Campbell v. De La Torre

District Court, S.D. New York·Decided August 8, 2025·No. 1:25-cv-01468·Unknown

Opinion

USDC SDNY DOCUMENT UNITED STATES DISTRICT COURT ELECTRONICALLY FILED SOUTHERN DISTRICT OF NEW YORK DOC #: Sanne KK DATE FILED:__ 8/8/2025 VANCE CAMPBELL, as Executor of the Estate of : Wallace Campbell, : Plaintiff, : 25-cv-1468 (LJL) -v- : OPINION AND ORDER MANUEL JULIO DE LA TORRE, individually andas : Administrator of The Estate of Manuel Jesus De La Torre : and Sylvia De La Torre, : Defendant, : -and- :

CANAIMA II, : a drawing, : Defendant-in-rem. :

□□□ XK

LEWIS J. LIMAN, United States District Judge: Vance Campbell, as Executor of the Estate of Wallace Campbell (“Plaintiff”), seeks a declaratory judgment against Manuel Julio De La Torre, individually and in his capacity as Administrator of the Estate of Manuel Jesus De La Torre (“Defendant”), and asserts in rem claims to declare Plaintiff's ownership rights and clear title to Canaima II (the “Drawing”), a 1947 oil drawing by Wifredo Lam. Dkt. No. 1. Defendant brings counterclaims for a declaratory judgment that Defendant is the true owner of the Drawing and for unjust enrichment. Dkt. No. 15. Plaintiff now moves pursuant to Federal Rule of Civil Procedure 12(c) for

judgment on the pleadings with regard to his claims for relief and moves pursuant to Federal Rule of Civil Procedure 12(b)(6) to dismiss Defendant’s counterclaims. Dkt. No. 18. For the following reasons, the motion for judgment on the pleadings is granted, and the motion to dismiss Defendant’s counterclaims is granted.

BACKGROUND For both Plaintiff’s motion for judgment on the pleadings under Rule 12(c) and Plaintiff’s motion to dismiss Defendant’s counterclaims under Rule 12(b)(6), the Court accepts as true the factual allegations in Defendant’s answer and counterclaims, along with “any attached written instruments or other matters of which courts can take judicial notice.” Lively v. WAFRA Inv. Advisory Grp., Inc., 6 F.4th 293, 305 (2d Cir. 2021); see id. (stating that a court “should remain within the non-movant’s pleading when deciding both Rule 12(c) and 12(b)(6) motions”). Defendant Manuel Julio De La Torre is an heir of Manuel Jesus De La Torre (“Manuel De La Torre”) and Sylvia De La Torre and the Administrator of the De La Torre Estate. Dkt. No. 1 ¶ 5; Dkt. No. 15 ¶ 5. Manuel De La Torre was a prominent architect and professor of architecture at the University of Havana. Dkt. No. 15 ¶ 55. While living in Cuba from 1935

until 1960, Manuel De La Torre and his wife Sylvia De La Torre befriended local Cuban artists and purchased dozens of artworks. Id. ¶¶ 55–56. Their collection was exhibited in Havana, Cuba, in or about April 1956 at the Lyceum Exhibition. Id. ¶ 57. In 1960, the De La Torres were forced to flee due to political persecution during the Cuban Revolution. Id. ¶ 59. At that time, their entire collection was stolen from them. Id. ¶ 59. They sought refuge in the United States and resided in Nassau County, New York, until their passing. Id. ¶ 60. At some point after they moved to the United States, the De La Torres learned that the artworks belonging to them were trafficked out of Cuba and sold by prominent auction houses in the United States, including in New York. Id. ¶ 63. One of the pieces of art collected by Manuel De La Torre and stolen from him when he fled Cuba was entitled “Composción” (the “Drawing”). Id. ¶ 53. The Drawing was created in 1947 by a well-known and admired Cuban artist named Wifredo Lam (“Lam”). Id. ¶ 56. Lam dedicated the Drawing to Manuel De La Torre, writing “para Manolo de la Torre, de su amigo el

