Bredesen v. Detroit Federation of Musicians, Local No. 5

165 F. Supp. 2d 647, 168 L.R.R.M. (BNA) 2530, 2001 U.S. Dist. LEXIS 15965, 86 Fair Empl. Prac. Cas. (BNA) 1568, 2001 WL 1172755
CourtDistrict Court, E.D. Michigan
DecidedSeptember 28, 2001
Docket2:00-cv-71630
StatusPublished
Cited by4 cases

This text of 165 F. Supp. 2d 647 (Bredesen v. Detroit Federation of Musicians, Local No. 5) is published on Counsel Stack Legal Research, covering District Court, E.D. Michigan primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bredesen v. Detroit Federation of Musicians, Local No. 5, 165 F. Supp. 2d 647, 168 L.R.R.M. (BNA) 2530, 2001 U.S. Dist. LEXIS 15965, 86 Fair Empl. Prac. Cas. (BNA) 1568, 2001 WL 1172755 (E.D. Mich. 2001).

Opinion

OPINION AND ORDER REGARDING DEFENDANT’S MOTION FOR JUDGMENT ON THE PLEADINGS OR SUMMARY JUDGMENT

ROSEN, District Judge.

I. INTRODUCTION

This Elliott-Larsen sex discrimination/Section 301 breach of duty of fair representation action is presently before the Court on Defendant’s Motion for Judgment on the Pleadings or Summary Judgment. Plaintiff has responded to Defendant’s Motion to which Response Plaintiff has replied. The Court heard the oral arguments of counsel on April 19, 2001, and at the conclusion of the hearing, ordered supplemental briefing. The parties have complied with the Court’s directive. Having now had the opportunity to review and consider the parties briefs and supporting documents, the Court is now prepared to rule on this matter. This Opinion and Order sets forth the Court’s ruling.

II. PERTINENT FACTS

Plaintiff Diane Bredesen is employed as the “house contractor” for the Detroit Opera House (the “DOH”). Defendant Detroit Federation of Musicians (the “Union”) represents musicians employed at the *649 DOH, the Fisher and Fox Theatres, and the Masonic Temple. 1 Each of the the-atres has its own collective bargaining agreement with the Union.

House contractors are responsible for hiring the “pick up” orchestras that perform traveling shows at their respective theatres. They also ensure that musicians understand the performance schedules, any applicable rules, and any information particular to the show. They enforce dress codes, ensure the presence of the required orchestra players despite sickness or other reasons for absence, and serve generally as the musicians’ liaison to the conductor and the theatre.

At all times relevant to this lawsuit, there were three house contractors employed under Union contracts within the Detroit metropolitan area — Ms. Bredesen at the DOH, John Trudell at the Fox Theatre, and Max Leib 2 at the Fisher and Masonic Temple. 3 Ms. Bredesen and Mr. Trudell also often play in the orchestras.

Plaintiff began her position of house contractor for the DOH when it acquired its home in 1996. She became the only woman to hold that position in any major Detroit area venue, union or non-union, and the first woman in the Union’s history to hold that position. When she was offered the job in 1996, Plaintiff asked union President Carl Austin to negotiate a “double scale” salary for her as house contractor. Austin told her that all of the house contractors were paid the same rate for such work, that this uniform rate was a single side-musician’s scale, and that the house contractor rate of pay was required by the Union to be uniform at all venues so that they would not compete with one another. [See Bredesen Dep pp. 100-102.] Ms. Bredesen accepted Mr. Austin’s assertions at face value. Accordingly, Austin negotiated for her the regular “side-musician” rate, i.e., single scale, after telling her that this single scale was what all the local venues were paying their house contractors. This rate was incorporated into the 1996-1998 DOH Collective Bargaining Agreement. In pertinent part, that Agreement provided as follows:

Local musicians for all attractions as outlined below, including rentals, must be engaged by and under the supervision of the house contractor.
‡ * * * ‡
(3) The MOT Personnel Manager shall be the House Contractor.... The Employer reserves the right of approval and engagement of the Personnel Manager/House Contractor.
(4) Scale of Wages
(4.1) MUSICAL SHOWS AND VARIETY SHOWS
For eight (8) shows or less played within not more than six (6) consecutive days:
For the period September 1, 1996 to August 31, 1997, $862.00 per week for each sidemusieian.
*650 For the period September 1, 1997 to August 31, 1998, $896.00 per week for each sidemusician.
Any and all performances played in less than six (6) consecutive days shall be paid for at the pro-rata performance rate of $107.75 in year one and $112.00 in year two. The Contractor shall receive regular sidemusician’s scale for services as Contractor for the engagement of up to thirty (30) musicians, and one and one-half (]é) the sidemusician’s scale for the engagement of 31 to 55 musicians, and double the sidemusician’s scale for the engagement of 56 or more musicians. 4 Should the Contractor be a player in the orchestra he/she shall receive in addition to the Contractor fee, sidemusician’s scale for playing.

[See Plaintiffs Ex. A, p. 1 (emphasis added).] 5

In October 1999, Plaintiff discovered that Carl Austin’s representations that all of the local theatres were paying their house contractors the single side-musician’s scale was false and that in fact, at least as of September 1996, i.e., when the first DOH-Detroit Federation of Musicians contract was executed, all of the other Detroit area venues were paying their house contractors — all males — double the regular side-musician’s scale. [See Plaintiffs Exs. Bl, B2 and C. See also Deposition of current Union President Joseph Skrzynski, pp. 58-59.] 6 As a matter of fact, John Trudell, the House Contractor at the Fox Theatre and the Vice-President of the Union, testified that the Fox Agreement has provided for double scale for the house contractor since at least 1990. [Trudell Dep. pp. 16-18.] Even the Macomb Center, a very small union venue, has always paid its house contractor double scale. Id. pp. 15-16. 7 Mr. Trudell testified that before the Fox agreements were negotiated, he told Carl Austin and Byron Taylor, the Secretary-Treasurer of the Union, that “[he] wanted double scale if [he] was to be the House Contractor,” and Austin complied with Trudell’s demand. Id. p. 31. President Skrzynski emphasized in his deposition that the double scale rates in the Fisher, Fox and Masonic Temple contracts refer only to house contractor services; a contractor who also plays in the orchestra is paid the regular side-musician’s scale for musician’s services in addition to the house contractor double scale wage. [Skrzynski Dep. p. 53.]

*651 Additionally, both Mr. Trudell and Mr. Leib were themselves signatory parties to their collective bargaining agreements, in their own names, giving them the right to enforce their house contractor rights under the agreements themselves. See Plaintiffs Exs. Bl, B2 and C See also Trudell dep. p. 25. Ms.

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Bluebook (online)
165 F. Supp. 2d 647, 168 L.R.R.M. (BNA) 2530, 2001 U.S. Dist. LEXIS 15965, 86 Fair Empl. Prac. Cas. (BNA) 1568, 2001 WL 1172755, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bredesen-v-detroit-federation-of-musicians-local-no-5-mied-2001.