Baker v. American Society of Composers, Authors and Publishers

District Court, D. Arizona·Decided August 2, 2021·No. 4:21-cv-00022·Unknown

Opinion

WO

Alexander C Baker, et al., No. CV-21-00022-TUC-RM

Plaintiffs, ORDER

v.

American Society of Composers, Authors and Publishers, et al., Defendants. Plaintiffs Alexander C. Baker (“Baker”) and Adam Bravery LLC (“Adam Bravery”) sue Defendants American Society of Composers, Authors and Publishers (“ASCAP”), Broadcast Music, Inc. (“BMI”), Mike O’Neill (“O’Neill”), and Erika Stallings (“Stallings”), asserting fifteen causes of action on behalf of themselves and purported classes of similarly situated songwriters (“Songwriters”) and royalty assignees (“Assignees”). (Doc. 10.) Currently pending before the Court are Plaintiffs’ Motion for Preliminary Injunction (Doc. 11), Plaintiffs’ Motion for Class Certification (Doc. 12), Defendants BMI and O’Neill’s Motion to Dismiss (Doc. 22), and Defendant ASCAP’s Motion to Dismiss (Doc. 25). Plaintiffs responded to Defendants’ Motions to Dismiss (Docs. 27, 30), and Defendants replied (Docs. 32, 36). Defendant ASCAP responded to Plaintiff’s Motion for Class Certification (Doc. 15), but Plaintiff did not file a reply. For the following reasons, Defendants’ Motions to Dismiss will be partially granted and partially taken under advisement pending supplemental briefing, Plaintiffs’ Motion for Preliminary Injunction will be denied as moot, and Plaintiffs’ Motion for Class Certification will be taken under advisement. I. Plaintiffs’ First Amended Complaint Plaintiffs allege the following in their First Amended Complaint (“FAC”). ASCAP and BMI are not-for-profit Performance Royalty Organizations (“PROs”) that act as agents to collect and distribute performance royalty money to their writer and publisher members. (Doc. 10 at 6, 14, 17, 20 ¶¶ 1, 44, 59-60, 73.)1 O’Neill is the Chief Executive Officer of BMI, and Stallings was in-house counsel for BMI at all relevant times. (Id. at 14 ¶¶ 45-46.) Both ASCAP and BMI are incorporated in Delaware and have their principal offices in New York. (Id. at 11, 14 ¶¶ 26, 42-43.) O’Neill and Stallings reside in New York. (Id. at 11 ¶ 26.) ASCAP and BMI have an estimated 1.5 million writer members between them. (Id. at 7 ¶ 4.) Songwriters assign to ASCAP and BMI the right to license the public performances of their songs and must sign a standard writer’s agreement. (Id. at 18, 20, 22 ¶¶ 66, 74, 85.) ASCAP and BMI in turn enter into license agreements with end-users of recorded music, such as TV networks, charging an annual blanket license fee in exchange for the public performance rights to their entire repertories of music. (Id. at 18, 20 ¶¶ 67, 75.) ASCAP and BMI together collect approximately $2 billion in license fees on an annual basis and, after deducting operating expenses, distribute the money on a quarterly basis as performance royalties. (Id. at 18 ¶ 68.) ASCAP co-mingles the money it collects, as does BMI. (Id. at 20 ¶ 75.) The co-mingled funds are purportedly distributed according to set formulas based on performance credits and a weighting factor. (Id. at 18, 20-21 ¶¶ 68, 76-78.) Plaintiffs do not know the specifics of the formulas and are unable to verify whether ASCAP and BMI are adhering to them. (Id. at 21 ¶ 78.) The only other significant PRO is a private, invitation-only organization that Songwriters have no right to join, and thus for all intents and purposes, any Songwriter who seeks to earn performance royalties must sign with either ASCAP or BMI. (Id. at 7-

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