Barr v. Commissioner
This text of 1989 T.C. Memo. 69 (Barr v. Commissioner) is published on Counsel Stack Legal Research, covering United States Tax Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.
Opinion
MEMORANDUM FINDINGS OF FACT AND OPINION
TANNENWALD,
| Additions to Tax | |||
| Year | Deficiency | Sec. 6651 (a) (1) 1 | Sec. 6659 |
| 1980 | $ 20,696.81 | $ 5,174.20 | -- |
| 1981 | 26,666.31 | -- | $ 5,336.77 |
*74 Respondent also determined that, under
FINDINGS OF FACT
Some of the facts have been stipulated. The stipulation of facts*75 and attached exhibits are incorporated herein by reference.
Petitioner resided in Baldwin, New York, at the time that he filed his petition. Petitioner received an extension of time to file his 1980 Federal income tax return to October 15, 1981, and an extension of time to file his 1981 Federal income tax return to October 15, 1982. He and his then wife filed a joint Federal income tax return for 1980 on June 23, 1982, and for 1981 on October 18, 1982, both with the Internal Revenue Service Center, Holtsville, New York.
Petitioner received a bachelor of business administration degree with an accounting major from the City College of New York in 1957. In addition, he has a law degree from Brooklyn Law School. As part of his work towards his undergraduate degree, he took basic art classes.
Beginning in 1978, and continuing through the years in issue, petitioner was engaged in an art publishing 4 activity, in addition to practicing law. Petitioner had previously purchased artwork for his own collection and studied the art market by attending auctions and galleries after he decided to publish art. He also consulted individuals familiar with the field with respect to legal*76 and financial arrangements common in the art industry.
Petitioner solicited artists to publish by advertisements in various publications. As a result, he entered into contracts with three artists. Under the contracts, petitioner engaged the artist to create a number of silkscreen plates that would be used to print an image. 5 The artist transferred title to the plates and all of his copyright in the image to petitioner. 6 In exchange, the artist received a cash downpayment and a nonrecourse, nonnegotiable 10-year promissory note payable solely out of the proceeds of the sales of the prints. Petitioner granted each artist a security interest in the screens and prints to secure payment of the notes. He paid all the cash due to the artists under the contracts; no payments were made on the notes.
*77 A limited edition of prints, totalling approximately 300 prints and 60 artist's proofs, 7 was to be made of each image. The prints were signed and numbered by the artist.
The specific terms of each contract with respect to each artist are as follows:
| Number of | Number of | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Contract | Number of | Prints | Proofs a | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Date | Artist | Plates | (Per plate) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Additions to Tax | |||
| Year | Deficiency | Sec. 6651 (a) (1) 1 | Sec. 6659 |
| 1980 | $ 20,696.81 | $ 5,174.20 | -- |
| 1981 | 26,666.31 | -- | $ 5,336.77 |
*74 Respondent also determined that, under
FINDINGS OF FACT
Some of the facts have been stipulated. The stipulation of facts*75 and attached exhibits are incorporated herein by reference.
Petitioner resided in Baldwin, New York, at the time that he filed his petition. Petitioner received an extension of time to file his 1980 Federal income tax return to October 15, 1981, and an extension of time to file his 1981 Federal income tax return to October 15, 1982. He and his then wife filed a joint Federal income tax return for 1980 on June 23, 1982, and for 1981 on October 18, 1982, both with the Internal Revenue Service Center, Holtsville, New York.
Petitioner received a bachelor of business administration degree with an accounting major from the City College of New York in 1957. In addition, he has a law degree from Brooklyn Law School. As part of his work towards his undergraduate degree, he took basic art classes.
Beginning in 1978, and continuing through the years in issue, petitioner was engaged in an art publishing 4 activity, in addition to practicing law. Petitioner had previously purchased artwork for his own collection and studied the art market by attending auctions and galleries after he decided to publish art. He also consulted individuals familiar with the field with respect to legal*76 and financial arrangements common in the art industry.
