $13 million purchase price. (Compl. ¶ 30.) Faggionato alleges that she then said to Lerner “that this was good news because it would assist her in convincing the French owners to disclose their identities on the written provenance.” (Comply 30.) Faggionato claims that based on Lerner’s agreement to purchase the Painting, and the terms of sale, she advised the owner’s representative that the painting had been sold and she discontinued any further effort to sell the painting. (Comply 31.)

On January 11, 2006, Marcus wrote to Faggionato that “Randy [Lerner] put many wheels in motion based on our initial suggestion of urgency” and also reported on his conversation with DeCampo “to reiterate” that they now needed more time “to get the documents reviewed and confirmed once they are all in hand.” (ComplA 34.) On January 13, 2006, Marcus e-mailed Faggionato a series of “concerns about a number of points of authenticity” that Lerner had raised, including asking for the owners’ name to be placed on the Certificate of Authenticity (issued by Wildenstein), were there other interested parties, and whether Lerner could hire another expert to view the Painting. (Compl. ¶ 37, Baum Deck, Ex. Q.) On January 14, 2006, Faggionato answered Lerner’s questions, explaining that she had not encountered a false or revoked Certificate of Authority; that she would ask whether the owners’ names could be listed in the upcoming supplement to the cata-logue raisonné; that Wildenstein had originally been contacted by the owners and that Wildenstein had tried to buy the painting in the past and might try again and that the Baltimore Museum had learned of the painting through Wilden-stein. (Compl. ¶ 39, Baum Deck, Ex. R.) Also, Faggionato explained that if Lerner were to proceed with a new expert viewing the Painting, it could “suggest to the sellers a wavering by Lerner with uncertain results.” (Compl. ¶ 39, Baum Deck, Ex. R.)

On January 17, 2006, Marcus wrote to Faggionato that Lerner did not have the “comfort level” that he had requested to proceed with an immediate deposit and desired further proof. (Compl. ¶ 41, Baum Deck, Ex. T.) On January 21, 2006, Marcus advised Faggionato that Lerner continued to love the painting but did not like buying it without “more transparency” and was seeking more documentation and clarity. (Compl. ¶ 43, Baum Deck, Ex. V.)

On February 2, 2006, Faggionato wrote to Marcus stating that the Painting “finally has a full set of documents,” alleging that the conditions Lerner had requested in terms of documentation had been met. (Compl. ¶ 45, Baum Deck, Ex. X.) Marcus replied that day to Faggionato commenting on the “terrific news” but also reminding Faggionato that there were documents that Lerner had still requested for full documentation of the Painting, including a written bill of sale. (See Compl. ¶ 46, Baum Deck, Ex. X at 2.) On February 4, 2006, Marcus wrote an email to Faggiona-to expressing Lerner’s concerns, stating that part of the difficulty was that “you represent the owner and know his identity, while my client and I do not” and reiterating that there was still a pending list of required information made by Lerner and his lawyer. (Baum Deck, Ex. Y at 1.)

On February 6, 2006, Marcus reported to Faggionato that Lerner had chosen not to purchase the Painting in part because “we were not forthcoming with his requests [for documents] and the lawyers needs.” (ComplY 49, Baum.Deck, Ex. Z.) On February 9, 2006, Faggionato sent the full provenance of the Painting to Marcus. (Compl. ¶ 51, Baum Deck, Ex. BB, Declaration of Benito Romano, Esq., dated May 16, 2006, (“Romano Deck”), Ex. Q.) 3

On February 10, 2006, Kendris Private caused an invoice for $13 million, the Painting’s Passport, an Art Loss Register document, and the provenance of the Painting to be sent to DeCampo. (Compl. ¶ 51, Baum Deck, Ex. BB.) On February 13, 2006, DeCampo wrote to Kendris Private rejecting the sale documents and stating, “Mr. Lerner had abandoned any attempt to purchase this painting several weeks ago and we have had no communication regarding this transaction in over a month.” (Comply 52.)

Faggionato alleges that, “[o]n January 10, 2006, Lerner entered into a binding agreement with Faggionato, in Paris, France to purchase the [Painting], subject to receiving the customary documentation establishing [its] authenticity and provenance.” (Comply 5.) Faggionato asserts that this documentation was supplied to Lerner, but that on February 2, 2006, Lerner refused to consummate the purchase. (ComplY 5.) Faggionato now seeks specific performance, damages, and costs. (Comphffl 56-59.)

