Donat Ricketts v. Berlanti Productions

CourtCourt of Appeals for the Ninth Circuit
DecidedApril 7, 2022
Docket20-55912
StatusUnpublished

This text of Donat Ricketts v. Berlanti Productions (Donat Ricketts v. Berlanti Productions) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Donat Ricketts v. Berlanti Productions, (9th Cir. 2022).

Opinion

NOT FOR PUBLICATION FILED UNITED STATES COURT OF APPEALS APR 7 2022 MOLLY C. DWYER, CLERK U.S. COURT OF APPEALS FOR THE NINTH CIRCUIT

DONAT RICKETTS, No. 20-55912

Plaintiff-Appellant, D.C. No. 2:19-cv-03895-DSF- MRW v.

BERLANTI PRODUCTIONS, FKA MEMORANDUM* Makenna Productions, Inc., a business entity, form unknown; et al.,

Defendants-Appellees.

Appeal from the United States District Court for the Central District of California Dale S. Fischer, District Judge, Presiding

Submitted April 7, 2022**

Before: D.W. NELSON, FERNANDEZ, and SILVERMAN, Circuit Judges.

Plaintiff Donat Ricketts appeals from the district court’s judgment

dismissing his action alleging federal and state law claims arising from alleged

copyright infringement. We have jurisdiction under 28 U.S.C. § 1291. We review

* This disposition is not appropriate for publication and is not precedent except as provided by Ninth Circuit Rule 36-3. ** The panel unanimously concludes this case is suitable for decision without oral argument. See Fed. R. App. P. 34(a)(2). de novo dismissal under Federal Rule of Civil Procedure 12(b)(1) and 12(b)(6).

Serra v. Lappin, 600 F.3d 1191, 1195 (9th Cir. 2010). We affirm.

The district court properly dismissed Ricketts’s copyright infringement

claim because Ricketts’s copyrighted work at the time of the district court’s order

and the first two episodes of the defendants’ television show, “All American,”

including its promotional trailers, are not substantially similar under the extrinsic

test, and any similarities in the general concepts are unprotected. See Benay v.

Warner Bros. Ent., 607 F.3d 620, 624-25 (9th Cir. 2010), overruled in part on

other grounds by Skidmore as Tr. for Randy Craig Wolfe Tr. v. Led Zeppelin, 952

F.3d 1051 (9th Cir. 2020) (setting forth extrinsic test to assess substantial similarity

between specific expressive elements of copyrighted works at issue); Funky Films,

Inc. v. Time Warner Ent. Co., L.P., 462 F.3d 1072, 1076-77 (9th Cir. 2006),

overruled in part on other grounds by Skidmore as Tr. for Randy Craig Wolfe Tr.

v. Led Zeppelin, 952 F.3d 1051 (9th Cir. 2020) (substantial similarity may be

decided as a matter of law by applying the extrinsic test); Cavalier v. Random

House, Inc., 297 F.3d 815, 822 (9th Cir. 2002) (“when applying the extrinsic test, a

court must filter out and disregard the non-protectible elements in making its

substantial similarity determination”) (citations omitted).

The district court properly excluded from its consideration Ricketts’s work

which did not have a copyright registration at the time of its order. See Fourth Est.

2 Pub. Benefit Corp. v. Wall-Street.com, LLC, 139 S. Ct. 881, 886 (2019)

(“[R]egistration occurs, and a copyright claimant may commence an infringement

suit, when the Copyright Office registers a copyright.”). The district court did not

err by failing to consider additional episodes of All American where Ricketts did

not so request and in fact instructed the district court to consider no other All

American materials beyond the first two episodes and certain promotional work.

The district court properly dismissed Ricketts’s claims for unjust

enrichment/conversion and unfair competition/unfair business acts because they

are preempted by the Copyright Act. See Laws v. Sony Music Ent., Inc., 448 F.3d

1134, 1137-38 (9th Cir. 2006) (setting forth two-part test to determine whether a

state law claim is preempted by the Copyright Act); see also Sybersound Recs.,

Inc. v. UAV Corp., 517 F.3d 1137, 1152 (9th Cir. 2008) (“To the extent the

improper business act complained of is based on copyright infringement, the claim

was properly dismissed because it is preempted.”). Contrary to Ricketts’s

contention, the allegation of “reverse passing off” does not exempt his claims from

preemption. See Dastar Corp. v. Twentieth Century Fox Film Corp., 539 U.S. 23,

27 n.1 (2003) (“reverse passing off” claims generally involve physical products,

and protect “the producer of the tangible goods that are offered for sale, and not []

the author of any idea, concept, or communication embodied in those goods”);

Summit Mach. Tool Mfg. Corp. v. Victor CNC Sys., Inc., 7 F.3d 1434, 1439-40 (9th

3 Cir. 1993) (the alleged extra element must change the nature of the action “so that

it is qualitatively different from a copyright [] infringement claim.” (emphasis in

original)).

We do not consider matters not specifically and distinctly raised and argued

in the opening brief, or arguments and allegations raised for the first time on

appeal. See Padgett v. Wright, 587 F.3d 983, 985 n.2 (9th Cir. 2009).

All pending motions and requests are denied as moot.

AFFIRMED.

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Related

Serra v. Lappin
600 F.3d 1191 (Ninth Circuit, 2010)
Dastar Corp. v. Twentieth Century Fox Film Corp.
539 U.S. 23 (Supreme Court, 2003)
Benay v. Warner Bros. Entertainment, Inc.
607 F.3d 620 (Ninth Circuit, 2010)
Cavalier v. Random House, Inc.
297 F.3d 815 (Ninth Circuit, 2002)
Padgett v. Wright
587 F.3d 983 (Ninth Circuit, 2009)
Sybersound Records, Inc. v. UAV Corp.
517 F.3d 1137 (Ninth Circuit, 2008)
Michael Skidmore v. Led Zeppelin
952 F.3d 1051 (Ninth Circuit, 2020)

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Donat Ricketts v. Berlanti Productions, Counsel Stack Legal Research, https://law.counselstack.com/opinion/donat-ricketts-v-berlanti-productions-ca9-2022.