Petitioner solicited artists to publish by advertisements in various publications. As a result, he entered into contracts with three artists. Under the contracts, petitioner engaged the artist to create a number of silkscreen plates that would be used to print an image. 5 The artist transferred title to the plates and all of his copyright in the image to petitioner. 6 In exchange, the artist received a cash downpayment and a nonrecourse, nonnegotiable 10-year promissory note payable solely out of the proceeds of the sales of the prints. Petitioner granted each artist a security interest in the screens and prints to secure payment of the notes. He paid all the cash due to the artists under the contracts; no payments were made on the notes.
*77 A limited edition of prints, totalling approximately 300 prints and 60 artist's proofs, 7 was to be made of each image. The prints were signed and numbered by the artist.
The specific terms of each contract with respect to each artist are as follows:
| Number of | Number of | ||||
| Contract | Number of | Prints | Proofs a | ||
| Date | Artist | Plates | (Per plate) | (Per plate) | Cash |
| 8/31/78 | Krzyztof | ||||
| Zarebski | 5 | 350 | 35 | $ 1,500 | |
| 12/27/79 | Pat Hammerman | 5 | 295 | 59 | 1,000 |
| 12/27/79 | Linda | ||||
| Southworth | 5 | 295 | 59 | 1,000 | |
| 8/15/80 | Linda | ||||
| Southworth | 3 | 350 | 70 | 750 |
| Contract | ||
| Date | Notes | Total |
| 8/31/78 | ||
| b $ 88,825 | $ 90,325 | |
| 12/27/79 | c 73,750 | d 74,750 |
| 12/27/79 | ||
| 129,060 | e 130,060 | |
| 8/15/80 | ||
| f 88,125 | 88,875 |
*78 In addition, petitioner entered into a contract with Linda Southworth in 1981. Petitioner was unable to locate that contract and its terms are not otherwise in the record.
Petitioner planned to market the prints via mail-order sales, in a direct mailing offering either the prints he owned, his prints along with prints owned by other art publishers or his prints and other merchandise. He did not, however, actually carry out any of these direct mail plans. Petitioner did not advertise the works in trade journals or art publications, nor did he take advantage of any free publicity in such publications, to the extent that it was available to him.
On his Federal income tax returns, petitioner reported gross income from sales of artist's proofs of $ 5,000.00 in 1980 and $ 6,006.41 in 1981. 8 He reported the following expenses from the art publishing activity:
| 1980 | 1981 | |
| Bank Charges | $ 11.88 | $ 65.88 |
| Car | 3,348.00 | 3,526.00 |
| Depreciation | 15,120.35 | 16,664.19 |
| Insurance | -- | 169.00 |
| Interest | -- | 137.32 |
| Rent | 815.33 | 257.00 |
| Travel and Entertainment | 2,285.96 | 420.00 |
| Production supplies | -- | 3,331.13 |
| Miscellaneous | 292.00 | 786.00 |
The bank charges were on petitioner's personal account, which he also used for the art publishing activity. The car expenses were based on the standard rate allowed by the regulations. Some of the mileage was for overnight trips, and some was connected with his law practice. The rent expense is based on a portion of the heat and utility expenses at his residence where he stored the prints.
Petitioner claimed a deduction for the depreciation of the screens. He claimed a 10-year useful life for those placed in service before and during 1980 and used the straight-line method of calculating the depreciation allowance. He claimed the silkscreens placed in service in 1981 were 5-year property for purposes of calculating the depreciation allowance under
OPINION
The primary issues for decision are whether petitioner's art publishing activity was an activity "not engaged in for profit" under
Whether an activity was engaged in for profit depends upon whether it was carried on with an "actual and honest objective of making a profit."
The regulations promulgated under
We note at the outset that petitioner testified to his general belief that he would be able to earn a profit in the art publishing business. Petitioner's belief, however, related only to the time before he began the activity,so it is only marginally relevant to determining whether he was carrying on his art publishing activity with an objective of earning a profit during 1980 and 1981. In any event, we can give little*83 weight to his general belief, because in determining profit motive under
Petitioner provided no evidence as to the manner in which he carried on the activity other than his own testimony, and much of that testimony was offered to explain gaps in the documentary record. He explained that his sales records were lost in transit between his accountant's office and his lawyer's office during the audit of his Federal income tax returns, and that he was unable to locate the 1981 contract between Linda Southworth and himself. Furthermore, to the extent that he testified that he still had his records, particularly of his expenses, he failed to produce them. 12 Under the circumstances herein, we need not accept his testimony as the Gospel, see
We also agree with respondent that the personal efforts made by petitioner do not show that he had a profit objective in carrying on his art publishing activity. First, most of the efforts that petitioner described involved selecting artists, not marketing the prints produced by the artists whom he had selected. Petitioner did not present any evidence of the criteria that he used in choosing artists, for example, the artist's reputation or skill, except to state that he hoped to broaden the line of prints that he could offer. Thus, we are unable to determine the value of his efforts in selecting the artists that he published; nor are we able to determine if he had a bona fide basis for anticipating that he would be successful in meeting his professed goal of broadening his line of prints.