In response to the present motion, Fag-gionato has withdrawn her first claim for specific performance and that part of her second claim seeking, on behalf of the owner, any diminution in the sale price to another buyer. (Plaintiffs Memorandum of Law in Opposition to Defendant’s Motion to Dismiss, filed June 30, 2006, (“PI. Opp.Memo”), at pp. 2-3.)

DISCUSSION

Jurisdiction and Venue

This Court has subject matter jurisdiction over this action under 28 U.S.C. § 1332, diversity jurisdiction, as Faggiona- to is a citizen of a foreign country, and Lerner is a United States citizen. Venue is proper in that Lerner resides in the Southern District of New York.

Legal Standard for Dismissal

“A case is properly dismissed for lack of subject matter jurisdiction under Rule 12(b)(1) when the district court lacks the statutory or constitutional power to adjudicate it.” Makarova v. United States, 201 F.3d 110, 113 (2d Cir.2000). A plaintiff bears the burden of proving by a preponderance of the evidence that subject matter jurisdiction exists. See McNutt v. General Motors Acceptance Corp., 298 U.S. 178, 189, 56 S.Ct. 780, 80 L.Ed. 1135 (1936); Luckett v. Bure, 290 F.3d 493, 496 (2d Cir.2002). Jurisdictional allegations must be shown affirmatively and may not be inferred favorably to the party asserting them. See In re Nat. Australia Bank Secs. Litig., No. 03 Civ. 6537, 2006 WL 3844465, at *2 (S.D.N.Y. Oct. 25, 2006) (citing Shipping Fin. Servs. Corp. v. Drakos, 140 F.3d 129, 131 (2d Cir.1998)). In resolving the question of subject matter jurisdiction, the district court may refer to evidence outside the pleadings. Luckett v. Bure, 290 F.3d 493, 496-497 (2d Cir.2002)(citing Makarova v. United States, 201 F.3d 110, 113 (2d Cir.2000)); see Flores v. Southern Peru Copper Corp., 414 F.3d 233, 255 n. 30 (2d Cir.2003)(quoting Filetech S.A. v. France Telecom S.A., 157 F.3d 922, 932 (2d Cir.1998))(Although courts are generally limited to examining the sufficiency of the pleadings on a motion to dismiss, “on a challeng[e][to] the district court’s subject matter jurisdiction, the court may resolve disputed jurisdictional fact issues by reference to evidence outside the pleadings.”). Also, the parties in this case agree that on a motion to dismiss, the Court may explore the contents of the documents referred to in the Complaint. 4 (See Baum Deck, ¶ 2.)

The Supreme Court in FW/PBS Inc. v. City of Dallas, 493 U.S. 215, 231, 110 S.Ct. 596, 107 L.Ed.2d 603 (1990) has noted that “[i]t is a long-settled principle that standing cannot be inferred argumentatively from the averments in the pleadings, but rather must appear in the record.” (citations and quotations omitted). Cf. Brooklyn Legal Services Corp. v. Legal Services Corp., 462 F.3d 219, 226 (2d Cir.2006)(holding that “on a motion to dismiss for lack of standing, we presume the general factual allegations embrace those facts necessary to support the claim” and “construe all reasonable inferences to be drawn from those [jurisdictional] allegations in plaintiffs’ favor”)(internal citations omitted). The Court of Appeals has also noted that it will “take as true uncontroverted factual allegations” and “construe jurisdictional allegations liberally” but it will “not draw ‘argumentative inferences’ in the plaintiffs favor”. Robinson v. Overseas Military Sales Corp., 21 F.3d 502, 507 (2d Cir.1994). On this motion, the Court will follow the teaching of FW/PBS and Robinson. Choice of Law

A federal court with diversity jurisdiction applies the choice of law rules of the forum state. Klaxon Co. v. Stentor Elec. Mfg. Co., 313 U.S. 487, 496, 61 S.Ct. 1020, 85 L.Ed. 1477 (1941). New York courts apply the law of the jurisdiction with the “most significant relationship with the occurrence and with the parties.” Babcock v. Jackson, 12 N.Y.2d 473, 240 N.Y.S.2d 743, 191 N.E.2d 279, 284 (1963)(eiting Restatement, Second, Conflict of Laws, § 379(1)). With respect to a case alleging breach of contract, New York applies a “center of gravity” or “grouping of contacts” analysis which allows a court to consider a spectrum of significant contacts. Beth Israel Medical Center v. Horizon Blue Cross and Blue Shield of New Jersey, Inc., 448 F.3d 573, 583 (2d Cir.2006)(internal citations omitted).

