Anubis Pictures, LLC and CMA Films, LLC v. Philco Films Productions, Ltd.

CourtCourt of Appeals of Texas
DecidedMarch 3, 2021
Docket05-19-00817-CV
StatusPublished

This text of Anubis Pictures, LLC and CMA Films, LLC v. Philco Films Productions, Ltd. (Anubis Pictures, LLC and CMA Films, LLC v. Philco Films Productions, Ltd.) is published on Counsel Stack Legal Research, covering Court of Appeals of Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Anubis Pictures, LLC and CMA Films, LLC v. Philco Films Productions, Ltd., (Tex. Ct. App. 2021).

Opinion

AFFIRMED and Opinion Filed March 3, 2021

S In The Court of Appeals Fifth District of Texas at Dallas No. 05-19-00817-CV

ANUBIS PICTURES, LLC AND CMA FILMS, LLC, Appellants V. LAUREN SELIG, SHAKE & BAKE PRODUCTIONS, STEPHEN LANNING, AND PHILIP HOBBS, Appellees

On Appeal from the 162nd Judicial District Court Dallas County, Texas Trial Court Cause No. DC-17-17579

MEMORANDUM OPINION Before Justices Pedersen, III, and Reichek1 Opinion by Justice Reichek Anubis Pictures, LLC and CMA Films, LLC (collectively “Anubis”) appeal

two summary judgments dismissing Anubis’s claims against Lauren Selig and Shake

& Bake Productions (collectively “Selig”). Additionally, Anubis appeals the trial

court’s order granting the special appearances of Stephen Lanning and Philip Hobbs.

In two issues, Anubis generally contends there were fact issues precluding summary

1 The Honorable Bill Whitehill, Justice, participated in the oral argument and submission of this case, but not the issuance of the opinion, which occurred after the expiration of his term on December 31, 2020. See TEX. R. APP. P. 41.1(b) (“After argument, if for any reason a member of the panel cannot participate in deciding a case, the case may be decided by the two remaining justices.”). judgment in favor of Selig and the trial court had specific jurisdiction over both

Lanning and Hobbs based on their actions as agents for Philco Films, Ltd. (“Philco”),

a company based in London, England. Selig filed a cross-appeal asserting the trial

court erred in denying her motion for sanctions against Anubis and its counsel. For

the reasons that follow, we affirm the trial court’s judgments and orders.

Background

The actions giving rise to this lawsuit involve the financing of a film based on

a screenplay entitled “Downslope” written by the late Stanley Kubrick. In 2009, the

Kubrick estate granted authorization to develop and produce the screenplay to

Philco, Lanning, and Hobbs. Hobbs, who was Kubrick’s son-in-law and a director

of Philco, lives in London. Lanning, who resides in Spain, worked with Hobbs

during the relevant time period.

In October 2013, Philco entered into an agreement with five individuals,

collectively referred to as the SCVTA Group, to secure a portion of the financing for

the production of Downslope. The members of SCTVA agreed to obtain financing

for roughly half the anticipated cost of production in exchange for various finder’s

fees, production credits, and participation points.

Shortly thereafter, SCTVA reached out to Anubis, a Texas-based company,

to see if it wanted to invest in the film stating it would be “a great in-roads project”

for the company to “become players in Hollywood.” Anubis responded with a letter

stating that it would engage in “due diligence and further investigation” with respect

–2– to arranging financing for Downslope. The letter contemplated that SCTVA would

be the borrower of the funds and a term sheet would be forthcoming. It further stated

that “[t]his letter and the Term Sheet impose no liability or obligation on Anubis in

any way.” The record contains no indication that a loan to SCTVA was ever

pursued.

In November 2013, Jacob Cohen, one of Anubis’s principals, was introduced

to Selig, a partner in Shake & Bake Productions, in connection with a different

project. Following a phone conversation between Cohen and Selig, Cohen sent Selig

an email enclosing a non-disclosure agreement (“NDA”). The email stated that,

once the agreement was executed, Cohen wanted to share a film opportunity with

Selig that included Chris Pine and Anna Kendrick. The recital portion of the NDA

stated,

Anubis is in the business of financing, developing, creating, distributing, and publishing visual content for television, film, video games, internet, on-line, mobile, and other forms of distribution. [Selig] is a potential financial/creative partner and the parties desire to discuss the potential for Anubis to collaborate with [Selig] in connection with the aforementioned project(s) (the “Discussions”) and to provide for the confidentiality of the Discussions and the information relayed during such Discussions.

The NDA further stated that the parties to the agreement would not use any

confidential information received from the other party “except for the sole purpose

of participating in the Discussions.”

To be covered under the terms of the NDA, confidential information disclosed

in written form was required to be marked confidential on its face. Any oral –3– statement intended to be confidential had to be clearly designated as such by the

disclosing party. In addition, confidential information was defined by the NDA to

exclude, among other things, (1) information that had become publicly known

through no wrongful act of the receiving party, (2) information rightfully received

by the receiving party from a third party without restrictions on disclosure and

without breach of the agreement, (3) information approved for release by written

authorization of the disclosing party, and (4) information furnished by the disclosing

party to a third party without a similar restriction on disclosure.

The NDA specifically stated that neither Anubis nor Selig was obligated to

enter into a transactional contract. In a provision entitled “No Obligation to

Complete Transaction,” the parties agreed,

Neither party is bound to proceed with any transaction between the parties unless and until both parties sign a formal, written agreement setting forth the terms of such transaction. At any time prior to the completion of such a formal, written agreement, either party may terminate the Discussions and refuse to enter into any subsequent transaction, for any reason or for no reason, without liability for such termination, even if the other performed work or incurred expenses related to a potential transaction in anticipation that the parties would enter into a formal, written agreement regarding such transaction.

In a section entitled “Governing Law,” the NDA provided the agreement would be

governed by the laws of the State of Texas and any action arising out of or relating

to the agreement must be brought in Dallas County. The agreement concluded with

the statement that “[n]o waiver or modification of any of the provisions of this

Agreement shall be valid unless in writing and signed by both parties.”

–4– After Selig signed the NDA, Cohen emailed her a copy of a script for a film

called “Mantivities” which he stated would star Pine and Kendrick. Cohen asked

Selig to let him know when she had time to discuss financing for the Mantivities

project, but, after some discussion, Selig decided not to participate.

During this time period, Anubis had begun communicating directly with

Philco about the Downslope project. On December 2, Lanning emailed the members

of SCTVA to let them know that Philco had decided all further negotiations would

involve only Philco and Anubis. Lanning emailed Anubis the same day with points

to address in preparation for signing a letter of intent between Anubis and Philco.

Among the points to be addressed in the negotiations was whether Downslope would

be filmed in Texas. Lanning stated Philco needed creative input and “confirmation

by the director that Dallas will work as scripted, scheduled, and budgeted.”

In January 2014, while the letter of intent between Anubis and Philco was

being negotiated, a team from Anubis met with Selig to discuss several potential

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