Eugene Winfrey v. Boomplay Music; Transnet Music Limited; Zhaojian Zhu; Transsion Holdings Co. Ltd.

CourtDistrict Court, S.D. New York
DecidedMarch 19, 2026
Docket1:26-cv-01804
StatusUnknown

This text of Eugene Winfrey v. Boomplay Music; Transnet Music Limited; Zhaojian Zhu; Transsion Holdings Co. Ltd. (Eugene Winfrey v. Boomplay Music; Transnet Music Limited; Zhaojian Zhu; Transsion Holdings Co. Ltd.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Eugene Winfrey v. Boomplay Music; Transnet Music Limited; Zhaojian Zhu; Transsion Holdings Co. Ltd., (S.D.N.Y. 2026).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK EUGENE WINFREY, Plaintiff, -against- 26-CV-1804 (LLS) BOOMPLAY MUSIC; TRANSNET MUSIC ORDER TO AMEND LIMITED; ZHAOJIAN ZHU; TRANSSION HOLDINGS CO. LTD., Defendants. LOUIS L. STANTON, United States District Judge: Plaintiff, who is appearing pro se, brings this action asserting a claim of copyright infringement under 17 U.S.C. § 101 et seq. By order dated March 13, 2026, the Court granted Plaintiff’s request to proceed in forma pauperis (“IFP”), that is, without prepayment of fees. For the reasons set forth below, the Court grants Plaintiff leave to file an amended complaint within 60 days of the date of this order. STANDARD OF REVIEW The Court must dismiss an IFP complaint, or any portion of the complaint, that is frivolous or malicious, fails to state a claim on which relief may be granted, or seeks monetary relief from a defendant who is immune from such relief. 28 U.S.C. § 1915(e)(2)(B); see Livingston v. Adirondack Beverage Co., 141 F.3d 434, 437 (2d Cir. 1998). The Court must also dismiss a complaint when the Court lacks subject matter jurisdiction of the claims raised. See Fed. R. Civ. P. 12(h)(3).

While the law mandates dismissal on any of these grounds, the Court is obliged to construe pro se pleadings liberally, Harris v. Mills, 572 F.3d 66, 72 (2d Cir. 2009), and interpret them to raise the “strongest [claims] that they suggest,” Triestman v. Fed. Bureau of Prisons, 470 F.3d 471, 474 (2d Cir. 2006) (internal quotation marks and citations omitted) (emphasis in original). But the “special solicitude” in pro se cases, id. at 475 (citation omitted), has its limits – to state a claim, pro se pleadings still must comply with Rule 8 of the Federal Rules of Civil Procedure, which requires a complaint to make a short and plain statement showing that the

pleader is entitled to relief. Rule 8 requires a complaint to include enough facts to state a claim for relief “that is plausible on its face.” Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007). A claim is facially plausible if the plaintiff pleads enough factual detail to allow the Court to draw the inference that the defendant is liable for the alleged misconduct. In reviewing the complaint, the Court must accept all well-pleaded factual allegations as true. Ashcroft v. Iqbal, 556 U.S. 662, 678-79 (2009). But it does not have to accept as true “[t]hreadbare recitals of the elements of a cause of action,” which are essentially just legal conclusions. Twombly, 550 U.S. at 555. After separating legal conclusions from well-pleaded factual allegations, the Court must determine whether those facts make it plausible – not merely possible – that the pleader is entitled to relief. Id.

BACKGROUND Plaintiff filed this complaint against: (1) Boomplay Music and its “developer,” Transnet Music Limited, both located in Lagos, Nigeria; and (2) Shenzhen Transsion Holdings Limited and its “owner,” Zhu Zhaojiang, both located in Shenzhen, China. (ECF 1 at 4.) According to Plaintiff, Boomplay committed “copyright infringement” on December 19, 2025, by engaging in “unauthorized reproduction and distribution of selling [Plaintiff’s] records.” (Id. at 6.) Plaintiff does not assert any facts against the other Defendants. Attached to the complaint is a copyright registration for one song entitled “Because I Love You.”1 (Id. at 8.)