In In re Allstate Ins. Co., 81 N.Y.2d 219, 597 N.Y.S.2d 904, 613 N.E.2d 936 (1993)(“Stolarz”), the New York Court of Appeals listed several factors that a court should consider in a conflict of law analysis in a contract case. These factors include “the place of contracting, negotiation, and performance; the location of the subject matter of the contract; and the domicile of the contracting parties.” Id. at 940 (citing Restatement (Second) of Conflict of Laws, § 188(2)(1971)). The traditional choice of law factors, the places of contracting and performance, are given the heaviest weight in this analysis. Brink’s Limited v. South African Airways, 93 F.3d 1022, 1031 (2d Cir.1996)(citing Stolarz, 597 N.Y.S.2d 904, 613 N.E.2d at 940).

Here, the most significant contacts and events occurred in France. Lerner traveled to France in order to view the painting, which was located in France. At least some of the negotiations took place in France, and many of the required documents were obtained in France from either French governmental authorities or French companies. The only connection to New York is Lerner’s United States citizenship and domicile.

In the choice of law analysis, New York courts also determine whether there is an actual conflict between the substantive laws of the jurisdictions involved. Stolarz, 597 N.Y.S.2d 904, 613 N.E.2d at 937. As described below, the Court accepts the opinions of the French law experts and, based on their analysis of what may be used under French law to prove a contract, concludes that there is a substantive difference between applicable New York law and French law. For example, under French law, Article 1347 of the French Civil Code allows testimonial proof of contract formation if the party can demonstrate that there has been a beginning of proof in writing, which serves as an exception to the formal writing generally required to prove a contract. (See infra) New York law does not offer an explicitly equivalent exception to the Statute of Frauds for a contract for sale of goods worth $500 or more. See N.Y.U.C.C. § 2-201(1).

Federal Rule of Civil Procedure 44.1 provides that “[t]he court, in determining foreign law may consider any relevant material or source, including testimony, whether or not submitted by a party or admissible under the Federal Rules of Evidence.” Fed.R.Civ.P. 44.1. Rule 44.1 grants the district court wide latitude in resolving issues of foreign law, and the court’s determination shall be treated as a ruling on a question of law. See Rutgerswerke AG v. Abex Corp., No. 93-2914, 2002 WL 1203836 (S.D.N.Y. June 4, 2002). The Court of Appeals has noted that “[f]re-quently, the proper determination of foreign law can be complicated task. Rule 44.1 is intended to assist the court with its work and the court is, of course, free to enlist the parties in this effort. Ultimately, the responsibility for correctly identifying and applying foreign law rests with the court.” Rationis Enterprises Inc. of Panama v. Hyundai Mipo Dockyard Co., 426 F.3d 580, 586 (2d Cir.2005). In acting under Rule 44.1, a court may reject even uncontradicted expert testimony and reach its own decisions on the basis of independent examination of foreign legal authorities. Rutgerswerke AG, 2002 WL 1203836, at *16. The Court of Appeals has urged district courts to “invoke the flexible provisions of Rule 44.1” to determine issues of foreign law. Curley v. AMR Corp., 153 F.3d 5, 13 (2d Cir.1998).

French Law Analysis

The Court’s interpretation of French law, as set forth below, is based on the expert law declarations submitted by both parties. In the areas where the two experts, Professor Christian Larroumet and Professor Nicolas Molsfessis, overlap, they do not appear to be in disagreement, and those areas of law are accepted by the Court. (See Declaration of Professor Lar-roumet, executed on May 15, 2006, (“Lar-roumet Decl.”), Declaration of Professor Nicolas Molfessis, executed on June 29, 2006, (“Molfessis Decl.”).) Ultimately, it appears that Professor Larroumet’s conclusions are more persuasive and informative, and it is the “persuasive force of the opinions” expressed that is conclusive under Rule 44.1. Itar-Tass Russian News Agency v. Russian Kurier, Inc., 153 F.3d 82, 92 (2d Cir.1998). While the Court does accept most of Professor Molfessis’ exposition of French law, much of the law he examines relating to a situation where Faggionato supposedly intended and had contracted to purchase the Painting from the owner or the owner’s intermediary in order to resell it to Lerner is not applicable in the present action because Faggion-ato never pled such a relationship in her Complaint and the accompanying documents are inconsistent with such a relationship.

