Coleman v. Grand

Court of Appeals for the Second Circuit·Decided November 3, 2025·No. 21-800·Published

Opinion

21-800 Coleman v. Grand

United States Court of Appeals For the Second Circuit

August Term 2021

Argued: May 13, 2022

Decided: November 3, 2025

No. 21-800

STEVEN DOUGLAS COLEMAN,

Plaintiff-Appellant,

v.

MARIA KIM GRAND,

Defendant-Appellee. ∗

Appeal from the United States District Court for the Eastern District of New York No. 18-cv-5663, Eric N. Vitaliano, Judge.

Before: CHIN, SULLIVAN, and MENASHI, Circuit Judges.

Plaintiff-Appellant Steven Douglas Coleman, a prominent jazz saxophonist, appeals from the district court’s grant of summary judgment in favor of his former pupil, Defendant-Appellee Maria Kim Grand, on Coleman’s claim that Grand defamed him under New York law when she accused him of sexual harassment. Coleman’s claim centers on a seven-page, single-spaced letter that Grand

The Clerk of Court is respectfully directed to amend the official case caption as set forth above.

circulated to a select group of friends and colleagues in the wake of the #MeToo movement, which described the complicated sexual relationship she had with Coleman from 2011 to 2016. After the parties cross-moved for summary judgment, the district court (Vitaliano, J.) dismissed Coleman’s defamation claim, concluding that he failed to offer facts from which a reasonable jury could conclude that Grand acted with actual malice in making certain statements in her letter and that her letter did not contain actionable, demonstrably false statements.

On appeal, Coleman argues that the district court (1) erred in its application of New York law, (2) erroneously determined that there was no genuine issue of material fact as to whether Grand acted with actual malice, and (3) incorrectly concluded that the allegedly defamatory statements in Grand’s letter were non- actionable statements of opinion rather than fact. Because we agree with the district court that Coleman challenges only non-actionable statements of opinion, and not the disclosed facts on which those opinions were based, we AFFIRM the judgment of the district court.

Judge Menashi dissents in a separate opinion.

AFFIRMED.

GIEL STEIN (Steven M. Richman, Elizabeth Griffin, on the brief), Clark Hill PLC, New York, NY, for Plaintiff-Appellant.

MARK I. BAILEN (Katherine L. McKnight, Richard B. Raile, Baker & Hostetler LLP, Washington, DC;

A. Mackenna White, Lewis Baach Kaufmann Middlemiss PLLC, New York, NY, on the brief), Baker & Hostetler LLP, Washington, DC, for Defendant-Appellee.

Jared K. Carter, Cornell Law School First Amendment Clinic, Ithaca, NY, for Amicus Curiae Michael Balter in support of Defendant-Appellee.

Katie Townsend, Bruce D. Brown, Reporters Committee for Freedom of the Press, Washington,

DC, for Amici Curiae The Reporters Committee for Freedom of the Press and 30 Media Organizations in support of Defendant-Appellee.

RICHARD J. SULLIVAN, Circuit Judge:

Steven Douglas Coleman, a prominent jazz saxophonist, appeals from the district court’s grant of summary judgment in favor of his former pupil, Maria Kim Grand, on Coleman’s claim that Grand defamed him under New York law when she accused him of sexual harassment. Coleman’s claim centers on a seven-page, single-spaced letter that Grand circulated to a select group of friends and colleagues in the wake of the #MeToo movement, which described the complicated sexual relationship she had with Coleman from 2011 to 2016. After the parties cross-moved for summary judgment, the district court dismissed Coleman’s defamation claim, concluding that he failed to offer facts from which a reasonable jury could conclude that Grand acted with actual malice in making certain statements in her letter and that her letter did not contain actionable, demonstrably false statements.

On appeal, Coleman argues that the district court (1) erred in its application of New York law, (2) erroneously determined that there was no genuine issue of material fact as to whether Grand acted with actual malice, and (3) incorrectly

concluded that the allegedly defamatory statements in Grand’s letter were non- actionable statements of opinion rather than fact. 1 Because we agree with the district court that Coleman challenges only non-actionable statements of opinion, and not the disclosed facts on which those opinions were based, we affirm the district court’s judgment.

I. BACKGROUND

In November 2017, Grand emailed a letter to approximately forty of her friends and colleagues in the music industry, claiming that she had an intermittent quid pro quo sexual relationship with Coleman between 2011 and 2016. Grand asserted that during this period Coleman – a prominent musician who was thirty- five years her senior – sexually harassed her and pressured her to have a sexual relationship with him in exchange for his training and mentorship as she commenced her own career as a saxophonist. In particular, the letter asserted that Coleman routinely “pressure[d]” her to be “intimate with him” when he was

1 After oral argument, Grand submitted a letter pursuant to Federal Rule of Appellate Procedure 28(j) notifying the Court that the New York Court of Appeals had granted argument to consider whether the 2020 amendments to a New York statute proscribing strategic lawsuits against public participation, also known as New York’s anti-SLAPP statute, apply retroactively. [Doc. No. 163.] Based on representations that the New York Court of Appeals ruling could be relevant to the issues on appeal, we reserved our decision until after the New York Court of Appeals resolved the retroactivity issue. See Gottwald v. Sebert, 40 N.Y.3d 240 (2023) (holding that the 2020 amendments do not apply retroactively).

teaching her, “made” her share hotel rooms with him when they traveled for work, “relentlessly ask[ed] [her] to have sex with him” and “g[o]t really angry” when she refused, offered her work and training opportunities in exchange for sex, “would call [her] in the middle of the night and never take no for an answer,” and on one occasion got into bed with her and kissed her when she was asleep despite her explicitly telling him that she did not want to sleep with him. J. App’x at 38– 40.

In recognition of the fact that her letter painted Coleman in an unfavorable light, Grand chose to refer to him as “X” throughout the letter “in order to protect [her]self from any legal repercussions.” Id. at 36. And in her email circulating the letter, Grand specifically noted that she did not intend for it to be made “public” at that time because it was “legally dangerous for [her] to publish [it].” Id. at 176.

In her letter, Grand acknowledged that she contributed to the unhealthy relationship and explicitly admitted that she did not “intend to cast [her]self as only a victim of the situation.” Id. at 36. She acknowledged that she was “manipulative” towards Coleman because she “didn’t want his attention to stop,” id. at 37; that she “fell in love with him” and “craved his attention” during the times they were broken up, id. at 38; that she continued to “admire [Coleman] and

respect him immensely as a musician and an elder,” id. at 41; and that she was “eternally grateful” to Coleman for teaching her and “value[d] the work” she did with him, id. at 42. Grand conceded that she had “agree[d] to sleep with [Coleman]” when such encounters occurred and at no point did she suggest that Coleman had physically coerced her to have sex with him. Id. at 38; see also id. (“[H]e convinced me to be intimate with him.” (emphasis added)).

Grand explained that she ultimately decided to write and circulate the letter in order to “speak up about the way sexism has affected [her],” to increase “[a]wareness,” and to contribute to the “conversation” sparked by the #MeToo movement. Id. at 36; see also id. at 176 (explaining, in an email, that the letter’s goal was to start “a larger conversation about what’s acceptable and what’s not”). Grand framed the letter as a personal account of her “experience” with “sexism in the music industry.” Id. at 176.

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