Chalfant v. Tubb

453 F. Supp. 2d 1308, 2006 U.S. Dist. LEXIS 61465, 2006 WL 2524242
CourtDistrict Court, N.D. Oklahoma
DecidedAugust 28, 2006
Docket05-CV-0549-CVE-SAJ
StatusPublished
Cited by6 cases

This text of 453 F. Supp. 2d 1308 (Chalfant v. Tubb) is published on Counsel Stack Legal Research, covering District Court, N.D. Oklahoma primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Chalfant v. Tubb, 453 F. Supp. 2d 1308, 2006 U.S. Dist. LEXIS 61465, 2006 WL 2524242 (N.D. Okla. 2006).

Opinion

OPINION AND ORDER

EAGAN, Chief Judge.

Now before the Court is Defendants’ Motion to Dismiss (Dkt.# 17) and Plaintiffs’ Motion to Strike (Dkt.# 42). Defendants ask the Court to dismiss plaintiffs’ complaint in its entirety, or in the alternative, defendants seek dismissal of specified claims. Plaintiffs request that the Court strike exhibit B attached to defendant’s reply (Dkt.# 41), a letter from plaintiff Patrick Chalfant to defendant Barry Tubb, because it attempts to provide factual support for defendants’ arguments beyond the allegations of the complaint.

I.

Plaintiffs filed this action for copyright infringement alleging that defendants produced and distributed a film based upon a screenplay written by plaintiffs. Plaintiffs Patrick W. Chalfant (“Chalfant”) and R.J. Preston (“Preston”) wrote a screenplay entitled “Blood Trail” and obtained a copyright from the United States Copyright Office in 1995 for it. The screenplay com *1312 bines elements of Westerns and horror films, in addition to Native American cultural themes, and is approximately 100 pages in length. The copyright for the screenplay, registration number PA 771-729, was issued on November 9, 1995 and is jointly held by plaintiffs.

In 1995, Barry Tubb, owner of Madruga-da Productions, Inc. (“Madrugada”), requested a copy of the screenplay from Preston. After reading the screenplay, Tubb expressed interest in producing a film based on the screenplay and Tubb, Chalfant, and Preston held a meeting in November 1995 at Preston’s home in Fay, Oklahoma. Tubb mentioned the possibility that he would seek plaintiffs’ permission to use the screenplay for his film, but stated that contractual details could be worked out after the film was produced. Tubb subsequently called Chalfant several times asking for permission to use the screenplay for a movie, but refused to discuss contractual terms until he could find a distributor for the film. Plaintiffs allege that they notified Tubb of their copyright as soon as it was registered.

Chalfant became concerned that Tubb would produce a film based on the screenplay without plaintiffs’ permission and Chalfant’s attorney sent Tubb a cease-and-desist letter forbidding Tubb to use the screenplay. After receiving the letter, Tubb called Chalfant and left a threatening message on his answering machine. Chalfant returned Tubb’s phone call, and informed Tubb that plaintiffs had agreed that Preston would have control over filming rights for the screenplay. Plaintiffs had decided that both of them would be given screenwriting credit if a film was ever produced. Chalfant also told Tubb that both plaintiffs would be entitled to compensation as part of any contract giving Tubb rights to produce a film based on the screenplay. Preston allowed Tubb to begin production of the proposed film without a written contract between Tubb and plaintiffs. Tubb orally agreed that he would execute a contract with plaintiffs once the film was produced and he had located a distributor. Tubb specifically agreed not to seek any distribution rights until plaintiffs approved the distributor and the parties signed a contract solidifying plaintiffs’ rights as owners of the screenplay.

Preston attended two viewing of an early version of the film in Los Angeles, California and Snyder, Texas, and clarified that both plaintiffs would have to be credited as coauthors of the screenplay. Preston was more involved with the production of the film than Chalfant, participating as an actor in the film and assisting with production design. 1 By 2002, Tubb informed Preston that he had still not found a distributor for the film. However, in August 2004, Tubb filed applications for copyrights for the derivative screenplay of Blood Trail and the film itself. Tubb listed Preston as a coauthor of the screenplay, but failed to mention Chalfant on the copyright application. The application did not note that the screenplay for Blood Trail was a derivative work and omitted any reference to the screenplay written by Preston and Chalfant in 1995. The applications were approved and Tubb received copyrights for the screenplay and film, numbers PAu2-887-903 and PAu2-860-135 respectively.

Tubb did not notify plaintiffs that he had received copyrights for the screenplay or film. Tubb hired Integration Entertainment, a California based company, to assist him in marketing and distributing *1313 Blood Trail. 2 Tubb may have also provided Lions Gate Entertainment, Inc. (“Lions Gate”) with copies of the film. Plaintiffs contend they did not authorize Tubb to market Blood Trail. Plaintiffs believe that Tubb allowed either Integration Entertainment or Lions Gate to market the film, and state that the DVD of Blood Trail is now commercially available for rental and purchase. Plaintiffs provide a list of stores where the DVD is sold or rented. 3

Plaintiffs claim that the final version of Blood Trail distributed by defendants contains large segments of dialogue lifted directly from plaintiffs’ original screenplay, as well as the same characters and events taken from the original work. Plaintiffs state that they have never received any compensation from defendants for use of their screenplay. The DVD packaging of Blood Trail states that the film is a Madru-gada Ranch production and that the screenplay was coauthored by Tubb and Preston. Plaintiffs’ complaint alleges five separate claims under the Copyright Act, violations of the Lanham Act, 15 U.S.C. 1125 et seq., as well as state law claims for fraud, constructive fraud, deceit, unfair trade practices, unfair competition, interference with prospective economic advantage, unjust enrichment, and breach of contract.

II.

When reviewing a motion to dismiss under Rule 12(b)(6), the court must construe the allegations of the complaint as true and view the allegations in the light most favorable to the nonmoving party. Moffett v. Halliburton Energy Services, Inc., 291 F.3d 1227, 1231 (10th Cir.2002). A Rule 12(b)(6) motion “should not be granted unless it appears beyond doubt that the plaintiff can prove no set of facts in support of his claim which would entitle him to relief.” Sutton v. Utah State School for the Deaf & Blind, 173 F.3d 1226, 1236 (10th Cir.1999).

III.

Plaintiffs have filed a motion to strike (Dkt #42) exhibit B attached to defendants’ reply. Exhibit B is a letter from Chalfant to Tubb, dated April 8, 1996, which states:

This letter is to state that my only role in “Blood Trail” is of a writer, and that I, Patrick Chalfant, co-owner of the copyright for the screenplay, “Blood Trail” have made a contractual agreement with R.J. Preston, co-owner of the copyright for the screenplay “Blood Trail.” This contract gives Mr.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

GREER v. MOON
N.D. Florida, 2024
Greer v. Moon
D. Utah, 2024
CTI SERVICES LLC v. Haremza
797 F. Supp. 2d 1257 (N.D. Oklahoma, 2011)

Cite This Page — Counsel Stack

Bluebook (online)
453 F. Supp. 2d 1308, 2006 U.S. Dist. LEXIS 61465, 2006 WL 2524242, Counsel Stack Legal Research, https://law.counselstack.com/opinion/chalfant-v-tubb-oknd-2006.