Anthony Tronchin v. The Shubert Organization, et al.

CourtDistrict Court, S.D. New York
DecidedDecember 10, 2025
Docket1:23-cv-10053
StatusUnknown

This text of Anthony Tronchin v. The Shubert Organization, et al. (Anthony Tronchin v. The Shubert Organization, et al.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Anthony Tronchin v. The Shubert Organization, et al., (S.D.N.Y. 2025).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ANTHONY TRONCHIN, Plaintiff, -against- 23-CV-10053 (MMG) THE SHUBERT ORGANIZATION, et al., OPINION & ORDER Defendants.

MARGARET M. GARNETT, United States District Judge: Plaintiff Anthony Tronchin (“Plaintiff”), proceeding pro se, brings this action against his former employer the Shubert Organization (“Shubert”) and certain of its employees—Kenny Nunez, Michael Coco, and Cathy Cozens (the “Individual Defendants”) (collectively with Shubert, “Defendants”)—in connection with allegations of workplace discrimination, harassment, and retaliation. The Complaint asserts claims under Title VII of the Civil Rights Act of 1964 (“Title VII”), the Age Discrimination in Employment Act of 1967 (“ADEA”), 42 U.S.C. § 1981, the New York State Human Rights Law (“NYSHRL”), and the New York City Human

Rights Law (“NYCHRL”). Defendants move to dismiss the Complaint in part, contending that (1) the Title VII and ADEA claims against the Individual Defendants fail as a matter of law because neither statute provides for individual liability; and (2) the NYSHRL and NYCHRL claims are barred by the election of remedies doctrine. For the reasons that follow, the motion is GRANTED in part and DENIED in part. BACKGROUND I. RELEVANT FACTS1 Shubert is a theater company that employed Plaintiff as an usher at multiple venues between 1994 and 2022. Compl. ¶¶ 2, 6. This action arises from Plaintiff’s tenure at Shubert’s

namesake Broadway theater, the Shubert Theater (the “Theater”), where Plaintiff worked from 2018 until he was terminated in 2022. Id. ¶ 3. In the jumble of forms, statements, communications, and other records that comprise the Complaint, Plaintiff chronicles a series of abuses that he purportedly suffered at the Theater from April 2022 to October 2022. The alleged misconduct includes sexual harassment of Plaintiff by a supervisor, inequitable work assignments, delays in compensation for work, rude comments, a false accusation that Plaintiff sexually harassed a coworker, and the unfair investigation and adjudication of that accusation, including Plaintiff’s resulting termination. Plaintiff is a Black man who identifies as asexual; he was 53 years old at the time he filed the Complaint. Id. ¶ 6. He variously alleges that his mistreatment was motivated by animus towards his race, age, and sexual orientation and/or was

perpetrated in retaliation for his rebuffing the sexual advances of his supervisor and/or for filing an unrelated complaint of sexual harassment while working at a different Shubert theater in 2016. A. 2016 Sexual Harassment Case Plaintiff began working at the Theater in 2018 following the resolution of a 2016 sexual harassment case at another Shubert-operated theater. In that case, Plaintiff’s coworker

1 This Opinion draws its facts from Plaintiff's Complaint (Dkt. No. 1), the well-pleaded allegations of which are taken as true for purposes of this Opinion. See Ashcroft v. Iqbal, 556 U.S. 662, 678-79 (2009). The Court also relies, as appropriate, on extrinsic materials for the purpose of determining subject matter jurisdiction. See Moser v. Pollin, 294 F.3d 335, 339 (2d Cir. 2002). purportedly offered to show Plaintiff his underwear and asked if Plaintiff wanted “be with” him. Id. ¶ 7. Plaintiff filed a complaint with Shubert’s human resources department, but, according to him, they did not investigate or otherwise address the harassment. Id. ¶ 8. Then, “[i]n retaliation for not reciprocating his sexual advances, [Plaintiff’s] co-worker approached him during a show