pintor, Wifredo Lam, 1947” on the front of the work (“For Manolo de la Torre, by his friend the painter, Wifredo Lam, 1947”). Id. ¶ 54 & n.1. Manuel and Sylvia De La Torre purchased the Drawing directly from the artist. Id. ¶ 56. The De La Torre family has actively sought and made good faith efforts to recover over fifty stolen artworks that were exhibited at the Lyceum Exhibition, including the Drawing. Id. ¶ 67; Dkt. No. 1 ¶ 20; Dkt. No. 15 ¶ 20. In 2008, after litigation in New York State Supreme Court, they were able to recover one of these works, entitled “La Hamaca.” Dkt. No. 15 ¶ 64. The press around that case resulted in the recovery of several other stolen artworks. Id. ¶ 65. The works that are still missing have been registered with the Art Loss Register since 2015. Id. ¶ 66. In 2020, a Christie’s employee advised Defendant that the Drawing had been consigned

for sale to Christie’s. Id. ¶¶ 68–69. Defendant contacted Christie’s and demanded the return of the drawing from its purported owner, the Campbell Estate and Vance Campbell (“Campbell”). Id. ¶ 70. Campbell and the Campbell Estate had been in possession of the Drawing since at least 1984. Id. ¶ 86. Defendant presented Campbell with a provenance document that identified Manuel De La Torre as the original owner of the Drawing. Dkt. No. 15 ¶ 71; see Dkt. No. 1 ¶ 19; Dkt. No. 15 ¶ 19.1 Campbell indicated that he intended to restitute the Drawing to the De La Torre family, though he later changed position after retaining counsel. Dkt. No. 15 ¶¶ 72–73. On January 25,

1 Defendant also alleges on information and belief that Campbell was already aware as early as 2001 that De La Torre was the true and original owner, having received notice of this fact from Sotheby’s. Dkt. No. 15 ¶ 88. 2021, Defendant informed Christie’s that he was formally demanding that the Drawing be returned within thirty days. Dkt. No. 1 ¶ 23; Dkt. No. 15 ¶ 23. On June 14, 2021, Defendant sent a letter to the Estate in which he again asserted his title claim and made a formal, written demand for the return and restitution of the drawing by no later

than June 30, 2021. Dkt. No. 1 ¶ 25; Dkt. No. 15 ¶ 25. There is no dispute about the authenticity of the letter. It refers to the demand made by Defendant through Christie’s on January 25, 2021, that the Estate return the Drawing, and to a conference between the parties on June 11, 2021. Dkt. No. 20-3 at 2. It then states that “Claimants,” defined as the Estate of Manuel Jesus De La Torre and its heir Manuel Julio De La Torre, demand that the drawing “be returned and restituted to Claimants on or before June 30, 2021.” Id. at 3.2 Plaintiff did not return the drawing. Dkt. No. 15 ¶ 91. Plaintiff alleges that on June 25, 2021, the Estate responded to Defendant’s letter and refused the June 14, 2021, demand. Dkt. No. 1 ¶ 26. Defendant does not dispute that he received a letter from Vance Campbell refusing the demand. Oral Argument Tr. at 19:5–12 (“That is not disputed. I did receive that via email, me

personally, as counsel.”). However, he denies knowledge or information sufficient to form a belief regarding whether the refusal was sent on behalf of the Estate. Dkt. No. 15 ¶ 26.

2 Defendant argues that this letter should not be considered because it is not incorporated by reference in Defendant’s pleading. Dkt. No. 29 at 4. However, the letter is specifically referenced in Defendant’s pleading and Defendant’s counterclaim “stands or falls” based on whether the letter constituted a proper demand. Glob. Network Commc’ns, Inc. v. City of New York, 458 F.3d 150, 156 (2d Cir. 2006); see Rekor Sys., Inc. v. Loughlin, 2022 WL 3020148, at *11 (S.D.N.Y. July 29, 2022) (“For a claim of conversion, a demand is required when possession of the property was originally lawful.”); Clark v. Hemphill Artworks, LLC, 2024 WL 1157170, at *12 (S.D.N.Y. Mar. 16, 2024) (noting that demand is a “necessary element” of a claim for conversion of property against a good-faith purchaser). Therefore, the demand letter is integral to Defendant’s counterclaims and is properly considered. PROCEDURAL HISTORY Plaintiff filed his complaint on February 20, 2025. Dkt. No. 1.

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