Cecile Barker v. Commissioner

2018 T.C. Memo. 67
United States Tax Court·Decided May 21, 2018·No. 21067-14·Unpublished

Opinion

T.C. Memo. 2018-67

UNITED STATES TAX COURT

CECILE BARKER, Petitioner v.

COMMISSIONER OF INTERNAL REVENUE, Respondent

Docket No. 21067-14. Filed May 21, 2018.

Jose M. Ferrer and Jeffrey L. Rubinger, for petitioner.

W. Robert Abramitis, for respondent.

MEMORANDUM FINDINGS OF FACT AND OPINION

PUGH, Judge: Respondent determined a deficiency of $1,807,886 in petitioner’s Federal income tax for 2011 and an addition to tax under section 6651 of $451,971.1 After concessions, the issues for decision are: (1) whether SoBe

1 Unless otherwise indicated, section references are to the Internal Revenue (continued...)

[*2] Entertainment International LLC (SoBe) was engaged in a trade or business for profit for tax years 2003 through 2011; (2) whether SoBe incurred the losses reported on its returns for tax years 2003 through 2011; (3) whether SoBe claimed any business expense deductions between tax years 2003 and 2011 for costs that it should have capitalized; (4) whether petitioner had a sufficient basis in his interest in SoBe to deduct his distributive share of losses; and (5) whether petitioner is liable for an addition to tax for failure to file a timely return under section 6651(a) for 2011.

FINDINGS OF FACT

Some of the facts have been stipulated and are so found. The stipulated facts are incorporated in our findings by this reference. Petitioner resided in Florida at the time he timely filed his petition. I. SoBe Entertainment International LLC Petitioner earned an undergraduate degree in physics and a graduate degree in aerospace engineering, and he worked as an aerospace engineer beginning in the mid-1960s. Petitioner also was involved in the music business during this

1 (...continued)

Code of 1986 (Code), as amended, in effect for the years in issue. Rule references are to the Tax Court Rules of Practice and Procedure, and dollar amounts are rounded to the nearest dollar. Unless otherwise specified, descriptions of petitioner’s and SoBe’s activities are as of 2011.

[*3] time: He formed the group Peaches & Herb, which achieved considerable commercial success, and in 1973 he coproduced the Grammy-winning song “Midnight Train to Georgia” by Gladys Knight & the Pips. Shortly thereafter, petitioner formed his own aerospace engineering company and left the music industry to focus on his company’s success. Petitioner sold his company in 2001 and decided to reenter the music business.

A. SoBe’s Founding Petitioner formed SoBe on November 8, 2002, as a Delaware limited liability company. Petitioner contributed 100% of the capital to SoBe and owns 95% of SoBe’s profit and loss; his son, Yannique, and daughter, Angelique, split the remaining 5% evenly. SoBe is an independent entertainment company that signs artists and celebrities, produces music and/or videos, and promotes its artists and distributes their work. Petitioner served as SoBe’s chief executive officer (CEO) and managing member from its formation and he was devoting 40 to 60 hours per week to it at the time of trial. Petitioner consulted with music industry professionals in preparation for SoBe’s formation and retained the services of several high-profile producers--such as Scott Storch, Pharrell Williams, Swizz Beatz, and Timbaland--to bolster SoBe’s chances of success. SoBe employed a marketing professional at the time of trial and previously employed a chief

[*4] financial officer (CFO). In total, SoBe had eight employees and it routinely hired independent contractors. SoBe issued Forms W-2, Wage and Tax Statement, and Forms 1099-MISC, Miscellaneous Income, to its employees and independent contractors.

SoBe signed several artists to contracts, including: Petitioner’s son, Yannique, professionally known as Stack$; Brandon Williams, professionally known as Urban Mystic; Christian Ward, professionally known as Iceberg; Lola Zaidline-Delon; Jarius Brown, professionally known as Hollywood J; Phyllisia Ross; Ce’Cile Charlton; Brooke Hogan; and Paul Wight. It has renewed at least one artist contract. SoBe contracted with producers and writers to work with its signed artists. And SoBe entered into a distribution agreement with Isolation Network, an arm of Universal Music, to distribute music digitally.

SoBe advanced the cost of producing, promoting, and distributing music for its signed artists. SoBe used several platforms to advertise its services and promote its artists. It advertised online and through its websites, www.sobeentertainment.com and www.sobeswaglabs.com, posted music on free video sharing sites, and placed advertisements on industry blogs. It also placed advertisements in print magazines and scheduled meetings to advertise by word of

[*5] mouth among those working in the music industry. Additionally, SoBe was a member of the trade organization, the Record Industry Association of America.

Petitioner saw stars, such as Adele, Taylor Swift, and Justin Bieber, as examples of how one artist could make SoBe profitable. While none of its artists had achieved such a level of commercial success at the time of trial, they had each contributed to the catalog of songs that SoBe owned. Its catalog had value; in March 2016, it placed a song in a television show on ABC.

SoBe was founded during a time of major change in the music industry, brought on by the advent of online platforms on which people could buy or sell music at low cost or share it for free. SoBe was required to cut costs as a result of the effects that these platforms had on the music industry; it reduced its employees from 16 or 17 to 8, including petitioner, and moved its recording studio to a less expensive location. SoBe has never earned a profit, and its cumulative losses have increased from year to year.

B. Yannique Barker Yannique Barker began recording songs at SoBe’s studios around 2003 while he was a student at the University of Southern California in Los Angeles. Yannique had no recording experience when he began recording. Shortly thereafter, Yannique moved to Miami and continued his studies at the University

[*6] of Miami and began to intern at SoBe. While he was not paid for his work as an intern, it was agreed that Yannique would be paid “when operational cash flow justifies it” or upon SoBe’s liquidation.

SoBe signed Yannique to a record contract in 2005 to perform under the stage name, Stack$. Under that contract, SoBe advanced Yannique approximately $2,400,000 or $2,500,000 to promote him as a hip-hop artist. SoBe paid prominent hip-hop artists, such as Lil Wayne, Pitbull, The Game, and P. Diddy, to collaborate with Yannique as part of its promotion of Yannique’s music. SoBe also has paid prominent artists to collaborate with its other signed acts.

C. SoBe’s Finances John McQuagge was SoBe’s CFO and controller from 2006 through 2010.

During his tenure Mr. McQuagge kept SoBe’s books using the software, Quickbooks. Mr. McQuagge used Quickbooks to produce SoBe’s general ledger and journals. SoBe had two separate bank accounts, one used as a primary operating account and one used for payroll. Mr. McQuagge balanced the accounts against monthly bank statements. The record includes SoBe’s bank account statements from 2002 through 2012 and copies of SoBe’s checks from 2006 through 2010. The record also includes the general ledger from 2005 through 2009. The record does not include copies of SoBe’s checks from 2003, 2004,

[*7] 2005, or 2011 or SoBe’s general ledger for years 2003, 2004, 2010, or 2011. Some expenses recorded in SoBe’s general ledger were paid by credit card or cash, rather than by check. Other than bank statements, the record has no documentation for those expenses.

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