Dunbar v. Seger-Thomschitz

615 F.3d 574, 2010 U.S. App. LEXIS 17572, 2010 WL 3292678
CourtCourt of Appeals for the Fifth Circuit
DecidedAugust 20, 2010
Docket09-30717
StatusPublished
Cited by18 cases

This text of 615 F.3d 574 (Dunbar v. Seger-Thomschitz) is published on Counsel Stack Legal Research, covering Court of Appeals for the Fifth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Dunbar v. Seger-Thomschitz, 615 F.3d 574, 2010 U.S. App. LEXIS 17572, 2010 WL 3292678 (5th Cir. 2010).

Opinion

EDITH H. JONES, Chief Judge:

A painting by Oskar Kokoschka entitled Portrait of Youth (Hans Reichel) (1910) (“the painting”) is currently in the physical possession of the Appellee, Sarah Dunbar, in New Orleans, Louisiana. Appellant, Dr. Claudia Seger-Thomschitz, claims title to the painting, asserting that it was “confiscated” by the Nazis from her deceased husband’s family. Dunbar sued to quiet title to the painting based on her ownership by acquisitive prescription under Louisiana law and the fact that Seger-Thomschitz’s claims were barred by Louisiana’s prescriptive laws. The district court granted summary judgment in favor of Dunbar. Seger-Thomschitz now appeals, asserting that this court should invoke “federal common law authority” to displace Louisiana law and Louisiana law is preempted by the foreign policy of the Executive Branch. We reject these arguments and affirm the judgment of the district court.

I.

Dr. Seger-Thomschitz, the sole heir of Raimund Reichel’s estate, alleges that the painting was confiscated by the Nazis from Reichel’s father through a “forced sale” in Vienna, Austria, in 1939. According to Seger-Thomschitz, Reichel’s father, who was facing increasing Nazi persecution, transferred ownership of the painting and four other paintings to a Jewish art dealer named Kallir, an alleged collaborator with the Nazis. When Dunbar’s mother purchased the painting from Kallir in 1946 in New York, she knew the Reichel family had owned the painting and knew or should have known that the painting may have been stolen. Dunbar’s mother, according to the appellant, had a duty to investigate the painting’s ownership. Dunbar inherited the painting from her mother in 1973.

*576 After receiving a demand letter from appellant, Dunbar filed suit to quiet title to the painting. Seger-Thomschitz counterclaimed based on quasi-contract and unjust enrichment. The district court granted summary judgment in favor of Dunbar, because Dunbar had obtained title by acquisitive prescription under Louisiana state law and Seger-Thomschitz’s counterclaims were time-barred by the applicable Louisiana prescriptive periods. The district court rejected Seger-Thomschitz’s argument that the Louisiana prescription laws should be supplanted with “federal common law” to ensure the goals of the federal Holocaust Victims Redress Act (“HVRA”), Pub.L. No. 105-158, § 202, 112 Stat. 15, 17-18 (1998). The district court noted, inter alia, that the HVRA did not create a federal common law cause of action or a private right of action. The district court also found no material factual dispute over Dunbar’s ownership of the painting, which had been open and continuous for well over ten years, fulfilling the requirements to establish ownership by acquisitive prescription under Louisiana law. Undisputed evidence also established that the Reiehel family sought post-Nazi compensation for other works of art and property, but not for this painting. The family twice loaned this painting to Kallir for exhibit and possible sale prior to the Nazi occupation of Austria. Significantly, those members of the Reiehel family with direct knowledge of the painting’s sale never sought its return.

On appeal, Appellant no longer relies on the HVRA, nor does she question that Louisiana prescriptive laws were correctly applied. Instead, she argues that Louisiana law should not be applied at all. Appellant contends that the court should invoke its “federal common law authority” to displace Louisiana law, and Louisiana law is preempted by the “Terezin Declaration,” a non-binding document promulgated at the Prague Holocaust Assets Conference of June 30, 2009.

II.

We review the district court’s grant of summary judgment de novo. Bridgmon v. Array Sys. Corp., 325 F.3d 572, 576 (5th Cir.2003). The court of appeals will not generally consider evidence or arguments that were not presented to the district court. Nissho-Iwai Am. Corp. v. Kline, 845 F.2d 1300, 1307 (5th Cir.1988). Plaintiffs may not advance on appeal new theories or raise new issues not properly before the district court to obtain reversal of the summary judgment. Little v. Liquid Air Corp., 37 F.3d 1069, 1071 (5th Cir.1994) (en banc). The court of appeals will not consider an issue that a party fails to raise in the district court, absent extraordinary circumstances. North Alamo Water Supply Corp. v. City of San Juan, Tex., 90 F.3d 910, 916 (5th Cir.1996). Extraordinary circumstances exist when the issue involved is a pure question of law and a miscarriage of justice would result from our failure to consider it. Id.

III.

A.

Appellant argues, as she did in the district court, that “federal common law authority” should displace Louisiana law’s prescriptive periods with federal doctrines of laches and unclean hands to enable claims to recover Nazi-confiscated artworks to be decided on their substantive merits. Appellant asserts that “federal courts displace otherwise applicable state law whenever it conflicts with or frustrates important federal interests or policies.” No court has ever adopted what Appellant is urging here — some form of special federal limitations period governing all claims *577 involving Nazi-confiscated artwork. In such cases, courts have consistently applied state statutes of limitations. See, e.g., Orkin v. Taylor, 487 F.3d 734, 741-42 (9th Cir.2007); Von Saher v. Norton Simon Mus. of Art at Pasadena, 578 F.3d 1016, 1029-30 (9th Cir.2009); Detroit Institute of Arts v. Ullin, 2007 WL 1016996, *2 (E.D.Mich.2007); Toledo Museum of Art v. Ullin, 477 F.Supp.2d 802, 806 (D.Ohio 2006). Further, as this case is brought under federal diversity jurisdiction, the application of state statutory limitations periods is controlled by Erie. Erie R. Co. v. Tompkins, 304 U.S. 64, 78, 58 S. Ct. 817, 82 L.Ed. 1188 (1938); Guaranty Trust Co. v. York, 326 U.S. 99, 108-09, 65 S.Ct. 1464, 89 L.Ed. 2079 (1945).

With regard to fashioning federal common law, the Supreme Court has held:

The vesting of jurisdiction in the federal courts does not in and of itself give rise to authority to formulate federal common law, nor does the existence of congressional authority under Art. I mean that federal courts are free to develop a common law to govern those areas until Congress acts.

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Bluebook (online)
615 F.3d 574, 2010 U.S. App. LEXIS 17572, 2010 WL 3292678, Counsel Stack Legal Research, https://law.counselstack.com/opinion/dunbar-v-seger-thomschitz-ca5-2010.