In addition, we do not think that his minimal efforts toward mail-order*85 marketing are in line with an objective of earning a profit. While choosing artists is an important part of a successful art publishing venture, marketing their work is also an integral part thereof. Petitioner made preliminary efforts to sell the prints by mail, either by himself or in combination with others, but those efforts never passed the planning stage. In addition, he was putting all of his marketing eggs in the mail-order basket. He made no other efforts to increase his retail sales, either by gaining exposure in galleries or through publicity. 13
We also agree that, based on the evidence of record, petitioner's consultation with others does not demonstrate existence of a profit objective. We have no evidence other than his testimony that he solicited or received advice or of the extent of the advice*86 that was given. In addition, he did not establish that the persons from whom he was soliciting advice were qualified to give it. Finally, the advice that he testified he received concerned legal and financial aspects of the industry, not aesthetic and public demand aspects from which the value of the prints stems.
Respondent argues that the structure of the financing indicates petitioner did not have a profit objective, but was instead motivated by potential tax benefits to be derived from the transaction. We agree that the nonrecourse financing makes petitioner's activity suspect.
It is well settled that nonrecourse obligations whose repayment is remote and contingent will be disregarded for tax purposes. See
In conclusion, based on all of the facts and circumstances in the record, we hold that petitioner has not carried his burden of proving that he was carrying on his art publishing activity during the years in issue with the objective of earning a profit.
We turn now to the question of the allowability of petitioner's claimed deductions.
The only deduction that*90 petitioner claimed that would be allowed regardless of his profit objective was an additional interest expense deduction of $ 137.32 in 1981. See section 163(a). Petitioner presented no evidence substantiating this item. His argument that respondent conceded the full amount of his interest deduction is inapposite, as respondent conceded only that interest deduction which petitioner claimed on Schedule A of his 1981 return. 16 We therefore hold that petitioner has not met his burden of proof, so he is not entitled to a deduction for this amount.
Petitioner claimed deductions for travel and entertainment expenses in both 1980 and 1981. Under
*92 Petitioner claimed rent expense deductions for part of the heat and utility expenses of his residence, based on his use of a portion of his home to store the prints and to meet customers. Deductions for the business use of a home are limited by
allocable to space within the dwelling unit which is used on a regular basis as a storage unit for the inventory of the taxpayer held for use in the taxpayer's trade or business of selling products at retail or wholesale, but only if the dwelling unit is the sole fixed location of such trade or business.
*93 Petitioner has presented no evidence that his dwelling was the sole fixed location of his art publishing activity. In fact, the address he used on his contracts with the artists was of an office in New York City, and he testified that he met with artists at that office. 19 We therefore hold that petitioner is not entitled to the deductions claimed for the use of his home in the art publishing activity. 20
We turn to the other non-basis-adjusting expenses. Again, petitioner presented no evidence substantiating the amounts spent. Also, he did not allocate expenses that were incurred for both his art publishing and his other personal activities among those activities, or present any basis for making such an allocation. We believe, however, that some of the expenses for which he claimed deductions were incurred for the purposes indicated, and using our best*94 judgment and bearing in mind that petitioner has the burden of proof, we find that 10 percent of the bank charges are properly allocable to petitioner's art publishing activity and that that percentage of those charges should be allowed as a deduction, that deduction of $ 500 in car expenses 21 and $ 250 in miscellaneous business expenses should be allowed in each year, and that deduction of $ 250 in production expenses should be allowed in 1981. See
We turn to petitioner's claimed depreciation expense*95 under
Petitioner claimed an allowance for depreciation in both 1980 and 1981 for the silkscreens that were used to create the limited edition prints. Respondent argues that the silkscreens are not depreciable assets, because they have a useful life of less than one year, 24 and that, in the alternative, the basis of the silkscreens should be reduced by the amount of the nonrecourse notes, because, among other*96 assertions, the notes are speculative and contingent. Petitioner contends otherwise, and argues that the silkscreens are akin to motion picture negatives, because they may be reused to make other prints of the images, so that depreciation deductions are allowable with respect to them. We agree with respondent.
