TJOFLAT, Circuit Judge:
This appeal involves a copyright dispute between Baby Buddies, Inc. (“Baby Buddies”) and Toys “R” Us, Inc. (“Toys R Us”). Baby Buddies sued Toys R Us in federal district court, alleging that Toys R Us’s pacifier holder infringed Baby Buddies’s copyright in its own similar pacifier holder. After discovery, Toys R Us moved for summary judgment. The district court granted the motion for summary judgment and dismissed Baby Bud
dies’s claims. Baby Buddies appeals that judgment, and we affirm.
I.
A.
In 1985, Darlene Krause (“Krause”) tried to find a pacifier holder for her new baby. A pacifier holder is a device that can be attached to a baby’s clothing and has a short tether that can be connected to a pacifier. If the baby drops the pacifier, the tether prevents it from falling to the ground and becoming dirty or lost. Krause found the available pacifier holders unattractive, so she made her own: she bought a small, fuzzy bear resembling a teddy bear from a craft store, affixed a clip to it, attached a colorful ribbon as a tether, and added a matching ribbon bow for decoration. The homemade pacifier holder proved so popular with friends that Krause and her husband formed Baby Buddies, Inc. in 1986 to produce and sell the pacifier holder. The following year, Krause applied for and received a copyright registration for her design.
Krause assigned all rights in her copyrighted work to Baby Buddies.
A year later, Baby Buddies employed a design and molding firm to redesign the pacifier holder using a molded plastic bear. The redesigned bear made the pacifier holder cheaper to manufacture, easier to assemble, easier to clean, and more aesthetically pleasing. This pacifier holder features a white, plastic bear still resembling a child’s teddy bear. The bear is approximately one-and-one-quarter inches tall and is seated with its lower paws facing out and its upper paws facing inward and resting on its stomach. The bear has sharply defined features, with its toes, muzzle, and mouth clearly delineated. A bow made of textured, aquamarine-colored ribbon
attaches to the back of the bear. The bow has two loops on the top and two loose ends of the ribbon on the bottom that form a flattened “X” shape behind the bear’s head and torso. The same ribbon is used to make a several-inches-long tether with a snap on the end that allows it to be looped through a hole in the baby’s pacifier. The tether extends downward from the bottom of the bear. A metal clip is attached to the back of the bear.
Baby Buddies’s rights in this second pacifier holder form the basis of this appeal, and we refer to this second design as the “Baby Buddies pacifier holder” and to the plastic bear featured in this design as the “Baby Buddies bear.” In 1991, Baby Buddies registered this second design with the United States Copyright Office.
Sometime around 1997, Toys R Us began carrying the Baby Buddies’s pacifier holder. The pacifier holder sold well— Baby Buddies has sold more than a million units, with more than half a million of those sales coming through Toys R Us.
By 1999, though, Toys R Us had decided to produce and market its own pacifier holder under its private label, “Especially for Baby.” Toys R Us had its product development department attempt to buy
the Baby Buddies pacifier holder on the open market. When that effort proved unsuccessful, Toys R Us enlisted a consultant to design several different pacifier holders, including a teddy bear pacifier holder. The design consultant in turn engaged a subcontractor. At some point, the consultant sent the subcontractor a copy of the Baby Buddies pacifier holder and a note saying in part, “I need a new animal design. The buyer likes this bear but I do not want to produce the same exact thing. Can you please work on a similar design?” The subcontractor responded with designs for a pacifier holder featuring a bear as well as with designs featuring an angel, a duck, a bunny, and balloons, which the consultant had also apparently requested. After a few modifications, Toys R Us and its consultant settled on a design for the bear-themed pacifier holder, among several others.
The Toys R Us pacifier holder features a one-and-one-half-inch tall molded plastic bear. The bear is predominantly white with a red heart on its stomach. The bear is sitting down with its lower paws facing outward and its upper paws also facing outward and sticking out from each side. Its features are bloated and cartoonish; it lacks a muzzle and its paws are simple circles with gold dots to represent its digits. A textured, light mint-green colored ribbon
forms a bow behind the bear. The bow forms a nearly perfect “X” shape, with its upper loops sticking out from behind the side of the bear’s head and its lower loose ends sticking out below the bear’s lower paws. A separate piece of the same ribbon forms a several-inch-long tether that extends from the bottom of the bear and has a snap that lets the tether loop through a hole in the baby’s pacifier.
