Athos Overseas Limited Corp. v. YouTube, Inc.

CourtDistrict Court, S.D. Florida
DecidedMarch 29, 2022
Docket1:21-cv-21698
StatusUnknown

This text of Athos Overseas Limited Corp. v. YouTube, Inc. (Athos Overseas Limited Corp. v. YouTube, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. Florida primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Athos Overseas Limited Corp. v. YouTube, Inc., (S.D. Fla. 2022).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA

CASE NO.: 1:21-cv-21698-GAYLES/TORRES ATHOS OVERSEAS, LTD.,

Plaintiff,

v.

YOUTUBE, INC., YOUTUBE, LLC, and GOOGLE, LLC,

Defendants. ________________________________________/

ORDER

THIS CAUSE comes before the Court upon Defendants YouTube, Inc., YouTube, LLC, and Google LLC’s Motion to Dismiss (the “Motion”) [ECF No. 14]. The Court has reviewed the Motion and the record and is otherwise fully advised. For the reasons set forth below, the Motion is granted in part and denied in part. BACKGROUND1 Plaintiff, Athos Overseas, Ltd, is a wholly owned company of Carlos Vasallo (“Vasallo”), a Spanish-language movie producer, who, through several holding companies, owns the world’s largest collection of Mexican and Latin American movies. Vasallo, through Plaintiff and his other companies, holds the proper copyright registration, both internationally and in the United States, for each movie within his collection. Vasallo’s companies are the primary sources of classic, Mexican

1 As the Court is proceeding on a Motion to Dismiss, it takes Plaintiff’s allegations in the Complaint for Declaratory and Injunctive Relief and Damages (the “Complaint”), [ECF No. 1], as true. See Brooks v. Blue Cross & Blue Shield of Fla., Inc., 116 F.3d 1364, 1369 (11th Cir. 1997). Moreover, the Court may properly consider the exhibits attached to the Complaint. Hoefling v. City of Miami, 811 F.3d 1271, 1277 (11th Cir. 2016) (“A district court can generally consider exhibits attached to a complaint in ruling on a motion to dismiss, and if the allegations of the complaint about a particular exhibit conflict with the contents of the exhibit itself, the exhibit controls.” (citation omitted)); see also Fed. R. Civ. P. 10(c) (“A copy of a written instrument that is an exhibit to a pleading is a part of the pleading for all purposes.”). movies for television networks, such as Univision, Telemundo, and Televisa. These networks pay millions of dollars for the rights to show these films. Carlos Slim, a multi-billion dollar television mogul in Mexico and Latin America, even offered Vasallo over one hundred million dollars for his entire movie collection.

Defendants YouTube, Inc. and YouTube, LLC (collectively, “YouTube”) are an internet service provider and have the largest video-sharing platform in the world (the “YouTube Platform”). Defendant Google LLC (“Google”) owns YouTube (collectively, the “Defendants”). In or about 2015, Vasallo learned that films in his movie collection were being pirated on the YouTube Platform when one of his traditional buyers refused to pay for licensing fees and the right to show his movie because the same movie was being freely shown on the YouTube Platform. Vasallo then contacted Defendants at their offices in New York. John Farrell, the head of YouTube’s Latin American Division in New York, referred Vasallo to Google’s Director of Latin Media and Entertainment, Juanjo Duran (“Duran”). During Vasallo’s initial conversation with Duran, Duran acknowledged that Vasallo’s

movies, including those owned by Plaintiff, “were routinely and repeatedly pirated on the YouTube [P]latform.” [ECF No. 1 at 5]. However, Duran told Vasallo that Defendants could “very easily” detect and discontinue the acts of piracy with their Content ID system. Id. The Content ID system2 recognizes pirated material prior to its upload on the YouTube Platform and allows YouTube to instantaneously block that content. Duran, acting on behalf of YouTube, offered Plaintiff, through Vasallo, three options: (1) Vasallo could allow the piracy to continue, and YouTube would direct some of that revenue to Vasallo; (2) Defendants could restrict the content so that only Vasallo could publish his movies on YouTube, and both parties would share the profits; or (3) a hybrid of the first

2 The Complaint does not indicate whether YouTube’s Content ID system is a free or paid service. two options where Vasallo could allow the piracy to continue but also upload better quality versions of the movies, and the parties would share the profits. Id. at 6–7. These options would also require Vasallo to agree to release YouTube from all possible claims for prior acts of piracy. Vasallo did not agree to these terms. YouTube indicated that without an agreement in place, Defendants would not

use their Content ID system for Plaintiff’s films and Vasallo would have to use the self-monitoring procedure available for the YouTube Platform. Vasallo asked why Defendants would take this position and YouTube responded with: “because we are YouTube, we are part of Google, and we are protected by the Digital Millennium Copyright Act[.]” Id. at 7. Vasallo, on behalf of Plaintiff and his other companies, hired a law firm to monitor YouTube’s Platform for his pirated movies. Utilizing YouTube’s self-monitoring procedure, Vasallo and Plaintiff would send takedown notices to YouTube and YouTube would then remove that pirated content. However, under YouTube’s policy, it would not remove all matching content, only the specific video uploaded by the specific infringer identified in the notice. That infringer would then be free to upload the same content again until three takedown notices were filed against him in a 90-

day period. Only then, would YouTube cancel that infringer’s username. Moreover, YouTube limits the number of takedown notices Plaintiff can submit. For over six years, Plaintiff and Vasallo have sent more than 10,000 notices to YouTube. Yet, posts that directly infringe on Plaintiff’s copyrighted works are still available on the YouTube Platform. Meanwhile, YouTube profits from its users’ uploads of infringed copyrighted material. On May 3, 2021, Plaintiff filed this thirteen-count action against Defendants. [ECF No. 1]. Plaintiff brings the following causes of action: (1) direct copyright infringement by public performance against YouTube (Count I); (2) direct copyright infringement by public display against YouTube (Count II); (3) direct copyright infringement by reproduction against YouTube (Count III); (4) inducement of copyright infringement against Defendants (Count IV); (5) contributory copyright infringement against Defendants (Count V); (6) vicarious copyright infringement against Defendants (Count VI); (7) removal and alteration of copyright information along with intentional distribution of materials lacking copyright information against YouTube (Count VII); (8) direct copyright

infringement by public performance against Google (Count VIII); (9) direct copyright infringement by public display against Google (Count IX); (10) direct copyright infringement by reproduction against Google (Count X); (11) removal and alteration of copyright information along with intentional distribution of materials lacking copyright information against Google (Count XI); (12) Florida Deceptive and Unfair Trade Practices Act (“FDUTPA”) against YouTube (Count XII); and (13) violation of § 1 of the Sherman Act for illegal tying against YouTube (Count XIII)3. In response, Defendants filed the instant Motion. LEGAL STANDARD To survive a motion to dismiss brought pursuant to Federal Rule of Civil Procedure 12(b)(6), a claim “must contain sufficient factual matter, accepted as true, to ‘state a claim to relief

that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atl. Corp. v.

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