*97 In general, depreciation deductions are allowed only for assets with a useful life of over 1 year, because the costs of assets with useful lives of less than 1 year are not capitalized.
the period over which the asset may reasonably be expected to be useful to the taxpayer in his trade or business or in the production of his income. This period shall be determined by reference to his experience with similar property * * *. If the taxpayer's experience is inadequate, the general experience in the industry may be used * * *.
Petitioner bears the burden of proving the useful life of the silkscreens.
It is clear from the record that the silkscreens' primary use was to print the limited edition prints, and that this printing was completed during the first year of the silkscreen's use. Petitioner argues, however, that the silkscreens could also be used in later years to print poster editions of the images. He does not, however, provide us with any evidence of the technical or economic feasibility of such an undertaking, either from his own experience or from the standard practice in the industry. 25 We therefore hold that he has not met his burden of proving the useful life of the asset, and that they therefore are not depreciable. 26 In view of this result, we need not reach respondent's alternative arguments. 27
*99 Our holding on this issue and the profit-objective issue both determine the issue of petitioner's claimed investment tax credit.
*100 We turn to the additions to tax determined by respondent. Respondent determined that petitioner is liable under
Here, we have found that petitioner engaged in his art publishing activity without a profit objective under
Respondent also determined that petitioner was liable for a delinquency addition under section 6651(a)(1) for failure timely to file his 1980 return. Petitioner's Federal income tax return was due, pursuant to an extension, on October 15, 1981. It was filed on June 23, 1982. Petitioner has introduced no evidence showing that his failure to file a timely return was due to reasonable cause. We therefore uphold respondent's determination.
Finally, respondent determined that petitioner was liable for an addition to tax in respect of 1981 for an underpayment attributable to a valuation overstatement under *102
Here, we have held that petitioner's basis in the silkscreens is limited to the cash paid to the artists.29 Thus, any claimed depreciation deduction based on a higher basis (that is, a basis including the nonrecourse notes) in excess of the depreciation deduction based on the correct basis leads to an underpayment of tax attributable to a valuation overstatement as that term is defined in
*103 We do not believe that
To reflect the foregoing and concessions of the parties,
Footnotes
1. Unless otherwise indicated, all section references are to the Internal Revenue Code as amended and in effect during the years in issue, and all Rule references are to the Tax Court Rules of Practice and Procedure.↩
2. Now
sec. 6621(c)↩ . Tax Reform Act of 1986, Pub. L. No. 99-514, sec. 1511(c), 100 Stat. 2744. Hereinafter, we use the reference as redesignated.3. In his notice of deficiency, respondent disallowed a casualty loss deduction claimed by petitioner. Petitioner disputed this determination in his petition, but has presented no evidence on the issue, and we deem it to be conceded. In addition, in his petition, petitioner challenged the notice of deficiency on a variety of grounds. However, he introduced no evidence on these points, nor has he pressed them on brief, and we therefore deem them to be conceded as well.↩
4. An art publisher is a person who purchases the underlying means of producing a print and then, either with his own facilities or by contracting the work to another person, has prints produced and sold.↩
5. An image is the subject matter of a print; a print is a reproduction of the image. Each silkscreen printed one color of the complete print. A plate was defined in the contracts as all the screens necessary to create a print. ↩
6. All of the contracts, except the first, allocated $ 25 of the purchase price to the purchase of each copyright.↩
7. Artist's proofs are additional reproductions of the images that are not numbered as part of the limited addition series. A limited number of these were retained by the artist.↩
a. Each artist was to receive 10 of the proofs, except Linda Southworth was to receive 9 under the 1979 contract only. ↩
b. Dated November 1, 1978. ↩