We refer to this pacifier holder as the Toys R Us pacifier holder and to the bear as the Toys R Us bear.
Toys R Us sold both pacifier holders for a time, then began phasing out the Baby Buddies pacifier holder, discontinuing it entirely in 2003. Baby Buddies then sued Toys R Us for copyright infringement.
B.
Baby Buddies filed a three-count complaint against Toys R Us
on July 2, 2003, in federal court: Count I alleged that Toys R Us’s pacifier holder infringed Baby Buddies’s copyright in its pacifier holder; Count II alleged that Toys R Us violated Fla. Stat. § 817.41, which prohibits misleading advertising, by claiming to be the original author and copyright holder of the bear-themed pacifier holder; and Count III sought relief against Toys R Us under the theory of common law unfair competition.
Baby Buddies sought damages and
injunctive relief. Toys R Us’s answer denied liability and asserted several affirmative defenses.
The parties engaged in discovery. Toys R Us enlisted a husband and wife team of self-professed teddy bear experts, Terry and Doris Michaud, who wrote a report concluding that the bears featured on its and Baby Buddies’s pacifier holders were not similar.
Based on the information obtained through discovery and the Michauds’ expert report, Toys R Us moved for summary judgment pursuant to Federal Rule of Civil Procedure 56(c) on Counts I and II (the copyright and state law misleading advertising claims). For purposes of summary judgment on the issue of copyright infringement only, Toys R Us conceded the validity of Baby Buddies’s copyright in its pacifier holder and conceded that it had access
to the pacifier holder.
Along with its motion, Toys R Us submitted deposition excerpts, documents obtained during discovery, the Michauds’ report, and product samples of both its and Baby Buddies’s pacifier holders.
On October 3, 2008, the district court granted Toys R Us’s motion for summary judgment on Counts I and II. In addressing the copyright infringement claim, the district court separated the elements of Baby Buddies’s pacifier holder that could be protected under the copyright laws from those elements that could not. The court found that the tether was a functional item not subject to copyright protection and that the color of the tether could not be separated from it. The court also found the clip to be a functional item not subject to protection. The bow, according to the court, was too generic to merit protection, leaving only the plastic molded bear subject to copyright protection. The court then compared the various features of the two bears, concluding that no genuine issue of material fact existed as to infringement. Because the court concluded that Toys R Us had not infringed Baby
Buddies’s copyright, it also held that Toys R Us did not engage in misleading advertising under the Florida statute by claiming that it was the creator and owner of the Toys R Us pacifier holder. Accordingly, the district court granted Toys R Us’s motion for summary judgment as to Counts I and II.
Following the grant of summary judgment on Counts I and II, the parties jointly moved the district court to enter final judgment as to Counts I and II under Federal Rule of Civil Procedure 54(b) and to stay further proceedings on Count III pending the resolution of Baby Buddies’s appeal of the judgment on Counts I and II. Baby Buddies further stipulated that if the court of appeals upheld the district court’s dismissal of Counts I and II, it would voluntarily move to dismiss Count III with prejudice. The district court granted the joint motion on November 13, 2008, entering final judgment in favor of Toys R Us on Counts I and II and staying further proceedings on Count III. On December 11, 2008, Baby Buddies filed its notice of appeal of the district court’s November 13 judgment as to Counts I and II.
II.
“We review the district court’s grant of summary judgment
de novo,
construing all evidence in the light most favorable to the non-moving party. Summary judgment is only proper when there are no genuine issues of material fact.”
Leigh v. Warner Bros., Inc.,
212 F.3d 1210, 1214 (11th Cir.2000) (internal citation omitted). “An issue of fact is ‘genuine’ if the record taken as a whole could lead a rational trier of fact to find for the nonmoving party.”