Professor Larroumet is a professor of civil and commercial law at the University Panthéon-Assas (Paris) and is also an attorney at law of the Paris Bar. (Larroumet Decl.) In addition, Professor Larroumet is the director and partial author of a treatise on civil law and also has written numerous articles in French and foreign law reviews, many that specifically relate to the law of contracts. Thus, as demonstrated by his curriculum vitae, Professor Larroumet is eminently qualified to opine on the issues presented.

Professor Molfessis is a professor of, among other things, civil law and the law of obligations (contracts) at the University Panthéon-Assas (Paris). Professor Mol-fessis is also the member of various legal boards and committees on French law, and has published numerous books, articles, and notes including some on contract law. Thus, as demonstrated by his curriculum vitae, Professor Molfessis is eminently qualified to opine on the issues presented.

Professor Larroumet notes from the outset that under French law, “the most important requirement to admit the existence of a contract is the meeting of the minds.” (Larroumet Decl. at ¶ 26.) Professor Molfessis does not address such a requirement, but such a requirement is a widely recognized element of contract formation and the Court accepts Professor Larroumet’s assessment that a meeting of the minds is necessary for a contract to be valid under French law.

Professor Larroumet proceeds to examine various relationships that might have existed between the parties involved in the action and then examines whether the facts disclosed in the Complaint and documents referred to therein would support the finding of any such relationships under French law. The first characterization of the relationships is a contract of agency (mandat), where an intermediary, the agent, enters into a legal transaction on behalf of and in the name of another person, the principal. (Larroumet Decl. at ¶ 14.) Such a legal transaction concluded by an agent would be deemed as entered into by the principal but the agent must be in a position to “justify that it has been duly and specifically entrusted with filing such an action in the name and on behalf of the principal.” (Larroumet Decl. at ¶¶ 14-15.) However, to be duly characterized as an agent, to have such authority to enter into legal transactions for the principal, one has to justify having received powers to act in such a capacity. (Larroumet Decl. at ¶ 15.) Professor Larroumet concludes that this relationship did not exist here for two reasons: (1) because Faggion-ato has not proved, and has not even claimed, that she had been granted powers to conclude the sale of the painting with defendant in the name and on behalf of the owner of said painting; and (2) because it is necessary that the identities of both the agent and the principal and their respective capacities be known by the third party, and in this case, the name of the owner was not disclosed to Lerner at the time when the contract was allegedly entered into. (Larroumet Decl. at ¶¶ 15-16.) Professor Molfessis does not appear to dispute this analysis of the requirements for an agent/principal relationship, and thus the Court accepts this analysis by Professor Larroumet on the lack of a proper agent/principal relationship (mandat) in this action.

Professor Larroumet then examined the possibility that the contract was concluded pursuant to a declaration de command, which is where one person (the “command”) asks another person (the “com-mandé”) to enter into a contract on behalf of the former. (Larroumet Decl. at ¶ 17.) The commandé must tell the other party to the contract that he is not concluding the contract for himself, but at the outset, the commandé does not disclose the identity of the command. (Larroumet Decl. at ¶ 17.) “It is only after the sale is entered into that the name of the command must be disclosed and the disclosure has to be made very quickly after the sale has been concluded.” (Larroumet Decl. at ¶ 17.) Professor Larroumet goes on to explain that this relationship could not have existed in the present action because this type of transaction is used to hide the identity of the buyer only, not that of a seller. (Larroumet Decl. at ¶ 18.) In addition, Professor Larroumet notes, if a contract has been concluded by a legitimate com-mandé, this does not allow the commandé to sue the other party for specific performance. (Larroumet Decl. at ¶ 18.) Professor Molfessis does not appear to dispute this legal analysis, and, pursuant to Rule 44.1, the Court accepts Professor Lar-roumet’s analysis of this legal relationship.

