Chicago Conservation Center v. Frey

40 F. App'x 251
CourtCourt of Appeals for the Seventh Circuit
DecidedJuly 2, 2002
DocketNo. 01-3708
StatusPublished
Cited by2 cases

This text of 40 F. App'x 251 (Chicago Conservation Center v. Frey) is published on Counsel Stack Legal Research, covering Court of Appeals for the Seventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Chicago Conservation Center v. Frey, 40 F. App'x 251 (7th Cir. 2002).

Opinion

ORDER

The Chicago Conservation Center (“the Center”), an art restoration and preservation corporation, filed this state-law defamation action against, among others, art consultant Patrick King.1 In particular, the complaint alleged that Mr. King had published false statements impugning the Center’s business practices. The defamation claim against Mr. King ultimately proceeded to trial. At the close of evidence, Mr. King moved for judgment as a matter of law, contending that his allegedly de[252]*252famatory statement constituted a nonac-tionable opinion. The district court agreed and dismissed the Center’s defamation action against Mr. King. For the reasons set forth in the following order, we affirm the judgment of the district court.

I

BACKGROUND

A. Facts

On July 7,1998, a fire swept through the Glencoe, Illinois, home of Dale and Bruce Frey (“the Freys”). The blaze caused smoke and soot damage to the couple’s sizable art collection. In an effort to save the works, the Freys arranged for the Center, an entity specializing in restoration and preservation of fine art, to remove the collection from the residence. Over two days, the Center transported the collection to a temperature controlled storage room located on the third floor of its Chicago facility and proceeded to inventory the works of art. In addition, the Freys’ insurance carrier asked the Center to prepare a conservation proposal for the collection.

Meanwhile, the Freys hired Patrick King to serve as a consultant who, among other things, would locate conservators to repair their art collection. Although Mr. King lacked formal training in chemistry or conservation of fine art, he had worked on many occasions as an art appraiser for various insurance companies. He also ran Chicago Freeze-Dry, a company that provided care for certain water and smoke damaged products.

Once in charge of the operation, Mr. King moved promptly to organize the conservation efforts. Rather than having each conservation firm individually view the collection and submit a preservation proposal, Mr. King planned to show the collection to several conservators simultaneously. According to Mr. King, the Center’s facility proved too small to accommodate his plan. Accordingly, Mr. King informed the Center that he wished to relocate the collection to the larger facility of Pickens-Kane, a company that specializes in the transport and storage of fine art. He, however, invited the Center to join the other conservators in viewing the collection.

During late August or early September 1998, Mr. King and Mr. Frey examined the art collection at Pickens-Kane’s facility.2 Upon viewing the collection, Mr. Frey became upset when he noted the apparent fading of canvases and gashes on some of the frames. According to Mr. Frey, these problems were not observable when the Center removed the collection from his residence in July 1998. Mr. Frey also noticed that portions of the collection lacked any smell of smoke. He then asked Mr. King what had happened to the collection.

Mr. Frey and Mr. King offer slightly different recollections of the conversation that followed Mr. Frey’s inquiry. Accord[253]*253ing to Mr. Frey, his consultant informed him that the art had faded because it had been exposed to ozone at the Center. In comparison, Mr. King offered a more detailed account of events. According to Mr. King, upon examining the collection, he noticed that it did not smell of smoke, but rather possessed a faint bleach-like order “very similar to [the smell of ozone] that we produced when we use[] to ozone at our Skokie facility.” Tr.147-5 at 22. Based on this observation, Mr. King informed Mr. Frey that the art may have been exposed to ozone.3 When Mr. Frey pressed him as to whether the Center used the substance, Mr. King allegedly responded that the Center “had the capability of ozoning, but [] didn’t tell him they had done it.” Tr.147-5 at 31; see id. at 63. Over the months that followed, Mr. Frey sent letters to his insurer indicating that the Center had exposed the collection to ozone and consequently had ruined the paintings.

There was evidence that, on occasion, the Center had used ozone to remove residual smoke odors from artworks. During the period in which it stored the Freys’ collection, the Center had an ozone machine on the seventh floor of its facility. There also was testimony adduced at trial that suggested that the Freys’ artworks were never subjected to an ozone treatment at the Center.

B. District Court Proceedings

Invoking the diversity jurisdiction of the district court,4 the Freys filed an action against the Center alleging that it had damaged their art collection during July 1998. The Center filed a counterclaim against the Freys, seeking payment for its transport and storage of the art collection. Soon after the beginning of discovery, the Center obtained leave from the district court to bring a defamation action against Mr. Frey and Mr. King. Through its amended complaint, the Center alleged that Mr. Frey and Mr. Kng had published comments concerning the corporation that constituted, under Illinois law, defamation per se. With regard to Mr. King, the complaint stated that: “On information and belief, Patrick B. King stated to Bruce Frey, on or before September 10, 1998, that the Center had treated the Freys’ artworks with ozone and that such treatment had ruined the artworks by fading them.” R.25, II12. The Center also submitted that Mr. King had made similar statements to Mr. Frey and others during their visit to the Pickens-Kane facility.5

The Center’s defamation claim against Mr. King,6 as well those portions of the [254]*254Freys’ claims that survived summary judgment, proceeded to trial. At the close of evidence, Mr. King moved for judgment as a matter of law on the Center’s defamation action against him. In particular, he submitted that the allegedly defamatory statement was a nonactionable statement of opinion. In the alternative, Mr. King submitted that his statement was protected by a qualified privilege and therefore nonde-famatory. According to the Center, however, Mr. King’s statement contained objectively verifiable factual assertions and therefore was characterized most accurately as an actionable statement of fact rather than as a nonactionable opinion. Moreover, the Center contended that Mr. King had abused any privilege he might otherwise enjoy because Mr. King had failed to investigate adequately his assertion concerning the Center’s use of ozone on the painting.

After considering the parties’ positions, the district court granted Mr. King’s motion, concluding that “I have determined that the statement Mr. King made was, in fact, an opinion. Consequently, it’s not covered by defamation per se.” Tr.147-9 at 31. Soon after, a jury returned verdicts in favor of the Freys on all remaining counts of the litigation. On September 24, 2001, the district court entered a final judgment on all of the parties’ claims, including the defamation action against Mr. King.

II

DISCUSSION

A.

We review de novo the district court’s grant of judgment as a matter of law. See Lane v. Hardee’s Food Sys., Inc., 184 F.3d 705, 707 (7th Cir.1999).

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Bluebook (online)
40 F. App'x 251, Counsel Stack Legal Research, https://law.counselstack.com/opinion/chicago-conservation-center-v-frey-ca7-2002.