Hickson Corp. v. N. Crossarm Co.,
357 F.3d 1256, 1260 (11th Cir.2004).
Baby Buddies argues that summary judgment is generally inappropriate in most copyright infringement cases because the ultimate issue of infringement turns nearly entirely on a reasonable juror’s comparison of the works in question. We have recognized this concern before.
See, e.g., Beal v. Paramount Pictures Corp.,
20 F.3d 454, 459 (11th Cir.1994) (“Some courts have observed that summary judgment is peculiarly inappropriate in copyright infringement cases due to their inherent subjectivity.”). “ ‘[N]on-infringement may be determined as a matter of law on a motion for summary judgment, either because the similarity between two works concerns only non-copyrightable elements of the plaintiffs work, or because no reasonable jury, properly instructed, could find that the two works are substantially similar.’ ”
Oravec v. Sunny Isles Luxury Ventures, L.C.,
527 F.3d 1218, 1223 (11th Cir.2008) (quoting
Herzog v. Castle Rock Entm’t,
193 F.3d 1241, 1247 (11th Cir.1999) (per curiam));
see also Intervest Constr., Inc. v. Canterbury Estate Homes, Inc.,
554 F.3d 914, 919-21 (11th Cir.2008) (explaining that summary judgment is appropriate in copyright infringement cases in which there are no disputes as to the material facts relating to the protected expression).
In many copyright infringement cases, the issue of infringement is intertwined with the issue of determining which parts of the work are actually protected by the copyright — once the court separates out the protectable elements of a work, it can become clear that no reasonable jury could find the defendant’s work infringing.
E.g., Feist Publ’ns, Inc. v. Rural Tel. Serv. Co.,
499 U.S. 340, 361, 111 S.Ct. 1282, 1296, 113 L.Ed.2d 358 (1991) (framing the ultimate issue on appeal as whether “Feist, by taking 1,309 names, towns, and telephone numbers from Rural’s white pages, cop[ied] anything
that was ‘original’ to
Rural”)
(emphasis added);
Intervest Constr., Inc.,
554 F.3d at 921 (noting that not all copying constitutes infringement and that therefore the analysis must focus on only the protected expression);
Leigh,
212 F.3d at 1214 (“[T]he plaintiff also must establish specifically that the allegedly infringing work is substantially similar to the plaintiffs work
with regard to its protected elements.”).
Therefore, we review the grant of summary judgment in this copyright infringement case just as we would in any other type of action. We ask whether a reasonable jury, properly instructed, could resolve the factual issue — in this case infringement
— in favor of Baby Buddies. If we answer “no,” then summary judgment is appropriate.
III.
A.
“To establish infringement, two elements must be proven: (1) ownership of a valid copyright, and (2) copying of constituent elements of the work that are original.”
Feist Publ’ns, Inc.,
499 U.S. at 361, 111 S.Ct. at 1296. For purposes of its motion for summary judgment, Toys R Us concedes that Baby Buddies’s copyright is valid, leaving only the issue of copying in dispute. A plaintiff may prove copying directly, but because direct evidence of copying is rare a plaintiff may instead rely on indirect proof.
Leigh,
212 F.3d at 1214. How the plaintiff uses indirect evidence to prove copying depends on whether the plaintiff can prove that the defendant had access to the copyrighted work. If the plaintiff cannot prove access, the plaintiff must prove that the defendant’s work is “strikingly similar” to the plaintiffs work.
Corwin v. Walt Disney Co.,
475 F.3d 1239, 1253 (11th Cir.2007) (internal quotation and citation omitted). Alternatively, the plaintiff can prove that the defendant had access to the copyrighted work and that the defendant’s work is “substantially similar” to the copyrighted work.