Professor Larroumet next examines the possibility of a convention de préte-nom, which is also referred to as an interposition de personne. In this circumstance, a straw man agrees to act in a legal transaction in his own name on behalf and in the interest of another person “because that one does not want to disclose his identity.” (Larroumet Decl. at ¶ 19.) The convention de préte-nom is valid under French law provided that it is not used to pursue fraudulent aims. (Larroumet Decl. at ¶ 20.) “The legal effect of the convention de préte-nom is that, since the party who has concluded the contract with the préte-nom has acted on behalf of another person and does not know the name of the principal, the préte-nom, in his relationship with the contracting party, must be considered as concluding the contract for himself.” (Larroumet Decl. at ¶ 20.) That means that, if the party who entered into the contract with the préte-nom does not perform, the préte-nom may claim in his own name against that party, and the hidden principal could sue the contracting party only if the préte-nom assigns the rights and obligations arising under the contract to the principal. (Larroumet Decl. at ¶ 20.)

Professor Larroumet explains that there are three reasons why this relationship could not have existed in this action. First, “it has never been made clear who would play the role of the intermediary between defendant and the owner of the painting.” (Larroumet Decl. at ¶ 22.) While Faggionato seems to claim that she was the one who had been “entrusted with this task,” Professor Larroumet notes that it is indicated on draft bill of sale forwarded to Lerner in February 2006, that “Ken-dris is the intermediary which would enter into the contract in its own name.” (Lar-roumet Decl. at ¶ 22.) Thus, it is not clear that the proper party playing the role of préte-nom could have been identified. The second reason Professor Larroumet identifies why this relationship could not have existed is that Faggionato admits that “at the time the oral agreement was allegedly entered into, i.e., January 10, 2006, she did not know herself the name of the actual owner of the painting.” (Larroumet Decl. at ¶ 23.) Professor Larroumet concludes that it is not possible to claim that Fag-gionato was duly empowered to act as a strawman on behalf of the owners of the Painting, whose identity she did not know. (Larroumet Decl. at ¶ 23.) The third reason Professor Larroumet states that the convention de préte-nom could not have existed is because one cannot consider the effects of the existence of a convention de préte-nom before the contract for which one party wishes to hide its identity is entered into; thus one “cannot have the capacity of préte-nom if no contract has been entered into.” (Larroumet Deck at ¶ 24.) Professor Larroumet also examines whether a contract had been properly entered into in this action. Professor Mol-fessis does not examine the convention de préte-nom, and, for that reason and because it is persuasive, Professor Larroum-et’s examination of this relationship is accepted. However, Professor Molfessis does examine the question of whether there was a contract entered into, and thus the Court examines the analysis of both experts and their respective conclusions.

Both experts agree that any contract involving an amount greater than 1500 euros can be proved formally only through a writing that records the terms of the contract. (Larroumet Deck at ¶ 27, Molfessis Deck at ¶ 16.) However if there is no such document, under Article 1347 of the French Civil Code, there is an exception to the writing requirement if there exists a “beginning of proof in writing.” (Molfessis Deck at ¶ 16) (See Larroumet Deck at ¶ 27.) Under this exception, a written document issued by the person against whom the claim is made or by a representative agent of that person, may be used to prove the beginning of proof in writing. (Lar-roumet Deck at ¶28, Molfessis Deck at ¶¶ 16, 19.) Professor Molfessis states that the burden of proof of the beginning of proof in writing falls upon the person who is seeking to show the existence of such beginning. (Molfessis Deck at ¶ 20.)

Professor Molfessis concludes that there are three conditions that must be met in order to prove the beginning of a writing. First, there must be something written, and electronic writings are evaluated in the same manner as paper documents. (Molfessis Deck at ¶ 18.) Second, the writings must be issued by the person against whom they are enforceable or by his representative. (Molfessis Deck at ¶ 19.) Third, the beginning of proof in writing is not required to prove the alleged act, but only must make it more likely, “the result of this likelihood being that it authorizes the plaintiff to then show the corresponding proof by any means.” (Molfessis Deck at ¶21.) Professor Larroumet does not address directly these three considerations but he does examine the necessity that the document be from a duly authorized agent of the person against whom the document is enforceable. (Larroumet Deck at ¶ 28.) Thus, the main area of disagreement between the French law experts appears to be whether various emails from parties other than Lerner suffice as the beginning of proof in writing because those people qualified as duly authorized agents for Lerner. The Court accepts the analysis of the requirements for a contract and the exceptions to the writing requirement under French law.

