Barsha v. Metro-Goldwyn-Mayer

90 P.2d 371, 32 Cal. App. 2d 556, 1939 Cal. App. LEXIS 397
CourtCalifornia Court of Appeal
DecidedMay 8, 1939
DocketCiv. 12095
StatusPublished
Cited by42 cases

This text of 90 P.2d 371 (Barsha v. Metro-Goldwyn-Mayer) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Barsha v. Metro-Goldwyn-Mayer, 90 P.2d 371, 32 Cal. App. 2d 556, 1939 Cal. App. LEXIS 397 (Cal. Ct. App. 1939).

Opinion

WOOD, J.

A judgment was entered against the corporation defendants in the sum of $10,000 upon the return of the verdict of a jury. The appeal is prosecuted by the corporation defendants from the judgment and from the order denying their motion for the entry of judgment in their favor notwithstanding the verdict. A number of individual defendants were named in the complaint but as to them the action was dismissed.

Plaintiffs wrote a motion picture scenario which they titled “High Fever”. A copy of plaintiffs’ manuscript was delivered to appellants on January 2, 1935, for the purpose of examination and reading, appellants agreeing that if they did not purchase the manuscript they would return it to plain *559 tiffs. The manuscript was delivered to Irving Thalberg, production manager for appellants, by Mrs. Edna Schley, an agent, who, to refresh her memory, while testifying read from her diary entry: “I also gave him (Thalberg) story for the Marx Bros. ‘High Fever’ by Barsha and LaSage (Weissmann). This is a very likely original for them and Mr. Thalberg will read personally.” The manuscript remained for five months with appellants, who refused to purchase it and returned it to plaintiffs. Thereafter appellants produced a motion picture under the title “A Day at the Races”. It is charged by plaintiffs that appellants deliberately and unlawfully copied and appropriated their literary composition and produced a photoplay containing substantial portions of the composition which was their exclusive property; that appellants “have inextricably intermingled the same with other literary composition and moving picture scenario, but which defendants have cunningly and shrewdly combined therewith”. It was shown in evidence that Mr. Thalberg, since deceased, took active part in the production of the picture “A Day at the Races”. One of his assistants testified: “Q. Did Mr. Thalberg have anything to do with the story ‘A Day at the Races 1 ’ A. Yes. He helped in construction. He helped in suggestions, and he helped in the usual manner, in which all producers help in regulating and superintending direction of author’s work.”

Appellants contend that the voluntary dismissal of the action as to the individual defendants amounted to a retraxit and that they were thereby released from liability. The motion for dismissal was made in open court after it had appeared from depositions and otherwise that the individual defendants were not joint tort-feasors. The motion was made for the sole purpose of releasing plaintiffs from liability for costs to the persons dismissed from the action. Plaintiffs testified that they had not received anything whatever in satisfaction of the claim upon which the action is based. The dismissal of the action as to one tort-feasor, no satisfaction having been received, does not release the others. (Shea v. City of San Bernardino, 7 Cal. (2d) 688 [62 Pac. (2d) 365]; Drinkhouse v. Van Ness, 20 Cal. 359 [260 Pac. 869].)

As is to be expected in such cases the briefs contain much discussion on the question of the extent of the similarities *560 between plaintiffs’ manuscript and the picture produced by appellants. A special production of “A Day at the Baces” was viewed by the jury and at the request of both parties the members of this court also have seen a presentation of the picture. From the manuscripts contained in the record and from the picture itself it is to be observed that both the plaintiffs’ manuscript and the manuscript for the picture were prepared with the idea in view of having certain actors known as the Marx Brothers play the important parts. In both, a wealthy dowager conceives the idea that a certain veterinarian (G-roucho Marx) has great medical ability, and she insists upon the veterinarian becoming the head of a sanitarium which she agrees to assist financially and does in fact assist financially because the veterinarian is installed as chief of staff; the other Marx brothers (Chico and Harpo) purport to act as assistants to the veterinarian, although all are ignorant of proper medical practice; they perform fake examinations, sing while performing an examination, confuse gas service station equipment with hospital equipment and cause operating rooms to be flooded with water; the treatment which the veterinarian gives to the wealthy widow at the sanitarium consists largely of holding her hand and demonstrating spurious affections for her, but whenever he can escape from the widow he makes love to prettier women; one of the female characters attempts to betray the veterinarian for the benefit of another man, who seeks to profit personally by undermining the veterinarian’s influence with the widow, expose him as a quack and thus destroy the sanitarium; the sanitarium is in financial difficulties, from which it is finally saved (by the outcome of a football game in plaintiffs’ manuscript and of a horse race in the photoplay); although the veterinarian is exposed as a faker and his philandering becomes known, the widow continues to pursue him until she finally succeeds in winning him.

It is contended on behalf of appellants that the implied finding of the jury that appellants made use of their composition is not supported by the evidence. Their .argument is based largely upon the testimony of writers in the employ of appellants who testified that they did not use plaintiffs’ manuscript. It is within the province of the jury to draw reasonable inferences from the facts shown in evidence and the effect of inferences reasonably drawn is not destroyed *561 as a matter of law by the testimony of witnesses which may be considered as contradictory thereto. An inference which is supported by the evidence and not opposed to human experience and reason cannot be disturbed by an appellate court. (Rideout v. City of Los Angeles, 185 Cal. 426 [197 Pac. 74].) Notwithstanding the testimony of the writers the issue of fact remained for the determination of the jury who were the sole judges of the weight of the testimony and who were not bound to accept testimony as true if they were not convinced of its truth. (Bushnell v. Yoshika Tashiro, 115 Cal. App. 563 [2 Pac. (2d) 550].) Uncontradieted denials on the part of employees of appellants did not compel the conclusion on the part of the jury that there had been no copying of plaintiffs’ manuscript. In Edwards & Deutsch Lith. Co. v. Boorman, 15 Fed. (2d) 35, (C. C. A. 7th) it is said: “Appellee’s position, however, is that having explicitly denied that they copied appellants’ production and having sworn positively that they got their ideas from other sources and no one having sworn to the contrary, the court was bound to find no copying and therefore no infringement. The cases are numerous where such situations have arisen and the same claim has been made without avail.” From many facts shown in evidence, particularly the retention of plaintiffs’ manuscript during the period of five months by the person in charge of the production of appellants ’ picture, the making of numerous suggestions by him in its production and numerous similarities appearing in the two plays, it is manifest that the finding of copying by the jury is supported by the evidence.

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Bluebook (online)
90 P.2d 371, 32 Cal. App. 2d 556, 1939 Cal. App. LEXIS 397, Counsel Stack Legal Research, https://law.counselstack.com/opinion/barsha-v-metro-goldwyn-mayer-calctapp-1939.