Leigh,
212 F.3d at 1214. Because Toys R Us concedes that it had access to the Baby Buddies pacifier holder, this appeal turns on whether the Toys R Us pacifier holder is substantially similar to the protected elements of the Baby Buddies pacifier holder. To determine whether an allegedly infringing work is substantially similar to a copyrighted work, we ask whether “ ‘an average lay observer would recognize the alleged copy as having been appropriated from the copyrighted work.’ ”
Oravec,
527 F.3d at 1224 (quoting
Original Appalachian Artworks, Inc. v. Toy Loft, Inc.,
684 F.2d 821, 829 (11th Cir.1982) (internal quotation marks omitted in original)).
Toys R Us’s concession that Baby Buddies holds a valid copyright does not answer the question of which elements of the Baby Buddies pacifier holder are protected under that copyright. Although copyright protection extends to “pictorial, graphic, and sculptural works,” 17 U.S.C. § 102(a)(5), which “include two-dimensional and three-dimensional works of fine, graphic, and applied art .... [s]uch works shall include works of artistic craftsmanship insofar as their form but not their mechanical or utilitarian aspects are concerned.” 17 U.S.C. § 101;
see also Mazer v. Stein,
347 U.S. 201, 218, 74 S.Ct. 460, 471, 98 L.Ed. 630 (1954) (holding, based in part on the persuasive authority of a Copyright Office regulation, that copyright protection does not extend to utilitarian aspects of a work). The statute elaborates,
the design of a useful article, as defined in this section, shall be considered a pictorial, graphic, or sculptural work only if, and only to the extent that, such
design incorporates pictorial, graphic, or sculptural features that can be identified separately from, and are capable of existing independently of, the utilitarian aspects of the article.
17 U.S.C. § 101. Under the statutory definition, “[a] ‘useful article’ is an article having an intrinsic utilitarian function that is not merely to portray the appearance of the article or to convey information.”
Id.
Thus, a useful article, as a whole, does not receive copyright protection, but any constituent design elements that can be physically or conceptually separated from the underlying article can receive copyright protection.
Chosun Int’l, Inc. v. Chrisha Creations, Ltd.,
413 F.3d 324, 328 (2d Cir. 2005) (“[I]f a useful article incorporates a design element that is physically or conceptually separable from the underlying product, the element is eligible for copyright protection.”);
Norris Indus, v. Int’l Tel. & Tel. Corp.,
696 F.2d 918, 923 (11th Cir.1983) (“[Separability encompasses works of art that are either physically severable from the utilitarian article or conceptually severable.”).
Additionally, copyright protection extends only to the original elements of expression in a work: “The mere fact that a work is copyrighted does not mean that every element of the work may be protected. Originality remains the
sine qua non
of copyright; accordingly, copyright protection may extend only to those components of a work that are original to the author.”
Feist Publ’ns, Inc.,
499 U.S. at 348, 111 S.Ct. at 1289;
see also
17 U.S.C. § 102(a) (“Copyright protection subsists ... in original works of authorship.”). Equally fundamentally, “[i]n no case does copyright protection for an original work of authorship extend to any idea.”
17 U.S.C. § 102(b);
see also Harper & Row Publishers, Inc. v. Nation Enters.,
471 U.S. 539, 556, 105 S.Ct. 2218, 2228, 85 L.Ed.2d 588 (1985) (“No author may copyright his ideas or the facts he narrates.”). Accordingly, we must apply the substantial similarity test to only those elements of the copyrighted work that are actually subject to copyright protection— that is, elements of original expression in the copyrighted work.
In deciding whether the protected elements of two works are substantially similar, we compare the various components of the two works, but are mindful that “lists of similarities are ‘inherently subjective and unreliable, particularly where the lists contain random similarities, and many such similarities could be found in very dissimilar works.’”
Corwin,
475 F.3d at 1251 (quoting
Herzog,
193 F.3d at 1257). At the same time, “[ajnalyzing relatively amorphous characteristics of the [work] as a whole (such as the ‘mood’ or ‘combination of elements’) creates a danger of unwittingly extending copyright protection to unoriginal aspects of the work.”
Leigh,
212 F.3d at 1215. At the most narrow, focused level, two works will almost always be distinguishable, and at the broadest level of abstraction they will almost always appear identical. Thus, although we identify and compare the protected expressive features of the two works, we do so not simply to count the number of similarities and differences, but rather to determine whether the work’s protected expression has been copied.
B.