Professor Molfessis devotes a great deal of his declaration to explaining another relationship, which is raised for the first time in his declaration and in Faggionato’s opposition papers, submitted, of course, after the Complaint and in response to Lerner’s motion to dismiss. Professor Molfes-sis asserts that Faggionato intended to buy the Painting from the owner’s intermediaries in order to resell the Painting to Lerner. (Molfessis Decl. at ¶¶ 9-10.) 5 Professor Molfessis states that “we must infer that Mrs. Faggionato was prepared to purchase the work from Natural Lecoul-tre, a representative of the original owner, the latter having purchased it from the actual owner. It was therefore a resale, which is to say a new sale, which was to take place to Mr. Lerner’s benefit for $13 million.” (Molfessis Decl. at ¶ 10.) Professor Molfessis concedes that the Painting was not Faggionato’s property at the time of the agreement but asserts that Faggion-ato “at the time of the sale of the Painting to Mr. Lerner, had made arrangements to purchase the painting from Natural Le-coultre, which was acting for the owner.” (Molfessis Decl. at ¶ 13.) Thus, Professor Molfessis claims that on the day of the alleged sale of the painting to Lerner, Faggionato “presented herself as the holder of a conditional right to the painting ... despite not being the owner.” (Molfessis Decl. at ¶ 13.) Professor Molfessis concludes that this position is an acceptable way to contract a sale, provided that Fag-gionato is “able to demonstrate the existence of a sale with Mr. Lerner, i.e., the existence of an agreement on the object and on the price.” (Molfessis Decl. at ¶ 15.) The Court accepts, under Rule 44.1, Professor Molfessis’ recitation of French law to the effect that a plaintiff may prosecute a breach of contract claim for sale of property which he does not own where he has the legal right to acquire the property. This new theory, however, was not pled in the Complaint, and, of course, the Court need not accept assertions contained in briefs. Also, upon examination of the documents referred to in the Complaint, it does not appear that such a relationship existed — with Faggionato as the owner of the Painting or having a conditional right to the Painting and then selling it to Lerner.

Faggionato Lacks Standing

In order to assert a claim in federal court, a plaintiff must be able to demonstrate that she has standing. Lujan v. Defenders of Wildlife, 504 U.S. 555, 560, 112 S.Ct. 2130, 119 L.Ed.2d 351 (1992); see also Alliance For Envtl. Renewal Inc., v. Pyramid Crossgates Co., 436 F.3d 82, 88 n. 2 (2d Cir.2006). The standing inquiry focuses on whether the plaintiff is a proper party to bring a claim and, as a result, “often turns on the nature and source of the claim asserted.” Raines v. Byrd, 521 U.S. 811, 818, 117 S.Ct. 2312, 138 L.Ed.2d 849 (1997). Where the claim asserted is contractual and the plaintiff is not a party to the contract or a third party beneficiary of the contract the claim must be dis missed. See e.g., Hylte Bruks Aktiebolag v. Babcock & Wilcox Co., 399 F.2d 289, 292 (2d Cir.1968) (affirming dismissal for lack of standing because plaintiff was neither a party to the contract or third party beneficiary); Israel v. Carpenter; No. 95 Civ. 2793, 1996 WL 257643, at *6 (S.D.N.Y. May 15, 1996) (plaintiff lacked standing to assert a claim related to a contract that was not between the parties).

In a diversity action, a plaintiff must meet both the Article III standing requirements and the standing requirements of applicable state law. Mid-Hudson Catskill Rural Migrant Ministry, Inc. v. Fine Host Corp., 418 F.3d 168, 173 (2d Cir.2005). Here, however, the Court has determined that French law, not New York law, applies to the action.

Under French law, as described above by Professor Larroumet and accepted by the Court, Faggionato was not a proper party to the contract and thus cannot seek relief on her claims. The Court accepts Professor Larroumet’s conclusions as persuasive.