and hit him.” Id. ¶ 9. Shubert responded by suspending Plaintiff for speaking to a coworker during a show. Id. ¶ 10. In June 2016, Plaintiff filed a charge of discrimination with the New York State Division of Human Rights (“NYSDHR”), which made a probable cause determination in his favor. Id. ¶ 11. In 2018, Shubert and Plaintiff finalized a settlement agreement whereby Shubert remitted back pay for Plaintiff’s suspension and transferred Plaintiff to the Theater. Id. B. Alleged Harassment by a Supervisor in 2022 Following a hiatus caused by the suspension of Theater performances during the COVID- 19 pandemic, Plaintiff resumed working as an usher when the Theater reopened in April 2022. Id. ¶ 12. At that time, Kenny Nunez began working as the Theater’s new manager. Id. During an initial meeting with Plaintiff, Nunez stated that he “want[ed] to be friends,” which made

Plaintiff uncomfortable because he thought the proposition was inappropriate. Id. ¶ 13. From there, “Nunez began an escalating pattern of sexual harassment.” Id. ¶ 14. Plaintiff attempts to demonstrate this pattern with two allegations. First, Nunez once told Plaintiff, “You have sexy eyes.” Id. ¶ 14. Second, Nunez “would find excuses to touch [Plaintiff] while they were working and would grab him and adjust his nametag, even when it was on straight.” Id. ¶ 15. Additionally, Nunez would often interrupt Plaintiff’s conversations with other employees. Id. ¶ 17. Plaintiff interpreted these various actions as Nunez making sexual advances toward him. Id. ¶ 18. Plaintiff declined to report Nunez’s behavior because he believed—based on Shubert’s handling of his 2016 complaint—that Shubert would retaliate against him. Id. Plaintiff says he nevertheless suffered retaliation from Nunez “for not reciprocating his advances.” Id. ¶ 19. Nunez told Plaintiff that he had “negative energy” and started treating Plaintiff unfairly. Id. ¶¶ 19–22. Plaintiff alleges that he covered an extra show in April 2022 and that Nunez initially refused to pay Plaintiff for the extra work, relenting only after Plaintiff

contacted his union. Id. ¶ 20. Additionally, Plaintiff was consistently made to work in the “less desirable” orchestra section, where Nunez worked, despite the Theater’s usual practice of assigning ushers to different locations throughout the Theater on a rotating basis. Id. ¶ 21. When Plaintiff asked why he was assigned to work only in the orchestra section, Nunez told him, “Blacks are treated differently around here.” Id. ¶ 22. C. Plaintiff’s Termination for Sexual Harassment On or about August 14, 2022, Plaintiff engaged in a conversation with a Theater bartender named Matthew Lanyi. Id. ¶ 23. Lanyi was a good friend of Nunez. Id. ¶ 26. During the conversation, Plaintiff asked Lanyi if he worked out. Id. ¶ 24. Lanyi answered yes, explaining that he was a gymnast. Id. Plaintiff “told Lanyi that he looked good” and identified himself as a dancer. Id. Lanyi thanked Plaintiff for the compliment, and the two briefly spoke

about dancing before Plaintiff had to end the conversation to return to perform his duties for a show that was about to end. Id. ¶ 25. Plaintiff perceived no indication that the interaction made Lanyi uncomfortable. Id. ¶ 26. A few days later, Plaintiff was called into a meeting with Michael Coco and Cathy Cozens, Shubert’s General Manager of Theater Operations and Vice President of Human Resources, respectively. Id. ¶¶ 4–5, 27. They relayed a message from Nunez claiming that Plaintiff had made Lanyi uncomfortable during the August 14 interaction. Id. ¶ 28. They asked Plaintiff to apologize for committing sexual harassment, but Plaintiff insisted that he had no intention to harass. Id. ¶¶ 28–29. Coco accused Plaintiff of “being a Bill Cosby” and informed Plaintiff that he was terminated. Id. ¶¶ 30–31. After filing a grievance letter, Plaintiff attended a second meeting with Shubert management on September 6, 2022. Id. ¶ 32. The Shubert representatives cited additional

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