Birmingham Musicians' Protective Ass'n, Local 256-733 v. Alabama Symphony Ass'n

211 B.R. 65, 154 L.R.R.M. (BNA) 2910, 1996 U.S. Dist. LEXIS 21819, 1996 WL 885812
CourtDistrict Court, N.D. Alabama
DecidedSeptember 30, 1996
DocketBankruptcy No. 93-00457, No. CV-93-B-1385-S
StatusPublished
Cited by9 cases

This text of 211 B.R. 65 (Birmingham Musicians' Protective Ass'n, Local 256-733 v. Alabama Symphony Ass'n) is published on Counsel Stack Legal Research, covering District Court, N.D. Alabama primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

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Birmingham Musicians' Protective Ass'n, Local 256-733 v. Alabama Symphony Ass'n, 211 B.R. 65, 154 L.R.R.M. (BNA) 2910, 1996 U.S. Dist. LEXIS 21819, 1996 WL 885812 (N.D. Ala. 1996).

Opinion

MEMORANDUM OPINION

BLACKBURN, District Judge.

This case is before the court on appeal from a decision in the United States Bankruptcy Court for the Northern District of Alabama, entered May 17, 1993, allowing the *67 appellee to reject a collective bargaining agreement and limit its benefit payments under the cafeteria plan. After reviewing the record and the submissions of the parties, the court is of the opinion that the decision of the bankruptcy court is due to be affirmed in part and reversed in part.

FACTUAL BACKGROUND 1

The Alabama Symphony Orchestra Association (“the Symphony”) was formed in 1933 and reincorporated under Alabama’s laws for nonprofit organizations in 1982, and was known as the Birmingham Symphony Orchestra. It took its current name in 1986. Prior to filing its Chapter 11 bankruptcy petition, the Symphony conducted a season of 45 weeks, during which it presented 75 concerts throughout the state. The Symphony employed 85 people, including 74 musicians.

The Alabama Symphony Foundation (“the Foundation”), a distinct legal entity, was incorporated in 1987 with the purpose of supporting the Symphony by the establishment of a permanent endowment fund. At the time of the bankruptcy court’s order, the Foundation held approximately one million dollars in the endowment, on which it received approximately $50,000.00 to $70,000.00 per year in interest.

The Birmingham Musicians’ Protective Association (“the Musicians”) is a division of the American Federation of Musicians, and it is the collective bargaining unit to which the musicians belong. It is an authorized collective bargaining unit pursuant to the Labor Management Relations Act, 29 U.S.C. §§ 141-197.

The 1991-1994 Collective Bargaining Agreement (“the CBA”) between the Symphony and the Musicians is a comprehensive document detailing the working relationship between the parties, including such particulars as wages, benefits, and the physical environment in which the musicians perform. The CBA provides for wages in its first and second year that are lower than under previous agreements, but it also provides that in the third year of the agreement, a “snap-back” provision will restore the musicians’ compensation to pre-1991 levels. The cafeteria plan for benefits is a flexible plan created in accordance with Section 125 of the Internal Revenue Code, and it is maintained for the benefit of all the Symphony employees, including the musicians.

The Symphony has had financial difficulty since the early part of the 1980’s, and at the time of its Chapter 11 petition, it had debts of approximately $1.745 million. The 1992 season opened with financial concerns which became more acute when the government grants, projected to account for 29 percent of the 1992-93 budget, were not forthcoming. Despite lobbying efforts on behalf of the Symphony, the funds eventually received from the state amounted to only $500,000.00 for 1992-93. The Symphony approached its lenders to attempt a debt restructuring, which they granted, reducing somewhat the total amount owed, requiring the Symphony to maintain a balanced budget, dictating what was to be done with the interest from the Foundation endowment, and effectively precluding further borrowing by the Symphony.

In 1992, the Symphony began attempts to scale back the compensation and benefits of the musicians, and in July 1992, a meeting was held to examine three proposals for reducing the number of musicians and/or the number of weeks of work. At subsequent meetings, other approaches were presented. Eventually, the musicians were presented with two proposals on September 10, 1992, each of which significantly reduced the musicians’ pay and benefits. The musicians declined to vote on the proposals. When the Symphony found out that the musicians were not going to vote, the Symphony representative wrote the musicians a letter asking them to vote to approve one of the proposals, but they still did not.

The musicians did not receive their scheduled paychecks on September 15, 1992. Non-musician employees were paid. Nonetheless, the musicians decided to go forward with rehearsals and performances. They did, however, file a charge with the National Labor Relations Board, alleging that their *68 paychecks were withheld in retaliation for their acts in response to the Symphony’s September 10 proposals. The musicians received their normal paycheck on September 30.

On January 9, 1993, the musicians were presented with a new proposal, still including significant cuts in the number of musicians as well as weeks played. The Symphony requested a response to the proposal by January 18,1993. On January 12,1993, the musicians voted to reject the January 9 proposal. The Symphony wrote the musicians asking reconsideration of the vote.

The musicians received only half of their regular paycheck on January 15, and they informed the Symphony that they would continue to work only if they received their full paychecks. They were waiting to see if full payment was forthcoming before deciding whether to play the scheduled (and completely sold-out) concerts featuring Emmylou Harris. However, apparently before the musicians had made their decision, they heard from the Civic Center stage hands that they had already been instructed to tear down the stage for the Harris concert. The musicians informed the Symphony late in the evening on January 18 that the musicians would not reconsider their January 12 vote.

The next day, the Symphony filed its Chapter 11 bankruptcy petition. After filing the petition, the Symphony presented other proposals, all of which the musicians rejected. They did, however, indicate a willingness to negotiate, conditioned on the Symphony’s payment of salaries and reinstatement of benefits, all of which had ceased as of January 15, 1993. The Symphony and the musicians could not reach an agreement.

The Symphony petitioned the Bankruptcy Court for a rejection of the CBA, contending that any efforts to reorganize were effectively precluded by the CBA. In its opinion, filed on May 17, 1993, the court found that the Symphony was entitled to reject the CBA and to limit payments under its cafeteria plan. 2 The musicians appealed that decision to this court. On November 19, 1993, the Bankruptcy Court entered an order converting the Chapter 11 case to a Chapter 7 case.

STANDARD OF REVIEW

A bankruptcy court’s findings of fact shall not be set aside unless they are clearly erroneous. Fed. R. Bankr. P. 8013. A bankruptcy court’s conclusions of law are subject to de novo review. In re Holywell Corp., 913 F.2d 873, 879 (11th Cir.1990).

DISCUSSION

This case presents two related issues: the petition to reject the CBA and the petition to return to the express terms of the cafeteria plan. The bankruptcy court granted both petitions. This court will first address the question of the propriety of allowing the Symphony to return to the express terms of the cafeteria plan.

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211 B.R. 65, 154 L.R.R.M. (BNA) 2910, 1996 U.S. Dist. LEXIS 21819, 1996 WL 885812, Counsel Stack Legal Research, https://law.counselstack.com/opinion/birmingham-musicians-protective-assn-local-256-733-v-alabama-symphony-alnd-1996.