Because this appeal is of an award of summary judgment, we approach the anal
ysis in this case as would a properly instructed jury: focusing on only the elements protected by the copyright laws (that is, setting aside the unoriginal and nonexpressive elements of the Baby Buddies pacifier holder), is the Toys R Us pacifier holder substantially similar to the Baby Buddies pacifier holder?
The Baby Buddies pacifier holder is undoubtedly a useful article as defined by 17 U.S.C. § 101. Although the pacifier holder includes a sculpted teddy bear, the unit serves the “intrinsic utilitarian function” of connecting a baby’s pacifier to the baby’s clothes. Thus, we start our analysis by determining whether any potentially copyrightable elements are conceptually or physically separable from the utilitarian aspects of the pacifier holder. Both the plastic teddy bear and the ribbon bow are separate pieces attached to the pacifier holder, and removing them leaves the rest of the pacifier holder — the ribbon tether, clip, and snap — intact and functioning correctly. Being physically separable, the bear and the bow are eligible for copyright protection. The ribbon tether, however, serves the utilitarian function of connecting the pacifier to the baby’s clothes; removing the ribbon tether renders the article useless as a pacifier holder, so copyright protection does not extend to it.
See
17 U.S.C. § 101.
Having identified those elements of the Baby Buddies pacifier holder that are potentially subject to copyright protection, we now proceed to determine the scope of that copyright protection and whether the Toys R Us pacifier holder infringes that protection.
1.
We begin with the plastic teddy bears, which are the most prominent features of both pacifier holders. As mentioned, both bears are formed from white, sculpted plastic. They also share the same basic anatomical features common to all teddy bears — a head, two ears, two eyes, a nose, a mouth, a torso, two upper paws (representing the fore paws of a real bear), and two lower paws (representing the hind paws on a real bear).
But every sculpture of a teddy bear shares these features simply because these features are what defines a teddy bear. To protect this basic combination of features would in effect give Baby Buddies exclusive rights over the very idea of a plastic sculpted teddy bear, which is expressly precluded under the copyright laws. 17 U.S.C. § 102(b) (“In no case does copyright protection ... extend to any idea.”);
see also Original Appalachian Artworks, Inc.,
684 F.2d at 825 n. 5 (“Neither the idea of a soft-sculpture human-figure doll, nor the process of soft sculpture is copyrightable.”).
The Second Circuit, in a case regarding whether Mattel, Inc. could copyright a Barbie doll’s face, responded to a similar issue in the same way. That court held that copyright protection extended only to Mattel, Inc.’s particularized expression of the youthful female facial features of a Barbie doll, not to the general idea of including those features on its doll:
Mattel’s copyright in a doll visage with an upturned nose, bow lips, and widely spaced eyes will not prevent a competitor from making dolls with upturned noses, bow lips, and widely spaced eyes, even if the competitor has taken the idea from Mattel’s example,
so long as the competitor has not copied Mattel’s particularized expression.
An upturned nose, bow lips, and wide eyes are the “idea” of a certain type of doll face. That idea belongs not to Mattel but to the public domain.
See
Mattel,
Inc. v. Azrak-Hamway Int'l, Inc.,
724 F.2d 357, 360 (2d Cir.1983) (creator of a muscle-bound action doll has copyright in “particularized expression [such as] the decision to accentuate certain muscle groups relative to others” even though imitator is free to make dolls expressing same general idea). But Mattel’s copyright will protect its own particularized expression of that idea and bar a competitor from copying Mattel’s realization of the Barbie features.
Mattel, Inc. v. Goldberger Doll Mfg. Co.,
365 F.3d 133, 136 (2d Cir.2004) (emphasis added) (alteration in original);
accord Original Appalachian Artworks, Inc.,
684 F.2d at 829 n. 11 (“[Plaintiffs] copyright can only extend to the peculiar expression of the idea embodied in its ‘Little People’ dolls.”). The same principles apply here. Baby Buddies’s copyright does not protect the general features of its bear; rather, the copyright protects the particular ways in which those general features or ideas are expressed. Accordingly, we examine the particularized expression of the two bears.
