EMRIT v. COMBS

CourtDistrict Court, E.D. Pennsylvania
DecidedJanuary 18, 2024
Docket2:24-cv-00129
StatusUnknown

This text of EMRIT v. COMBS (EMRIT v. COMBS) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
EMRIT v. COMBS, (E.D. Pa. 2024).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA

RONALD SATISH EMRIT : CIVIL ACTION Plaintiff : : v. : NO. 24-CV-0129 : SEAN “P. DIDDY” COMBS, et al. : Defendants :

M E M O R A N D U M

NITZA QUIÑONES ALEJANDRO, J. JANUARY 18, 2024

Plaintiff Ronald Satish Emrit, a frequent pro se litigator, has filed a pro se complaint raising civil claims and a motion to proceed in forma pauperis.1 For the reasons set forth, the Court will grant Emrit leave to proceed in forma pauperis, dismiss the Complaint, and direct Emrit to show cause why a pre-filing injunction should not be entered to prevent him from filing pro se cases in the United States District Court for the Eastern District of Pennsylvania that are duplicative of cases Emrit filed in other courts or for which this Court lacks venue.

1 Emrit has an extensive history of abusing the privilege of proceeding in forma pauperis and “has been acknowledged as a vexatious litigator in at least six district courts.” Emrit v. Universal Music Grp., No. 19-05984, 2019 WL 6251365, at *2 (W.D. Wash. Nov. 4, 2019), report and recommendation adopted, 2019 WL 6251192 (W.D. Wash. Nov. 22, 2019). A search of federal court docket records reveals that Emrit has filed over 250 federal lawsuits since 2013 in courts around the country. A Westlaw search of all federal courts for “Ronald Satish Emrit” yields scores of orders and opinions. A sampling of these orders indicates that most, if not all, of his cases were accompanied by applications to proceed in forma pauperis and were dismissed for improper venue or for failure to state a claim upon screening under 28 U.S.C. § 1915(e)(2). Emrit was recently denied the privilege of proceeding in forma pauperis in United States District Court for the Northern District of Texas in Emrit v. Pratt, Civ. A. No. 23-344 (N.D. Texas) upon a finding that he had abused the privilege by filing frivolous lawsuits, noting he had been repeatedly sanctioned by federal courts. (Id. ECF No. 5 (Order of Apr. 4, 2023).) I. FACTUAL ALLEGATIONS2 In this action, Emrit names as Defendants Sean “P. Diddy” Combs, Bad Boy Entertainment, and Atlantic Records. (Compl. at 2-3.) He seeks $45 million in damages because “defendants have become a public nuisance after the filing of a lawsuit by Cassandra Ventura . . .

who was signed to Bad Boy Entertainment on or around 2005.” (Id. at 1-2.) He also contends the Defendants tortiously interfered with his music career, as well as those of Ventura and others including Usher Raymond and 50 Cent. (Id. at 2.) Finally, he asserts that they have “committed the commercial tort of products liability in the form of a manufacturing defect or design defect” to which strict liability applies. (Id.) Emrit invokes the Court’s subject matter jurisdiction based on diversity of citizenship, although he does not provide any allegations about the citizenship of the named Defendants,3 and also asserts federal question jurisdiction “because this proceeding involves a discussion of Title VII of the Civil Rights Act of 1964, Americans with Disabilities Act of 1990, Equal Protection Clause, Due Process Clause, Fourth Amendment, and Privileges and Immunities Clause. (Id. at 3.)

While his contentions are largely incomprehensible, briefly stated, Emrit alleges that he filed a prior lawsuit against Atlantic Records because it had a duty to know that a person named Richard Shaw and his partner Anthony Wayne Sterago were fraudulently claiming to be connected

2 The facts set forth in this Memorandum are taken from the Complaint (ECF No. 2). The Court adopts the pagination assigned to the Complaint by the CM/ECF docketing system.

3 In a section of the Complaint in which Emrit asserts the alleged basis for the Court’s exercise of jurisdiction, he states there is “a rebuttable presumption that there is complete diversity of jurisdiction between [himself] and the defendant given that the principle place of business (ppb) and/or nerve center of Morgan & Morgan is not in Florida.” (Id. at 3.) Morgan & Morgan is not a named Defendant in this case. The Court presumes that Emrit cut and pasted this paragraph from one of his many other federal court complaints without exercising the diligence required by Federal Rule of Civil Procedure 11 (stating that every pleading submitted to the Court must be signed by an attorney or unrepresented party, and that by presenting the pleading to the Court thereby certify “that to the best of the person’s knowledge, information, and belief . . . it is not being presented for any improper purpose” and “the factual contentions have evidentiary support . . . .”). to Atlantic’s founder, Ahmet Ertegun and Ertegun’s nephew. (Id. at 4.) Emrit met Ertegun at the 2006 Grammy Awards and later wrote him a letter about Shaw and Sterago. (Id.) Ertegun’s assistant called Emrit to tell him that Atlantic passed on his demo CD and encouraged him to sign a records deal with another company. (Id. at 5.) Emrit allegedly signed with Ten Karat Gold

Productions and Tuff-Stuff Recording and came to know a person named Kerry Moore-Purnell in the Maryland Department of Business and Economic Development, who also worked for Richard Shaw. (Id.) According to Emrit, Shaw and Ertegun both mysteriously died thereafter. (Id.) He asserts that although his communications with Ertegun “have little or nothing to do with Sean ‘P Diddy’ Combs and Bad Boy Entertainment, [Emrit] argues that he still has standing, causation, and redressability to file a lawsuit against both Sean ‘P. Diddy’ Combs and Bad Boy Entertainment because both Sean ‘P. Diddy’ Combs and Bad Boy Entertainment are in ‘privity of contract’ with Atlantic Records and Julie Greenwald and [Emrit] has had previous litigation against both Atlantic Records . . . and Warner Music Group. . . .” (Id.) Emrit’s “public nuisance” claim against Combs is based on an allegedly now lost

endorsement deal Combs had with Macy’s to distribute Ciroc vodka. (Id. at 6.) He asserts that Combs’s billboards for Ciroc vodka “on the streets an [sic] highways are an ‘eye sore’ and public nuisance given his newfound status as a sexual predator who has committed the crimes of pimping and pandering, human trafficking, kidnapping, false imprisonment, and white slavery of a Latina woman in North Carolina (perhaps a reference to Cassandra Ventura, but entirely unclear) according to the hearsay testimony of his bodyguard Gene Deal who should be placed in the witness protection program.” (Id.) The tortious interference claim is based on the named Defendants “continuing to enable a sexual predator,” Combs, “to conduct business in places of public accommodation such as billboards.” (Id.) The products liability claim is apparently based on allowing Combs to represent Ciroc vodka at department stores like Macy’s, but is otherwise incomprehensible. (Id.) Emrit concedes that his not a shareholder of either Bad Boy Entertainment or Atlantic Records who can bring a shareholder derivative action, but may still assert his claims “given that he is a consumer of music and music videos and he often operates a motor vehicle on

highways in which he sees the annoying billboards . . . for Ciroc vodka which encourages drunk driving. . . .” (Id. at 7.) He also asserts he has standing to bring suit “as a concerned American who wants to prevent an Al Capone or Pablo Escobar-like figure from having ant [sic] influence over the music business or recording artists. . . .” (Id. at 8.) In addition to money damages, he also seeks an order putting Bad Boy Entertainment into bankruptcy or receivership proceedings.

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Bluebook (online)
EMRIT v. COMBS, Counsel Stack Legal Research, https://law.counselstack.com/opinion/emrit-v-combs-paed-2024.