Professor Larroumet pointed out that Faggionato was not a proper agent under the theory of mandat because Faggionato did not show that she had been granted powers to conduct the sale for the owners and because the identity of the owner (principal) was not revealed to the third-party (Lerner). Also, Professor Larroum-et explained that a declaration de command was not applicable in this transaction because that type of transaction is used to hide the identity of the buyer only, not the seller. Professor Larroumet concluded that Faggionato could not rightfully be labeled a préte-nom in a convention de préte-nom because it was not clear who would play the role of intermediary between Lerner and the actual owners, Fag-gionato did not know the name of the actual owner at time the oral agreement was allegedly entered into, and one cannot have the capacity of a préte-nom if a contract had not been entered into. Professor Larroumet examined the requirements for a contract under French law and determined that no valid contract ever existed and that there was not sufficient beginning of proof in writing to permit Faggionato to give more evidence through testimony. Since Faggionato did not fill any of the roles necessary to be a proper party to the contract, including not being the owner of the Painting at the time of the alleged contract negotiations or properly representing the owners, she lacks standing under French law.

Facts Do Not Support Faggionato’s New Claim of Ownership

In her opposition papers on this motion, Faggionato asserts a new claim that she had a conditional right to own the Painting because she was acting as a “middleman” in a back-to-back sales transaction that would enable her to resell the painting to Lerner. (See, PI. Opp. Memo at p. 10; Molfessis Decl.) However, Faggionato failed to assert such a relationship and related transaction in her Complaint.

Although the Federal Rules of Civil Procedure employ a liberal pleading standard, the pleadings are required to put a defendant on notice of the basis of a plaintiffs claims and must state more than mere legal conclusions. See Fed.R.Civ.P. 8; Cooper v. Parsky, 140 F.3d 433, 440 (2d Cir.1998). In this ease, Faggionato failed to allege in her Complaint that the back-to-back sale transaction theory is the basis for her lost profit claim, and therefore the Complaint fails to put Lerner on proper notice. There is no allegation that Fag-gionato had entered into an agreement to purchase the Painting from the owner to re-sell it to Lerner for a profit; there is no reference to a back-to-back transaction; there is no mention of an agreement be tween Faggionato, the owner, Natural Le-coultre, Galerie Du XXee Siecle, Jerome LeBlay, or any of the other entities Fag-gionato now claims were part of the alleged transaction. Accordingly, this claim may not be considered by the Court, both because it is only contained in briefs and because it violates the notice pleading requirement.

While in many cases, repleading might be permitted, the documents integral to the alleged transaction here demonstrate that repleading to articulate a claim consistent with Professor Molfessis’ legal theory that Faggionato was to be the seller to Lerner and that she had the legal right to acquire the Painting from the owner would be futile. Faggionato’s new allegation that she is the seller/owner is flatly contradicted by the documents that reflect the interaction between the parties. See e.g., Quatrochi v. Citibank, N.A., 210 A.D.2d 58, 618 N.Y.S.2d 820 (N.Y.App.Div.1994)(New York appellate court affirmed the dismissal of an action to recover lost profits from the aborted sale of a Renoir painting because the allegations in the complaint were “flatly contradicted” by the invoice and bill of sale attached to the complaint, which clearly established that the plaintiff was not the party to the transaction).

Every document that Faggionato claims reflects the purported sale — the deposit letters, the bill of sale, the draft contract, and the invoice — all name Kendris or Ibi-ma as the seller (Baum Decl. Exs. E, BB.) The Complaint and the documents fail to mention any specific relationship between Kendris and Faggionato; instead Faggion-ato explains that Kendris is a prominent wealth management firm in Europe and a manager of Nouvelle Société Anonyme des Arts (“Nouvelle”), the company with which Faggionato was working in implementing the sale. (ComplJ 18.) In various emails, Faggionato refers to the “owners” or the “sellers,” and it is evident that she is not referring to herself. Thus, Faggionato still lacks standing as she has no standing to sue on the rights of others, and the purported agreement is in the name of a party to whom she alleges no relationship in the Complaint. Similarly, in her January 14, 2006 email, Faggionato notes that “if the sellers detect the slightest wavering from Randy [Lerner] at this point there is no way of knowing what these paranoic [sic] lunatics will do.” (Baum Decl., Ex. R at 8.) All of these documents are inconsistent with Faggionato’s new position that she had a conditional right to acquire the Painting. (See Compl. ¶ 39, Baum Decl., Ex. R, a January 14, 2006 email in which Faggionato answers Lerner’s questions and notes that other parties have expressed interest in buying the Painting and that if Lerner tried to have another expert examine the painting, that might suggest to the sellers a wavering by Lerner.)