Both bears have two rounded ears with depressions in the center of the ears. If the bears’ heads were elockfaces, the ears would be placed at the 1:30 and 10:30 positions on both bears. But, as mentioned, ears are an essential feature for a teddy bear, so there is nothing original in including them, especially in roughly the anatomically correct position on the bear’s head. Nor is there anything original in portraying the concave portion of an ear with a simple depression. This is a common way to portray ears on a teddy bear (and ears in general), and Baby Buddies cannot use copyright law to obtain exclusive rights over such a depiction. Moreover, there are differences in the ways the ears are portrayed on the bears. The Baby Buddies bear’s ears are entirely white, whereas the Toys R Us bear’s ears are white with pink centers, and the Toys R Us bear’s ears are larger than the Baby Buddies bear’s ears.
The bears’ faces are likewise different in their expressive features — although both have dots representing eyes and a nose and a sculpted mouth, those features in and of themselves are not protected because they too are necessary to convey the very idea of a teddy bear. Indeed, at the level of protected expression, the authors represent those features in noticeably different ways. The Baby Buddies bear has three identical black dots that represent the eyes and nose; the Toys R Us bear has two larger, golden dots representing the eyes and a still larger golden dot representing its nose. The Baby Buddies bear’s eyes are positioned on the top third of the bear’s face and are spaced more widely apart from each other and from the nose than are the Toys R Us bear’s eyes, which sit on the vertical center of the face. This positioning gives the Toys R Us
bear’s face a cramped appearance. Both bears have cheeks that protrude from the face, but the Baby Buddies bear’s cheeks are separated from each other by a raised muzzle. The Toys R Us bear lacks a distinct muzzle and instead has one continuous, raised feature generally representing its cheeks and muzzle. The Toys R Us bear has a simple line in the shape of an upturned smile carved into the raised portion representing its cheeks. The Baby Buddies bear has a distinct lower lip carved below the muzzle, forming a partly open, smiling mouth.
The bears’ bodies are also distinct in their expressive elements. While both bears have upper and lower paws attached to a torso, those features are standard to the idea of a teddy bear and not themselves protectable. The Baby Buddies bear’s torso is all white and is curved such that the bear appears to have a “pot belly.” The Toys R Us bear’s torso is flatter and features a red heart set against a white background. The Baby Buddies bear’s upper paws face inward and fold over and rest on its stomach. The paws are entirely white and each has two notches carved into it, creating three digits representing the bear’s toes. A close look reveals a raised sculpted element near the bear’s shoulder, which represents the part of the leg above the joint. The Toys R Us bear has two white circles representing its upper paws. They stick outward from the bear’s sides, rather than resting on the bear’s stomach; they face outward, not inward; and instead of carved notches, they have three small gold dots representing either the bear’s toes or claws and a slightly larger dot representing the pad of the foot. The Toys R Us bear’s upper paws lack anything representing a joint. The Baby Buddies bear’s lower paws face outward as though the bear were seated with its legs sticking straight out toward the viewer. The paws again have two notches carved into each of them, creating three toes on each lower paw. The toes also appear to be curling inward. Each lower paw has a raised surface representing the pad of the paw, which is the same aquamarine color as the ribbon used in the pacifier holder. The Toys R Us bear’s lower paws lack the detail found on the Baby Buddies bear’s paws. The Toys R Us bear’s lower paws, like its upper paws, are simple white circles with three gold dots representing toes or claws and a slightly larger gold dot representing the pad. The circles representing the paws extend out to the side of and below the bear’s torso, which makes it unclear whether the Toys R Us bear is seated with its paws facing out toward the viewer or is standing with its toes represented in a fanciful, anatomically incorrect position.
The Baby Buddies bear measures approximately one-and-one-quarter inches tall, whereas the Toys R Us bear is approximately one-and-one-half inches tall— a noticeable difference at this scale. The Baby Buddies bear is a flatter shade of white, whereas the Toys R Us bear appears glossy.
Overall, these features combine to create distinctly different bears from an aesthetic perspective. The Baby Buddies bear is smaller, is more finely sculpted, and has more clearly defined anatomical features such as a muzzle, toes, and paw pads, giving it a more refined appearance overall. The Toys R Us bear, with its larger size, fewer details, and cruder representations of anatomical features, has a distinctly abstract, cartoon-like, and almost bloated appearance. No properly instructed juror could find these bears substantially similar.
