Bridgeport Music, Inc. v. Lorenzo

255 F. Supp. 2d 795, 66 U.S.P.Q. 2d (BNA) 1530, 2003 U.S. Dist. LEXIS 5877, 2003 WL 1805125
CourtDistrict Court, M.D. Tennessee
DecidedMarch 26, 2003
Docket3:01-0702
StatusPublished
Cited by4 cases

This text of 255 F. Supp. 2d 795 (Bridgeport Music, Inc. v. Lorenzo) is published on Counsel Stack Legal Research, covering District Court, M.D. Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bridgeport Music, Inc. v. Lorenzo, 255 F. Supp. 2d 795, 66 U.S.P.Q. 2d (BNA) 1530, 2003 U.S. Dist. LEXIS 5877, 2003 WL 1805125 (M.D. Tenn. 2003).

Opinion

MEMORANDUM

HIGGINS, District Judge.

Pending before the Court is the motion of defendant Diamond Time, Ltd. for award of attorney’s fees and related non *797 taxable expenses (filed Dec. 5, 2002; Docket Entry No. 256). Defendant has filed a memorandum of law (filed Dec. 5, 2002; Docket Entry No. 257), the declaration of R. Horton Frank, III (filed Dec. 5, 2002; Docket Entry No. 258), a reply memorandum (filed Jan. 23, 2002; Docket Entry No. 281), and the declaration of Cathy Carapella (filed Jan. 23, 2002; Docket Entry No. 282) in support of its motion. The plaintiffs have filed a memorandum (filed Dec. 19, 2002; Docket Entry No. 269) in opposition.

The relevant facts are set forth in the Court’s memorandum and order dismissing the plaintiffs’ claims against the defendant (entered Nov. 5, 2002; Docket Entry Nos. 233 and 234). In that order, the Court granted the defendant’s summary judgment motion as to all claims against it on the grounds that the claims were barred by the statute of limitations.

STANDARD

Section 505 of the Copyright Act provides that:

In any civil action under this title, the court in its discretion may allow the recovery of full costs by or against any party other than the United States or an officer thereof. Except as otherwise provided by this title, the court may also award a reasonable attorney’s fee to the prevailing party as part of the costs.

17 U.S.C. § 505. The Supreme Court has enumerated several nonexclusive factors that a court should consider in deciding a motion for fees and costs, including “frivolousness, motivation, objective reasonableness (both in factual and legal components of the case) and the need in particular circumstances to advance considerations of compensation and deterrence.” Fogerty v. Fantasy, Inc., 510 U.S. 517, 534 n. 19, 114 S.Ct. 1023, 127 L.Ed.2d 455 (1994); see also Coles v. Wonder, 283 F.3d 798, 803 (6th Cir.2002) (affirming award of attorney’s fees to defendants). Because these factors are non-exclusive, the Court needn’t find in favor of the prevailing party on each factor in order to award fees, and may take other factors into consideration in exercising its discretion.

The primary consideration in deciding a motion for fees should be whether an award will further the policies and objectives of the Copyright Act. Fogerty, 510U.S. at 534 n. 19, 114 S.Ct. 1023.

Because copyright law ultimately serves the purpose of enriching the general public through access to creative works, it is peculiarly important that the boundaries of copyright law be demarcated as clearly as possible. To that end, defendants who seek to advance a variety of meritorious copyright defenses should be encouraged to litigate them to the same extent that plaintiffs are encouraged to litigate meritorious claims of infringement.... Thus, a successful defense of a copyright infringement action may further the policies of the Copyright Act every bit as much as a successful prosecution of an infringement claim by the holder of a copyright.

Id. at 527, 114 S.Ct. 1023.

If an award of fees is deemed to be warranted, the amount of the award is determined by calculating the lodestar amount — the number of hours reasonably expended on the litigation multiplied by a reasonable hourly rate. See U.S. Structures v. J.P. Structures, 130 F.3d 1185, 1193 (6th Cir.1997). The district court should then exclude excessive, redundant, or otherwise unnecessary hours. Id.

ANALYSIS

I. Defendant is the Prevailing Party

The defendant prevailed on having all of the plaintiffs’ claims 1 against it dismissed *798 with prejudice, therefore it is clearly the prevailing party in this matter. The plaintiffs’ contention that it prevailed on certain issues of ownership does not affect the ultimate outcome, the dismissal of its case against this defendant in its entirety, or the analysis of which party prevailed for the purposes of the fee-shifting statute.

II. An Award is Warranted by the Facts of This Case

The Court believes that it is in the interests of justice and in furtherance of the objectives of the Copyright Act that an award of fees and costs should be granted to the defendant. The Court identifies the following factors that weigh in favor of an award: (1) the plaintiffs’ litigation strategy that resulted in suing defendants against which they had little hope of recovering; (2) the plaintiffs’ motivation for failing to dismiss stale claims; (3) the interest in deterring further litigation of stale claims; and (4) the inherent weakness in the plaintiffs’ copyright claims against this defendant. These factors dictate that the plaintiffs should be made to answer for litigating this action, and the original action from whence it spawned, in a fashion that contributed to the multiplication of fees amongst all the parties and resulted in an administrative morass for the Court.

One of the consequences of the plaintiffs’ choice to sue hundreds of defendants all at the same time, regardless of the strength of the individual claims, was that the plaintiffs’ dragnet inevitably swept up parties against whom they had little or no chance of succeeding. Such is the case here. While the ultimate decision to dismiss the claims against this defendant rested on the statute of limitations, the plaintiffs’ claims for contributory infringement and negligence 2 were based on shaky facts and even shakier legal arguments. In response to the defendant’s motion for summary judgment, the plaintiffs conceded that they had no claim for direct infringement. Their claim for contributory infringement rested on few facts and on case law that was not factually analogous. 3

While the Court did not reach the merits of the contributory infringement claim, the significance of the statute of limitations defense to this and numerous other Bridgeport cases must be underscored. Many of the songs in question were released in the early and mid 1990’s. Many of these cases involve license agreements that were initially negotiated between the *799 plaintiffs and defendants during this same time period. Yet the plaintiffs waited long after the three-year statute of limitations to bring suit. The Court found in this case that the last contact between Diamond Time and the plaintiffs was in December 1995, more than five years before the plaintiffs brought suit. This is not the only Bridgeport case where the plaintiffs’ claims were defeated by their failure to act promptly to protect their rights.

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Related

Fharmacy Records v. Nassar
572 F. Supp. 2d 869 (E.D. Michigan, 2008)
Southfield Music, Inc. v. Diamond Time, Ltd.
371 F.3d 883 (Sixth Circuit, 2004)
Bridgeport Music, Inc. v. Diamond Time, Ltd.
371 F.3d 883 (Sixth Circuit, 2004)

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255 F. Supp. 2d 795, 66 U.S.P.Q. 2d (BNA) 1530, 2003 U.S. Dist. LEXIS 5877, 2003 WL 1805125, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bridgeport-music-inc-v-lorenzo-tnmd-2003.