In a reply email to questions by Marcus on January 7, 2006, Faggionato noted that Lerner would not receive a bill of sale from the owners but from one of the other parties, either Faggionato’s gallery, Ken-dris, or Nouvelle but at that point Fag-gionato continues to acknowledge that there is an undisclosed owner — obviously not herself — whose identity would be revealed “in due course.” (Baum Decl., Ex. H.) In an email from Faggionato to Ms. Esther Notz, who was apparently the contact at Kendris, Faggionato mentions how the owners will use the deposit to pay the tax needed to export the Painting, and again it is clear that she is not referring to herself. (Baum Decl., Ex. S.) In fact, nowhere in the numerous emails sent by Faggionato to other people involved in the supposed transaction does Faggionato ever refer to the fact necessary for her new theory that she has a conditional right of ownership of the Painting or that she has conducted or will conduct a back-to-back transaction to make her the seller. If she had, then she would not be so worried about keeping the “owners” calm. Similarly, throughout the relevant time period, Lerner continued to seek the identity of the owners as evidenced by emails from Marcus to Faggionato and from Lerner’s lawyer to Marcus. (See Baum Deck, Exs. I, L, R, T.) Thus, Faggionato’s new theory is inconsistent with the documents proffered, and repleading to state that theory would be futile.

CONCLUSION

Based on the Complaint as well as an examination of the documents relied on by Faggionato in her Complaint, with the aid of the declarations of the French law experts, the Court finds that Faggionato lacks standing to sue. 6

The Court rejects Faggionato’s recently discovered theory of a back-to-back transaction because (1) Faggionato failed to allege properly such a relationship in her Complaint, and (2) the documents relied on by Faggionato in her Complaint are inconsistent with such a relationship. Thus, repleading would be futile. Accordingly, Lerner’s motion to dismiss [dkt. no. 5] is granted.

The Clerk of the Court shall mark this action closed and all pending motions denied as moot.

SO ORDERED.

1 . The French Impressionist artist Claude Monet (1840-1926) produced a famous series of haystack paintings in the 1890s. (Compl.t 6.) ’

2 . The ''Passport” is an export license that must be issued by French government. (Comply 47.) Faggoinato claims the owner had initiated the process in December, 2005, and that it usually takes one to four months to obtain the requisite approvals from museum personnel and the government. (Id.) An official passport for the Painting was issued on January 27, 2006. (Id.)

3 . The version of the February 9, 2006, "Provenance email” that was submitted by Faggionato was redacted completely. However, an unredacted version (with translation) submitted by Lerner shows that the end of the provenance states only that the Painting was "acquired by division of family estate in 2001” without revealing any more information about the family, such as a name. As discussed below, because Faggionato asserts that she disclosed the full provenance of the Painting to Lerner, it is integral to the case and may be considered on this motion.

4 . To the extent that the declarations of Leonard Baum, Esq., Faggionato's attorney, and Jerome LeBlay, an impressionist and modern art expert from Paris, France go beyond the allegations of the Complaint and the documents relied on in the Complaint, they are not cognizable on this motion.

5 . To the extent that Professor Molfessis' declaration includes facts beyond those alleged in the Complaint and the documents relied on in tire Complaint, they are not cognizable on this motion. Such facts are included in this section only for the purpose of discussing Professor Molfessis' opinion.

6 . As the Court determines the issue of standing to be dispositive, it will not reach the other arguments presented by Lerner. Lerner also argues (1) that the facts alleged cannot be interpreted to support the formation of a contract because (a) the alleged conduct evidences no intent to be bound and there was no meeting of the minds and (b) there is no binding agreement because the parties intended to be bound only by a written contract; (2) the alleged agreement is unenforceable under the Statute of Frauds; (3) Faggionato fails to assert a claim for lost commissions; (4) New York does not recognize a claim for damage to reputation.