1 The same copyright registration is attached to four other pro se copyright infringement complaints that Plaintiff filed in this court. See Winfrey v. Reverbnation, No. 26-CV-1803 (UA) DISCUSSION To state a plausible copyright infringement claim, a plaintiff must establish (1) ownership of a valid copyright and (2) infringement of that copyright by the defendant. See Feist Publications, Inc. v. Rural Telephone Servs. Co., 499 U.S. 340, 361 (1991); Arista Records, LLC v. Doe 3, 604 F.3d 110, 117 (2d Cir. 2010). Registered copyrights are presumed valid. Yurman

Design, Inc. v. PAJ, Inc., 262 F.3d 101, 109 (2d Cir. 2001). District courts within this Circuit require a plaintiff to allege by what acts the defendant infringed the copyright. See, e.g., Conan Props. Int’l LLC v. Sanchez, No. 17-CV-0162, 2018 WL 3869894, at *2 (E.D.N.Y. Aug. 15, 2018) (citing Feist, 499 U.S. at 361). Copyright infringement claims must be brought “in the district in which the defendant or his agent resides or may be found.” 28 U.S.C. § 1400(a). Courts have found that a defendant “may be found [for purposes of § 1400(a)] in any district in which he is subject to personal jurisdiction.” Boehm v. Zimprich, No. 13-CV-1031 (PAC), 2013 WL 6569788, at *2 (S.D.N.Y. Dec. 13, 2013) (collecting cases). To determine whether a defendant to a copyright action is subject to personal jurisdiction in a New York district court, courts look to New York State’s

long-arm statute, Section 302 of the New York Civil Practice Law and Rules, which, among other things, permits personal jurisdiction over a “non-domiciliary . . . who . . . transacts any business within the state or contracts anywhere to supply goods or services in the state[,]” N.Y.C.P.L.R. § 302(a)(1); see Boehm, 2013 WL 6569788, at *2; Lipton v. The Nature Co., 781 F. Supp. 1032, 1035 (S.D.N.Y. 1992), aff’d, 71 F.3d 464 (2d Cir. 1995).

(S.D.N.Y. filed Mar. 4, 2026); Winfrey v. Spotify USA Inc., No. 25-CV-10548 (UA) (S.D.N.Y. filed Dec. 19, 2025); Winfrey v. Apple Music, No. 25-CV-10547 (UA) (S.D.N.Y. filed Dec. 18, 2025); Winfrey v. Amazon Music, No. 25-CV-10546 (VSB) (S.D.N.Y. filed Dec. 18, 2025). Plaintiff provides addresses for Defendants in Nigeria and China. (ECF 1 at 3-4.) He does not allege any facts suggesting that Defendants transact business in this district or contract anywhere to supply goods or services in this state. Thus, it does not appear that this Court is a proper venue for Plaintiff’s copyright infringement claims against these defendants, or that

Defendants are subject to jurisdiction under New York law. Additionally, Plaintiff’s complaint does not comply with Rule 8, because it does not provide facts explaining how each Defendant infringed on Plaintiff’s copyright. Twombly, 550 U.S. at 555. The complaint contains no allegations at all against Transnet Music Limited, Shenzhen Transsion Holdings Limited, and Zhu Zhaojiang.

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Related

Arista Records, LLC v. Doe 3
604 F.3d 110 (Second Circuit, 2010)
Bell Atlantic Corp. v. Twombly
550 U.S. 544 (Supreme Court, 2007)
Ashcroft v. Iqbal
556 U.S. 662 (Supreme Court, 2009)
Salahuddin v. Cuomo
861 F.2d 40 (Second Circuit, 1988)
Hill v. Curcione
657 F.3d 116 (Second Circuit, 2011)
Lipton v. the Nature Co.
781 F. Supp. 1032 (S.D. New York, 1992)
Harris v. Mills
572 F.3d 66 (Second Circuit, 2009)
Cuoco v. Moritsugu
222 F.3d 99 (Second Circuit, 2000)

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Bluebook (online)
Eugene Winfrey v. Boomplay Music; Transnet Music Limited; Zhaojian Zhu; Transsion Holdings Co. Ltd., Counsel Stack Legal Research, https://law.counselstack.com/opinion/eugene-winfrey-v-boomplay-music-transnet-music-limited-zhaojian-zhu-nysd-2026.