c. Dated December 28, 1979, as were the notes given Linda Southworth under the contract dated December 27, 1979. ↩
d. Pat Hammerman received an additional $ 252, apparently for participating in the production of the prints. Petitioner included this amount in the basis of the silkscreens. ↩
e. Petitioner included an additional $ 1,477 in cash paid to Linda Southworth in the basis of these silkscreens. ↩
f. Dated December 1, 1980.↩
8. No payments were due on the promissory notes out of the proceeds of the sales of the artists' proofs.↩
9. See n. 6,
supra.↩ He also did not claim any basis in the prints, so his cost of goods sold was zero in both years.10. Respondent also determined that petitioner's losses exceeded the amount that he had at risk in the activity under section 465. In view of our holding on the issue of petitioner's profit objective, we need not reach that issue.↩
11. See
, affd.Estate of Baron v. Commissioner, 83 T.C. 542, 557-558 (1984)798 F.2d 65↩ (2d Cir. 1986) .12. These included a diary of the car mileage and a diary with vouchers and receipts of his travel and entertainment expenses.↩
13. There is no indication in the record as to how the sales that were actually made were solicited. The fact that some of petitioner's prints were on display at a gallery at the time of trial, in December 1987, is not relevant to determining what marketing efforts petitioner made during 1980 or 1981, or to the existence of a profit objective during those years.↩
14. We note in this regard that petitioner agrees that the art business is in general highly speculative.↩
15. Thus,
section 183 is often termed an allowance provision. See, e.g., ;Elliott v. Commissioner, 90 T.C. 960 (1988) , affd.Waddell v. Commissioner, 86 T.C. 848, 891 n. 20 (1986)841 F.2d 264↩ (9th Cir. 1988) .16. The stipulation provides:
The following adjustment relating to the taxable year 1981 has been agreed to by the parties: The petitioner shall be allowed in 1981 a deduction in the full amount of $ 12,554.28 attributable to interest expenses. Total interest expense claimed on Schedule A and disallowed was $ 12,554.28.↩
17. That subsection provided in pertinent part during the years in issue:
(d) Substantiation Required. -- No deduction shall be allowed --
(1) under
section 162 or212 for any traveling expense (including meals and lodging while away from home),(2) for any item with respect to an activity which is of a type generally considered to constitute entertainment * * *
unless the taxpayer substantiates by adequate records or by sufficient evidence corroborating his own statement (A) the amount of such expense * * * (B) the time and place of the travel, [or] entertainment * * * (C) the business purpose of the expense * * * and (D) the business relationship to the taxpayer of persons entertained * * *. The Secretary may by regulations provide that some or all of the requirements of the preceding sentence shall not apply in the case of an expense which does not exceed an amount prescribed pursuant to such regulations.↩
18.
Section 280A(a)↩ provides in pertinent part: "Except as otherwise provided in this section, in the case of a taxpayer who is an individual * * * no deduction otherwise allowable under this chapter shall be allowed with respect to the use of a dwelling unit which is used by the taxpayer during the taxable year as a residence."19. In this regard, see
.Garvey v. Commissioner, T.C. Memo. 1982-176↩20. We note that petitioner presented no evidence substantiating the amounts of the dwelling's heat and utility expenses or of the method or reasonableness of his allocation of such expenditures to his art publishing activity.↩
21. We note that some of the car mileage was for overnight trips so as to be subject to the substantiation requirements of
section 274(d)↩ . Petitioner has not met those requirements, nor has he given us a basis to allocate between local and overnight travel.22. The parties stipulated that petitioner made various cash payments during the years in issue other than those to the artists that were required under the contracts. Petitioner has made no effort to enlighten us as to the proper tax treatment of those payments, nor is the treatment he afforded such payments apparent from his income tax returns.↩
23. That section provides in part as follows:
There shall be allowed as a depreciation deduction a reasonable allowance for the exhaustion, wear and tear (including a reasonable allowance for obsolescence) --
(1) of property used in the trade or business, or
(2) of property held for the production of income.
