Baker v. American Society of Composers, Authors and Publishers

CourtDistrict Court, D. Arizona
DecidedAugust 2, 2021
Docket4:21-cv-00022
StatusUnknown

This text of Baker v. American Society of Composers, Authors and Publishers (Baker v. American Society of Composers, Authors and Publishers) is published on Counsel Stack Legal Research, covering District Court, D. Arizona primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Baker v. American Society of Composers, Authors and Publishers, (D. Ariz. 2021).

Opinion

1 WO 2 3 4 5 6 IN THE UNITED STATES DISTRICT COURT 7 FOR THE DISTRICT OF ARIZONA

9 Alexander C Baker, et al., No. CV-21-00022-TUC-RM

10 Plaintiffs, ORDER

11 v.

12 American Society of Composers, Authors and Publishers, et al., 13 Defendants. 14 15 Plaintiffs Alexander C. Baker (“Baker”) and Adam Bravery LLC (“Adam 16 Bravery”) sue Defendants American Society of Composers, Authors and Publishers 17 (“ASCAP”), Broadcast Music, Inc. (“BMI”), Mike O’Neill (“O’Neill”), and Erika 18 Stallings (“Stallings”), asserting fifteen causes of action on behalf of themselves and 19 purported classes of similarly situated songwriters (“Songwriters”) and royalty assignees 20 (“Assignees”). (Doc. 10.) Currently pending before the Court are Plaintiffs’ Motion for 21 Preliminary Injunction (Doc. 11), Plaintiffs’ Motion for Class Certification (Doc. 12), 22 Defendants BMI and O’Neill’s Motion to Dismiss (Doc. 22), and Defendant ASCAP’s 23 Motion to Dismiss (Doc. 25). Plaintiffs responded to Defendants’ Motions to Dismiss 24 (Docs. 27, 30), and Defendants replied (Docs. 32, 36). Defendant ASCAP responded to 25 Plaintiff’s Motion for Class Certification (Doc. 15), but Plaintiff did not file a reply. 26 For the following reasons, Defendants’ Motions to Dismiss will be partially 27 granted and partially taken under advisement pending supplemental briefing, Plaintiffs’ 28 Motion for Preliminary Injunction will be denied as moot, and Plaintiffs’ Motion for 1 Class Certification will be taken under advisement. 2 I. Plaintiffs’ First Amended Complaint 3 Plaintiffs allege the following in their First Amended Complaint (“FAC”). 4 ASCAP and BMI are not-for-profit Performance Royalty Organizations (“PROs”) that 5 act as agents to collect and distribute performance royalty money to their writer and 6 publisher members. (Doc. 10 at 6, 14, 17, 20 ¶¶ 1, 44, 59-60, 73.)1 O’Neill is the Chief 7 Executive Officer of BMI, and Stallings was in-house counsel for BMI at all relevant 8 times. (Id. at 14 ¶¶ 45-46.) Both ASCAP and BMI are incorporated in Delaware and 9 have their principal offices in New York. (Id. at 11, 14 ¶¶ 26, 42-43.) O’Neill and 10 Stallings reside in New York. (Id. at 11 ¶ 26.) 11 ASCAP and BMI have an estimated 1.5 million writer members between them. 12 (Id. at 7 ¶ 4.) Songwriters assign to ASCAP and BMI the right to license the public 13 performances of their songs and must sign a standard writer’s agreement. (Id. at 18, 20, 14 22 ¶¶ 66, 74, 85.) ASCAP and BMI in turn enter into license agreements with end-users 15 of recorded music, such as TV networks, charging an annual blanket license fee in 16 exchange for the public performance rights to their entire repertories of music. (Id. at 18, 17 20 ¶¶ 67, 75.) ASCAP and BMI together collect approximately $2 billion in license fees 18 on an annual basis and, after deducting operating expenses, distribute the money on a 19 quarterly basis as performance royalties. (Id. at 18 ¶ 68.) ASCAP co-mingles the money 20 it collects, as does BMI. (Id. at 20 ¶ 75.) The co-mingled funds are purportedly 21 distributed according to set formulas based on performance credits and a weighting 22 factor. (Id. at 18, 20-21 ¶¶ 68, 76-78.) Plaintiffs do not know the specifics of the 23 formulas and are unable to verify whether ASCAP and BMI are adhering to them. (Id. at 24 21 ¶ 78.) 25 The only other significant PRO is a private, invitation-only organization that 26 Songwriters have no right to join, and thus for all intents and purposes, any Songwriter 27 who seeks to earn performance royalties must sign with either ASCAP or BMI. (Id. at 7-