2.
Baby Buddies contends that its copyright, in addition to covering the bear, should protect the ribbon bow and the
overall arrangement of the ribbons and bear. Conceivably, a bow could receive copyright protection, but the Baby Buddies bear falls short of even the low threshold of originality required for copyright protection.
See Feist Publ’ns, Inc.,
499 U.S. at 345, 111 S.Ct. at 1287. The bow is very simple, consisting of aquamarine-colored ribbon crossed to form a compressed “X” shape that is wider than it is tall. The top two arms of the bow are loops and the bottom two arms are left loose. This bow design is commonplace and not original to Baby Buddies; it existed long before Baby Buddies chose to include it on its pacifier holder. Moreover, even if it were protected, the Toys R Us bow is different, especially given the very few design decisions that go into creating the bow: it is constructed the same way, but it is larger, the ribbon is longer, the pieces form a nearly perfect “X” shape, and it is a lighter shade of blue-green.
The Toys R Us pacifier holder does not infringe the Baby Buddies pacifier holder if we consider the arrangement of the bear and the ribbon. The placement of the sculpted teddy bear at the end of the tether- — where the pacifier holder is clipped to the baby’s clothing — is driven by function: placing it at the other end of the tether would interfere with the pacifier, and placing the bear somewhere along the tether would make the pacifier holder unwieldy. Additionally, even though the decorative bows on both pacifier holders are placed behind the bears, their similarity ends there. The Baby Buddies bow extends out from the side of the bear — the top arms of the bow emanate almost sideways from just below the bear’s ears and the lower arms of the bow stick out from behind the bear’s upper paws. On the Toys R Us bear, the top arms of the bow extend upward at a 45 degree angle from where the bear’s shoulders would be, and the bottom arms of the bow extend downward at a 45 degree angle from below the bear’s lower paws.
In fact, there are almost no similarities between the two pacifier holders beyond the general ideas of including a teddy bear (with the requisite ears, eyes, nose, mouth, arms, and legs), a ribbon bow, and a pastel-based color scheme on a baby’s pacifier holder. Any reasonable jury, properly instructed, would pick up on these differences and their cumulative effect on the noticeably different aesthetics embodied in the two pacifier holders. Because no reasonable jury could conclude that the pacifier holders are substantially similar at the protected level, the district court properly granted Toys R Us’s motion for summary judgment on the copyright infringement count.
We step back for a moment to observe that if someone copies the particular expressive elements from Baby Buddies’s pacifier holder, Baby Buddies can of course invoke copyright protection and try an infringement case before a jury. That is not this case, though. Baby Buddies is trying to invoke the protection of the copyright laws to prevent a competitor from using the idea of putting a sculpted teddy bear and a color-coordinated bow on a ribbon tether to create an aesthetically appealing pacifier holder. But this type of creative competition is entirely consistent with the copyright laws. Baby Buddies has the right to prevent others from copying its creative expression, but not from expressing similar ideas differently. If Baby Bud
dies has found the most appealing way to express its idea, the marketplace will reward it accordingly.
IV.
Finally, we turn to Baby Buddies’s claim that Toys R Us violated Fla. Stat. § 817.41, which prohibits misleading advertising,
by including the symbol on its pacifier holder’s packaging to indicate that Toys R Us was the author of the design
when, according to Baby Buddies, Toys R Us knew that it had appropriated the design from Baby Buddies. We can quickly dispose of this argument. As both parties recognize in their briefs on appeal, Baby Buddies can only succeed on this claim if the Toys R Us pacifier holder design infringes Baby Buddies’s copyright. Given that summary judgment is appropriate on the issue of infringement, Baby Buddies cannot succeed on its misleading advertising claim. Therefore, the district court properly granted summary judgment for Toys R Us on Count II.
V.
For the foregoing reasons, the district court’s judgment is
AFFIRMED.
Appendix A
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Appendix B
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