Estrada v. Scars of the Mind Picture Co. CA2/1

CourtCalifornia Court of Appeal
DecidedAugust 31, 2022
DocketB314136
StatusUnpublished

This text of Estrada v. Scars of the Mind Picture Co. CA2/1 (Estrada v. Scars of the Mind Picture Co. CA2/1) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Estrada v. Scars of the Mind Picture Co. CA2/1, (Cal. Ct. App. 2022).

Opinion

Filed 8/31/22 Estrada v. Scars of the Mind Picture Co. CA2/1 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION ONE

MICHAEL ESTRADA et al., B314136

Plaintiffs and Appellants, (Los Angeles County Super. Ct. No. 18STCV06219) v.

SCARS OF THE MIND PICTURE COMPANY, LLC et al.,

Defendants and Respondents.

APPEAL from a judgment of the Superior Court of Los Angeles County, Daniel S. Murphy, Judge. Affirmed. Harris & Ruble, Alan Harris and Lin Zhan for Plaintiffs and Appellants. Lyden Law Corporation and Christine Lyden for Defendants and Respondents.

________________________ Appellants Michael Estrada, James Stout, and Patricia Stout (collectively, appellants) are active or retired Los Angeles Police Department (LAPD) officers who worked as traffic control officers at an on-location film shoot that occurred over three days in Elysian Park, Los Angeles. Appellants were paid directly by respondent Scars of the Mind Picture Company, LLC (Scars of the Mind). Each appellant’s check was returned unpaid because of insufficient funds. Once she was informed of the bounced checks, Leslie Bates, an individual respondent and a producer of the film, wrote checks from her personal account to each appellant, in an amount equal to the compensation owed as well as bank charges incurred by each officer. Nonetheless, the three officers retained counsel and filed suit to recover various remedies afforded to employees under the Labor Code, as well as attorney’s fees. Respondents Scars of the Mind, Bates and Vince Lozano contended that these statutory remedies were inapplicable because the officers were independent contractors rather than employees. Following a two-day bench trial, the court entered judgment in favor of respondents, finding that the officers were independent contractors rather than employees, and that the statutes under which they sought relief were inapplicable to independent contractors. As discussed in more detail below, we affirm the judgment on the ground that the court’s finding that appellants were independent contractors is supported by substantial evidence. Our review of the court’s findings is limited to whether substantial evidence exists; as it does, we are not concerned with the manner in which the trial court resolved conflicts in the

2 evidence, with the weight he gave to individual witnesses or exhibits, or to his determinations of the credibility of any witness. FACTUAL AND PROCEDURAL BACKGROUND Scars of the Mind1 is a motion picture production company specializing in low-budget independent films. In the spring of 2018, it was engaged in filming a theatrical motion picture titled “Acts of Desperation.”2 Filming took place at various locations within the “30-mile” zone centered in Hollywood, including Elysian Park in Los Angeles. Not until Scars of the Mind applied for a permit to film in Elysian Park did it learn that the conditions of the permit for each day’s shooting included the presence of at least two police officers for traffic control. Bates sent an email to Eddie Esparza, principal of Pacific Production Services (PPS), inquiring about the availability of police officers to work at the filming location. Bates had no prior experience

1 Lozano, a principal of Scars of the Mind, and Bates, a producer of “Acts of Desperation,” are also named defendants and respondents. For simplicity of reference, we refer to respondents collectively as “Scars of the Mind.” 2 Our factual and procedural background is derived in part from undisputed aspects of the trial court’s statement of decision and the parties’ filings. (See Baxter v. State Teachers’ Retirement System (2017) 18 Cal.App.5th 340, 349, fn. 2 [utilizing the summary of facts provided in the trial court’s ruling]; Artal v. Allen (2003) 111 Cal.App.4th 273, 275, fn. 2 [“ ‘briefs and argument . . . are reliable indications of a party’s position on the facts as well as the law, and a reviewing court may make use of statements therein as admissions against the party’ ”].) In the Appealability and Standard of Review section, post, we note that the trial court’s orders are presumed correct.

3 with Esparza or his firm, but learned of it from a reference on the website of FilmLA, the film permitting authority for Los Angeles. Esparza responded that police officers were available. Thus, on the first day of shooting in Elysian Park, retired LAPD officer Elvira Gutierrez and Estrada presented themselves to the production staff at the Elysian Park location. Gutierrez had worked “hundreds” of film jobs, while Estrada was doing so for the first time. They learned of the job, where to go and when to start from Esparza, not from anyone at Scars of the Mind. Gutierrez testified that, based on her experience, she was “uneasy” about the production and found Bates to be “unprofessional.” In fact, on her first day on location Gutierrez refused to allow filming to begin until she received confirmation that Scars of the Mind had actually paid the fee for its filming permit. At the end of the day, at the request of Scars of the Mind, Estrada filled out a W-9 form. Gutierrez prepared a handwritten invoice for herself and Estrada, taking care to include not only each officer’s daily compensation but also an additional 15 percent in order to offset the self-employment tax she and Estrada would incur and a $75 “kit box rental” fee to each officer for furnishing his or her uniform, gun and motorcycle. Gutierrez and Estrada returned for the third and final day of filming at Elysian Park, again as instructed by Esparza of PPS.3 On the second day of shooting, James and Patricia Stout were sent by PPS to work at the Elysian Park location. James

3 Gutierrez took her checks to the bank immediately following the last day of filming. Her checks were paid by the bank, and she is not a party to this action.

4 Stout is a retired motor patrol officer who testified that he has worked on hundreds of film and television jobs since 2015. His wife, Patricia, was at the time an active-duty motor patrol officer with less motion picture experience than her husband. Like Gutierrez and Estrada, the Stouts completed W-9 forms as individuals/sole proprietors, and each demanded and received an additional 15 percent of their daily compensation as reimbursement for anticipated self-employment taxes along with the $75 kit box rental fee. The problems that gave rise to this action arose after filming ended at Elysian Park, when banks began to return appellants’ checks for insufficient funds. The first that Scars of the Mind learned of this was when James Stout sent a text message informing Bates that his check had bounced following several attempts to deposit it. Bates responded promptly, expressed her regrets, and assured Stout that the matter would be resolved. Ultimately, Bates wrote a check from her personal funds in an amount that covered both James Stout’s agreed-upon compensation plus the fees his bank charged him for attempting to deposit his check from Scars of the Mind. The same happened to the other appellants, Patricia Stout and Estrada. Both were paid from Bates’s personal funds, in full, plus assessed bank charges.4 All three appellants testified that they felt they had received what was owed from Scars of the Mind. Nonetheless,

4 In fact, Bates went much further.

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Estrada v. Scars of the Mind Picture Co. CA2/1, Counsel Stack Legal Research, https://law.counselstack.com/opinion/estrada-v-scars-of-the-mind-picture-co-ca21-calctapp-2022.