28 1 All record citations herein refer to the page numbers generated by the Court’s electronic filing system. 1 8 ¶¶ 6, 8-9.) A Songwriter may belong to only one PRO at a time, and any songs 2 registered with that PRO remain with that PRO even if the Songwriter later changes his 3 or her affiliation. (Id. at 22 ¶ 86.) Due to prior federal antitrust litigation, ASCAP and 4 BMI are bound by federal consent decrees setting forth the terms and conditions under 5 which they are allowed to operate. (Id. at 7, 21 ¶¶ 4, 79.) Among other mandates, the 6 consent decrees require both ASCAP and BMI to collect performance royalties for any 7 Songwriter with at least one published work. (Id. at 7, 21-22 ¶¶ 5, 81-82.) BMI’s 8 consent decree requires BMI to include a mandatory arbitration clause in its standard 9 writer’s agreement, but ASCAP’s consent decree does not. (Id. at 7, 22-24, 26 ¶ 7, 83- 10 84, 93-94, 112.) 11 Plaintiff Baker, a resident of California, is a songwriter and music producer who 12 was a member of ASCAP from 1990-1999 and has been a member of BMI since 1999. 13 (Id. at 8, 10-11, 13, 22, 25 ¶¶ 12, 18, 25, 38, 87, 99-100, 106.) He has co-written 14 numerous songs with Clair Marlo, whom he met in 1993, married in 1995, and filed for 15 divorce from in 2014. (Id. at 25-26, 40 ¶¶ 101-107, 179.) The divorce proceedings 16 resulted in a stipulated order that music royalties be equalized between Baker and Marlo 17 for all songs created after January 11, 1995 and before April 7, 2015. (Id. at 40 ¶ 180.) 18 To effectuate that order, Baker and Marlo jointly signed and mailed letters of direction to 19 ASCAP and BMI, instructing them to equalize the royalties on all music registered after 20 January 11, 1995 and before June 1, 2015. (Id. at 40 ¶¶ 181-182.)2 BMI complied with 21 the letter of direction until March 2020. (Id. at 41 ¶ 183.) ASCAP did not comply with 22 the letter of direction. (Id. at 10, 41 ¶¶ 19, 184.) 23 Plaintiff Adam Bravery is an Arizona limited liability company formed by Baker 24 and two other equal members in May 2018 for the purpose of producing and 25 commercially exploiting a music-driven, animated motion picture authored by Baker. 26 2 Baker and Marlo decided to use the date of registration instead of the date of creation 27 after realizing that determining the date of creation for each of thousands of songs would be impossible. (Id. at 40 ¶ 181.) They used the June 1, 2015 cut-off date after reasoning 28 that it typically takes 4-6 weeks for a song to be registered after submission to a record company. (Id.) 1 (Id. at 11, 13, 16, 41-42 ¶¶ 24, 40, 57, 188-190.) Prior to forming Adam Bravery, Baker 2 formed an entity named Write Hear, LLC and assigned his BMI royalty stream to that 3 entity. (Id. at 41 ¶ 185-187.) On July 9, 2018, Write Hear, LLC assigned Baker’s royalty 4 stream to Adam Bravery. (Id. at 8, 42, 44 ¶¶ 12, 191, 203.) BMI began paying Adam 5 Bravery royalties in September 2018. (Id. at 42 ¶ 192.) Adam Bravery depends on the 6 royalty payments in order to operate and to pay Baker’s salary. (Id. at 16, 42 ¶¶ 57, 195.) 7 On July 16, 2019, Stallings sent Baker an email stating that his assignment of 8 works to Adam Bravery appeared to violate the terms of his divorce from Marlo. (Id. at 9 42-43 ¶ 196.) According to Plaintiffs, the terms of Baker and Marlo’s divorce prevent 10 either individual from assigning any work created between January 11, 1995 and April 7, 11 2015, but Baker’s assignment of his share of the court-equalized performance royalties 12 did not violate the terms of the divorce because a performance royalty is not a work. (Id. 13 at 43-44 ¶¶ 197-207.) On August 21, 2019, Baker and Marlo received a letter from 14 Stallings stating that, absent resolution of Baker and Marlo’s dispute concerning whether 15 Baker’s assignment of his BMI royalty stream to Adam Bravery violated the terms of 16 their divorce, BMI would be placing the disputed royalties on withhold and would 17 proceed with filing a third-party interpleader action to deposit the royalties with the court 18 until resolution of the dispute. (Id. at 44-45 ¶¶ 208, 212.) On September 26, 2019, 19 BMI’s outside counsel AnnMarie Mori sent Baker an email asking him to stipulate that 20 he and Marlo had a dispute, which Baker refused to do. (Id.

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Baker v. American Society of Composers, Authors and Publishers, Counsel Stack Legal Research, https://law.counselstack.com/opinion/baker-v-american-society-of-composers-authors-and-publishers-azd-2021.