Bella Lewitzky Dance Foundation v. Frohnmayer

754 F. Supp. 774, 91 Daily Journal DAR 991, 1991 U.S. Dist. LEXIS 332, 1991 WL 1649
CourtDistrict Court, C.D. California
DecidedJanuary 9, 1991
DocketCV 90-3616 JGD, CV 90-5142 JGD
StatusPublished
Cited by5 cases

This text of 754 F. Supp. 774 (Bella Lewitzky Dance Foundation v. Frohnmayer) is published on Counsel Stack Legal Research, covering District Court, C.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bella Lewitzky Dance Foundation v. Frohnmayer, 754 F. Supp. 774, 91 Daily Journal DAR 991, 1991 U.S. Dist. LEXIS 332, 1991 WL 1649 (C.D. Cal. 1991).

Opinion

ORDER GRANTING PLAINTIFFS’ MOTIONS FOR SUMMARY JUDGMENT

DAVIES, District Judge.

On December 17, 1990, the Court heard oral argument on cross-motions for summary judgment in each of the above-captioned cases. The Court HEREBY GRANTS plaintiffs’ motions for summary judgment and DENIES defendants’ motions for summary judgment.

The cross-motions for summary judgment made in these two actions have been consolidated. In each case the named defendants are the National Endowment for the Arts (“NEA”), an independent agency of the United States and John E. Frohn-mayer, Chairperson of said agency. Bella Lewitzky Dance Foundation is the plaintiff in case CV 90-3616 JGD, and Newport Harbor Art Museum is the plaintiff in case CV 90-5142 JGD. Facts common to both eases abound as do common questions of law. For this reason, the Court has consolidated the two actions for these limited purposes pursuant to Fed.R.Civ.P. 42(a). 1

FACTS

The Parties

Plaintiff Bella Lewitzky Dance Foundation (“Foundation”) is a nonprofit corporation which does business as the Lewitzky Dance Company. The Foundation was incorporated in California in 1968. It creates and performs modern dance works throughout the United States and foreign countries. Bella Lewitzky is the Artistic Director of the company. She has been actively involved in modern dance for over 50 years. The Foundation has been a recipient of NEA grants since 1972, and in that time has been awarded more than $1,400,000. The grants, and funds provided by private donors, have been used by the Foundation to support the Dance Company.

Plaintiff Newport Harbor Art Museum (“Museum”) is a nonprofit corporation founded in 1963 to promote the visual arts. The Museum maintains a permanent collection and sponsors and presents temporary exhibitions which are shown at its museum *776 in Newport Beach and also loaned to other museums around the country. Thomas H. Neilsen is the President of the Museum and a member of its board. During the past 18 years the Museum has received fifty six NEA grants totaling $1,263,020.

Defendants are the National Endowment for the Arts (“NEA”) and its Chairperson, John E. Frohnmayer. The NEA is an independent agency of the United States. By enacting 20 U.S.C. § 951, Congress created the NEA to provide support for the arts. The Chairperson, with the advice of the National Council on the Arts, is charged with establishing and carrying out a program of financial support for specified programs, projects, and productions. § 954(c)(l)-(8).

The Court permitted four groups to file amicus curiae briefs. These groups are: (1) Theatre Communications Group, 162 nonprofit theatres and 69 concerned individuals; (2) the Rockefeller Foundation; (3) Theatre & Arts Foundation of San Diego County; and (4) Coalition for Freedom of Expression, and 39 concerned organizations and individuals.

The Grant Process

At all times relevant to this litigation, the procedure to obtain a grant from the NEA began by the filing of an application. The application was generally submitted in the fiscal year prior to the year in which the funding was required. The applicant was required to describe the project or production for which the funds would be used, summarize the estimated costs of the project, specify the total amount requested from the NEA, and provide data regarding the grantee’s overall fiscal activity, including information about private sources of funding and other revenues. If approved for a grant, the applicant would then submit a “Request for Advance or Reimbursement” in order to obtain any of the proceeds of the award.

On October 23, 1989, Congress amended the statutory framework within which the NEA operates by enacting Section 304 of the Department of the Interior and Related Agencies Appropriation Act of 1990 (P.L. 101-121, 103 Stat. 701, 741). § 304(a) of the Act provides:

“None of the funds authorized to be appropriated for the National Endowment for the Arts ... may be used to promote, disseminate, or produce materials which in the judgment of the National Endowment for the Arts ... may be considered obscene, including but not limited to, depictions of sadomasochism, homoeroti-cism, the sexual exploitation of children, or individuals engaged in sex acts and which, when taken as a whole, do not have serious literary, artistic, political or scientific value.”

To implement this Congressional directive, the NEA added a certification requirement to the “Request for Advance or Reimbursement”. The new section of this form required recipients to certify to compliance with certain “General Terms and Conditions for Organizational Grant Recipients”. Paragraph Two of the Terms and Conditions contained language drawn directly from § 304(a), described above. Thus, for any of the grant funds to be released, the grantee was required to certify in advance that none of the funds awarded would be used “to promote, disseminate, or produce materials which in the judgment of the NEA ... may be considered obscene”.

Plaintiffs’ Experience With The Grant Process

On January 12, 1989, the Foundation applied to the NEA for a 1990-1991 grant. The grant was requested for the purpose of providing partial salary support to the Foundation, and thus assisting the Foundation in developing new works, upgrading its repertoire, and aiding the professional development of the Foundation’s artists.

After enactment of § 304, the NEA awarded the Foundation a grant of $72,000. The Foundation was notified of the award on January 4, 1990. Accompanying the award letter was a document setting forth terms and conditions applicable to NEA grant recipients (“Terms and Conditions”). As outlined above, this document included the condition derived from § 304(a) in its Paragraph Two. Paragraph Five of the *777 Terms and Conditions stated that “submission of a request for funds constitutes agreement to comply with all terms and conditions.”

On May 15, 1990, the Foundation submitted to the NEA a “Request for Advance or Reimbursement” for partial payment of $15,000. As noted, the Request for Advance or Reimbursement required the grantee to certify to compliance with all NEA terms and conditions. Darlene Neel, the Foundation’s company manager, completed the certification, but crossed out and initialed Paragraph Two of the Terms and Conditions, indicating the Foundation’s refusal to be bound by that condition.

On May 29, 1990, the Foundation received the $15,000 it had requested. However, on that same day the Foundation also received a letter from Julianne Ross Davis, General Counsel to the NEA. This letter informed the Foundation that none of the terms of the NEA grant were optional, that the Foundation could not advise the NEA as to which terms and conditions it did not agree to accept, and that the Foundation was bound by all of the Terms and Conditions as stated in the grant award letter if it wished to use the grant funds awarded to it.

Related

National Endowment for the Arts v. Finley
524 U.S. 569 (Supreme Court, 1998)
Finley v. National Endowment for the Arts
795 F. Supp. 1457 (C.D. California, 1992)

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Bluebook (online)
754 F. Supp. 774, 91 Daily Journal DAR 991, 1991 U.S. Dist. LEXIS 332, 1991 WL 1649, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bella-lewitzky-dance-foundation-v-frohnmayer-cacd-1991.