In the case of recovery property (within the meaning of
section 168 ), the deduction allowable undersection 168 shall be deemed to constitute the reasonable allowance provided by this section * * *.The last sentence applies to property placed in service after December 31, 1980. Economic Recovery Tax Act, Pub. L. 97-34, sec. 203(a), 97 Stat. 221.↩
24. In his reply brief, petitioner claims that the useful-life issue was only raised for 1980, because it was explicitly mentioned only in the notice of deficiency for that year and not in the notice of deficiency for 1981. Clearly, the issue of petitioner's claimed depreciation deductions was raised in both notices. Thus, only the grounds for the issue is questioned. We have inherent authority to uphold respondent's determination on grounds not raised in the notice of deficiency, and will do so if petitioner is not surprised or prejudiced by the ground. See
. Of key importance in determining whether petitioner is surprised or prejudiced is the need for additional evidence that the new ground raises.Leahy v. Commissioner, 87 T.C. 56, 64-65 (1986) .Leahy v. Commissioner, 87 T.C. at 64We think it is clear that petitioner is not prejudiced by this ground for disallowing the depreciation deduction in 1981. The notices of deficiency for both years disallowed all deductions relating to the art publishing activity, including the depreciation deductions, and asserted the broad ground that they had not been substantiated. We think that the issues of depreciable character and useful life of the asset are arguably embodied within that ground. Furthermore, the issue was raised by respondent's trial memorandum for both years, and petitioner did not object. Finally, petitioner was able to prepare for trial and try both years at the same time, and the factual issues with respect to the depreciable character of the property for purposes of the 1981 depreciation deductions were either identical or nearly identical to those with respect to the depreciable character of the property for purposes of the 1980 depreciation deduction. Thus, we hold that petitioner was not prejudiced by respondent's assertion that the property was not depreciable in 1981.↩
25. The cases petitioner cites in support of his position are not on point.
, dealt primarily with the question of whether film negatives were tangible or intangible property for purposes of the investment tax credit, and merely affirmed the District Court's finding as to the useful life of the assets. SeeWalt Disney Productions v. United States, 480 F.2d 66 (9th Cir. 1973) .Walt Disney Productions v. United States, 327 F. Supp. 189 (C.D. Cal. 1971) ;Texas Instruments v. United States, 551 F.2d 599 (5th Cir. 1977) ; andWalt Disney Productions v. United States, 549 F.2d 576 (9th Cir. 1977) , are also distinguishable.Ronnen v. Commissioner, 90 T.C. 74, 97-100↩ (1988)26. Nor can we sustain the payments for the silkscreens as an expense within the limits of
sec. 183 . It seems clear that the cost of the silkscreens would be considered part of the cost of the inventory of prints and therefore considered cost of goods sold.Rev. Rul. 79-432, 1979-2 C.B. 289 . Petitioner does not, however, argue that the cost of the silkscreens should be included in the cost of his inventory of prints and hence deducted as cost of goods sold as the prints are sold, and we make no judgment as to the propriety of such treatment. In any event, on the record before us, even if we could determine the inventoriable costs of the prints, we cannot determine which prints were actually sold in 1980 and 1981, so we would be unable to determine the proper deduction for cost of goods sold in the particular year. In this connection, we note that the speculative and contingent nature of the nonrecourse notes would not be includable in cost of goods sold except to the extent paid during the taxable year in question. Cf. , affd.Waddell v. Commissioner, 86 T.C. 848, 910 (1986)841 F.2d 264↩ (9th Cir. 1988) .27. Petitioner also does not argue that some part of the purchase prices should be allocated to purchase of the copyrights and amortized over the life thereof (see n.6,
supra↩ ), and we make no determination as to the propriety of that treatment.28. The allowance of deductions under
sec. 183(b)(2) up to the amount of income from the activity, see p. 16,supra, does not include allowance of the investment tax credit. .Finoli v. Commissioner, 86 T.C. 697, 744↩ (1986)29. That is, $ 300 per silkscreen for the Zarebski silkscreens, $ 200 per silkscreen for the Hammerman and 1979 Southworth silkscreens, and $ 250 per silkscreen for the 1980 Southworth silkscreens.↩
30. See also
, where the issue was whether a charitable gift had been made;Suna v. Commissioner, T.C. Memo. 1988-541 , where we held that where no asset ever existed, the question of basis never came into play.Chellappan v. Commissioner, T.C. Memo. 1988-208↩31. See also
.Smith v. Commissioner, T.C. Memo. 1988-420↩
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