Charles Garnier, Paris v. Andin Intern., Inc.

844 F. Supp. 89, 30 U.S.P.Q. 2d (BNA) 1612, 1994 U.S. Dist. LEXIS 2188, 1994 WL 58357
CourtDistrict Court, D. Rhode Island
DecidedFebruary 17, 1994
DocketCiv. A. 92-0561 P
StatusPublished
Cited by2 cases

This text of 844 F. Supp. 89 (Charles Garnier, Paris v. Andin Intern., Inc.) is published on Counsel Stack Legal Research, covering District Court, D. Rhode Island primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Charles Garnier, Paris v. Andin Intern., Inc., 844 F. Supp. 89, 30 U.S.P.Q. 2d (BNA) 1612, 1994 U.S. Dist. LEXIS 2188, 1994 WL 58357 (D.R.I. 1994).

Opinion

OPINION AND ORDER

PETTINE, Senior District Judge.

This copyright infringement controversy is before me on the plaintiffs motion for preliminary injunction against the defendant, seeking to stop it from selling the alleged infringed product — a gold “Swirled Hoop Earring.”

Two issues must be resolved: a) did the plaintiff forfeit its copyright by not adding a copyright notice to copies of its earring; b) if the copyright was not forfeited, is the defendant’s affirmative defense of innocent infringement valid?

I.

The plaintiff, Charles Gamier, Paris (“Gar-nier”), is a Paris, France based corporation which manufactures 18 karat gold jewelry; it distributes its products to retailers and department stores in sixty different countries throughout the world, including the United States.

The merchandise imported into the United States must “go through a French hallmarking. The French hallmarking guarantees that the manufacturer has his manufacturing mark on the piece and a quality stamp indicating the fineness of the gold; in this case .750, which would indicate 18 karat.” There are about five hundred different styles in the Gamier line; of these, only thirty to forty have been copyrighted.

Gamier introduces a new line of products once or twice a year. Prior to introduction, the executives of the company determine which pieces will be immediately subject to copyright protection and which will be sold without any copyright action, deferring a final decision until the extent of sales such uncopyrighted pieces will generate can be determined.

The swirled hoop earning, created in 1987, was first offered for sale, without copyright protection, in April of 1988, and has been on the market ever since. In July of 1992, the plaintiff learned that the defendant, Andin International, Inc. (“Andin”), a jewelry manufacturer doing business throughout the United States, including Rhode Island, was manufacturing and selling an almost identical earring. Immediately thereafter, on July 28, 1992, the plaintiff, for the first time, filed a copyright registration and started to affix to the swirled hoop earring a notice of copy *91 right. Prior to such registration, unnoticed pieces had been distributed to approximately 150 retailers. On October 26, 1992, the plaintiff mailed letters, quoted infra, to about fifty of these retailers advising them of the copyright. It is important to note what the letter did not say: it did not indicate there was an omission of notice on those items in the retailers’ inventory; it did not direct the retailers to put a copyright notice on the unnoticed items in their possession; and it did not have any discussion regarding the replacement of their inventories, which the defendant claims did not exist. However, the record is unclear as to whether or not the plaintiffs customers actually had any inventories of the swirled hoop earring as of the October 26, 1992 mailing. The only categorical assertion comes from the plaintiff; its vice president testified that as of August 1992 none existed. Furthermore, plaintiff attempts to mitigate the inventory issue by pointing out that, though it is true it did not file a copyright registration until July of 1992, as of 1990 and continuously thereafter, all swirled hoop earrings it sold were accompanied by a story card reading the work was “a Charles Gamier of Paris ... original copyrighted design” and “a genuine copyrighted original.” In other words, prior to learning of the infringement, plaintiff claims to have been in compliance with the copyright laws. However, no evidence was introduced that retailers, in fact, distributed the card to each and every customer — there were no instructions to the retailers that the card was to be physically attached to the unnoticed earrings.

There is no dispute that the plaintiff did not seek copyright protection, except as stated above, even though its practice is to make a special effort to protect such “signature pieces” as the Swirled Hoop Earring. It contends the omission of copyright notice was an oversight and not the result of any deliberate decision. On August 27, 1992, after registering the copyright, it issued notice to the defendant of registration of the copyright and demanded it terminate the infringement. The present suit was filed on October 20, 1992.

II.

Under copyright law, the need to add a copyright notice to copies of articles for protection against infringers has been a vexing one. Originally, the statutes were quite stringent by requiring that the creative work bear formal notice for copyright protection. 1 However, starting with the 1909 Act, a liberalized policy emerged and steadily developed thereafter, as I will attempt to set forth in abbreviated form. Section 21 of this Act gave a degree of protection when there was an omission of notice by decreeing, “the omission by accident or mistake of the prescribed notice from a particular copy or copies [would] not invalidate the copyright.” 17 U.S.C. § 21 (repealed 1976). This rather broad ruling was refined long ago by at least one trial court, Sieff v. Continental Auto Supply, 39 F.Supp. 683 (D.Minn.1941). The Sieff court held a claimant was not protected if the omission resulted from negligence or oversight. In 1976, 17 U.S.C. § 21 was repealed. Section 405 of the 1976 Copyright Act, sometimes referred to as a “cure” provision, gave a statutory protection for at least five years, provided the work was registered at the Copyright Office before or within five years of publication and “reasonable efforts” were made to affix notice on copies distributed to the public “after the omission has been discovered.” However, the foregoing is not as simplistic as it sounds, because of the varying interpretations that may be given to the term “reasonable effort,” and, as will be discussed infra, the effect and application a subsequent amendment to the copyright law, the Berne Amendment, had on section 405 provision.

One of the initial questions that arose was whether a distinction had to be drawn between deliberate and unintentional omissions; a distinction of importance here, since the plaintiff seeks solace in claiming it acted unintentionally, as already pointed out. Beacon Looms, Inc. v. S. Lichtenberg & Co., 552 F.Supp. 1305, 1310-12 (S.D.N.Y.1982) held that because deliberate omissions are known *92 to the claimant, they cannot be “discovered” or at most would be discovered upon examination of the first printed copy. This holding was criticized by Judge Friendly in Hasbro Bradley, Inc. v. Sparkle Toys, Inc., 780 F.2d 189 (2d Cir.1985); he held that the § 405 cure provision is not limited to unintentional omissions. In short, even if the omission of the copyright notice was deliberate, it would be subject to cure for five years. Because I find Sparkle Toys, Inc.

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844 F. Supp. 89, 30 U.S.P.Q. 2d (BNA) 1612, 1994 U.S. Dist. LEXIS 2188, 1994 WL 58357, Counsel Stack Legal Research, https://law.counselstack.com/opinion/charles-garnier-paris-v-andin-intern-inc-rid-1994.