Cassirer v. Thyssen-Bornemisza Collection Foundation

737 F.3d 613, 2013 WL 6403082, 2013 U.S. App. LEXIS 24413
CourtCourt of Appeals for the Ninth Circuit
DecidedDecember 9, 2013
Docket16-36045
StatusPublished
Cited by9 cases

This text of 737 F.3d 613 (Cassirer v. Thyssen-Bornemisza Collection Foundation) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Cassirer v. Thyssen-Bornemisza Collection Foundation, 737 F.3d 613, 2013 WL 6403082, 2013 U.S. App. LEXIS 24413 (9th Cir. 2013).

Opinion

OPINION

PREGERSON, Circuit Judge:

The Cassirers appeal the district court’s grant of the Thyssen-Bornemisza Collection Foundation’s motion to dismiss their complaint without leave to amend. The Cassirers’ lawsuit seeks to recover a masterpiece French impressionist painting that was allegedly taken from their ancestors by the Nazi regime. For the Cassir-ers’ claims to be timely, they must rely on amended California Code of Civil Procedure § 338(e)(3), which provides for a six-year limitation period for the recovery of fine art against a museum, gallery, auctioneer, or dealer. The district court held that § 338(c)(3), as amended, is unconstitutional on the basis of field preemption. We have jurisdiction under 28 U.S.C. § 1291. We affirm in part, reverse in part, and remand for further proceedings.

STANDARD OF REVIEW

We review the district court’s grant of the Foundation’s motion to dismiss . de novo. TwoRivers v. Lewis, 174 F.3d 987, 991 (9th Cir.1999). In reviewing the Cas-sirers’ claims, we treat the allegations- in the complaint as true. Id.

FACTUAL AND PROCEDURAL BACKGROUND

Camille Pissarro completed the- impressionist painting Rue SainL-Honoré, apres-mid% effet de pluie (the “Painting”) in 1897. Julius Cassirer purchased the Painting in 1898. The Cassirers were a well-known Jewish family that played a prominent role in Germany’s economic and cultural life. When Julius died, his son Fritz, and Fritz’s wife, Lilly, inherited the Painting.

In 1939, Lilly decided to flee Germany because of the discriminatory Nuremberg Laws enacted in 1935 that stripped Jews of their civil rights and citizenship. Lilly and Fritz had to obtain permission to leave Germany and had to subject any works of art that they wished to take with them to an official appraiser. The appraiser was appointed by the Nazis. He told Lilly that *616 she could not take the Painting out of Germany. The appraiser demanded that Lilly hand the Painting over to him for a payment of 900 Reichsmarks (around $360 at 1939 exchange rates). Lilly surrendered the Painting.

In 1943, the Painting was sold to an anonymous purchaser. After the war, Lilly attempted to locate the Painting without success. She obtained compensation for the loss of the Painting in the German courts. When Lilly died in 1962, she named her grandson Claude Cassirer as her sole heir.

In 1976, Baron Hans-Heinrich Thyssen-Bornemisza, one of the yyorld’s most prolific private art collectors, bought the Painting. In 1993, the Thyssen-Bornemisza Collection Foundation (the “Foundation”), an agency of the- Kingdom of Spain, purchased the Thyssen-Bornemisza collection, including the Painting. Spain provided a palace to house the Thyssen-Bornemisza Museum.

In 2000, Claude first discovered that the Painting was on display in the Thyssen-Bornemisza Museum., By that time, he was living in California. Claude filed this lawsuit in May 2005 against -the Foundation and the Kingdom of Spain.

Defendants filed an initial motion to dismiss on the ground that the district court lacked subject matter jurisdiction over thé dispute. The district court ruled that it had subject matter jurisdiction under the Foreign Sovereign Immunity Act’s exception to sovereign immunity for lawsuits involving rights in property taken in violation of international law. That decision was upheld by. a three judge panel and an en banc panel of the Ninth Circuit. See Cassirer v. Kingdom of Spain, 580 F.3d 1048, 1064 (9th Cir.2009); Cassirer v. Kingdom of Spain, 616 F.3d 1019, 1037 (9th Cir.2010) (en banc).

After the en banc ruling, Claude died. On remand, Claude’s heirs — his son David, daughter Ava, and the United Jewish Federation of San Diego County — were substituted as plaintiffs (collectively, the “Cassir-ers”). The Cassirers voluntarily dismissed Spain, and the Foundation agreed not to challenge personal jurisdiction.

The Foundation moved to dismiss the Cassirers’ complaint on the ground that § 338(c)(3), as amended, is unconstitutional. The district court granted the motion to dismiss without leave to amend on the grounds that: (1) § 338(c)(3) is unconstitutional .under foreign affairs field preemption; and (2) as a consequence, the Cassir-ers’ claims are untimely under the more general three-year statute of limitations for recovery of property. The Cassirers timely appealed.

STATUTORY BACKGROUND

At the time the Cassirers initiated their lawsuit, the California Code of Civil Procedure provided a three-year general statute of limitations for “[a]n action for taking, detaining, or injuring any goods or chattels, including actions for the specific recovery of personal property.” CaLCiv. Proc.Code § 338(c) (1998). In filing their lawsuit, however, the Cassirers relied on the then-applicable California Code of Civil Procedure § 354.3 enacted in 2002. That statute provided that the owner of “Holocaust-era artwork” — defined as an “article of artistic significance taken as a result of Nazi persecution during the period of 1929 to 1945” — may recover the article from “any museum or gallery” so long as the action is commenced by December 31, 2010. Cal.Civ.Proc.Code § 354.3. We struck down § 354.3 as unconstitutional on the basis of field preemption in Von Saher v. Norton Simon Museum of Art at Pasadena, 578 F.3d 1016, 1026-30 (9th Cir. *617 2009), as amended by 592 F.3d 954 (9th Cir.2010).

Shortly after the ruling in Von Saher, the California Legislature amended § 338, the general statute of limitations provisions. The original provisions of § 338(c) were renumbered as § 338(c)(1) and § 338(c)(2). The Legislature added a new provision, (c)(3), which is at the heart of this appeal, that provides for a six-year statute of limitations for “an action for the specific recovery of a work of fine art brought against a museum, gallery, auctioneer, or dealer.” Cal.Civ.Proe.Code § 338(c)(3) (2011). The amended statute specifies that the six-year period is triggered on “the actual discovery” by plaintiff of (1) “[t]he identity and the whereabouts of the work of fine art” and (2) “[information or facts that are sufficient to indicate that the claimant has a claim for a posses-sory interest in the work of fine art that was unlawfully taken or stolen.” Id. § 338(c)(3)(A)(i)-(ii). The statute applies to “all pending and future actions com menced on or before December 31, 2017,” so long as “the action concerns a work of fine art that was taken within 100 .years prior to the date of enactment of this statute.” Id. § 338(c)(3)(B).

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Bluebook (online)
737 F.3d 613, 2013 WL 6403082, 2013 U.S. App. LEXIS 24413, Counsel Stack Legal Research, https://law.counselstack.com/opinion/cassirer-v-thyssen-bornemisza-collection-foundation-ca9-2013.