Andrew Hall v. Lorettann and Nikolas Gascard

2017 DNH 110
CourtDistrict Court, D. New Hampshire
DecidedJune 12, 2017
Docket16-cv-418-SM
StatusPublished

This text of 2017 DNH 110 (Andrew Hall v. Lorettann and Nikolas Gascard) is published on Counsel Stack Legal Research, covering District Court, D. New Hampshire primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Andrew Hall v. Lorettann and Nikolas Gascard, 2017 DNH 110 (D.N.H. 2017).

Opinion

UNITED STATES DISTRICT COURT

DISTRICT OF NEW HAMPSHIRE

Andrew Hall, Plaintiff

v. Case No. 16-cv-418-SM Opinion No. 2017 DNH 110 Lorettann Gascard and Nikolas Gascard, Defendants

O R D E R

Plaintiff, Andrew Hall is an art collector. He collects

both post-war and contemporary art. Over a two-year period

beginning in 2009, he purchased twenty-four works of art from

the defendants, Lorettann Gascard and her son, Nikolas Gascard.

Hall says he purchased some of those pieces directly from the

Gascards, while others were purchased indirectly through auction

houses to which the Gascards had consigned the works. And, says

Hall, the Gascards affirmatively represented that each of the

twenty-four works he purchased were original pieces produced by

the American artist Leon Golub. In early 2015, however, Hall

discovered that those twenty-four works are forgeries.

In this action, Hall advances six common law and statutory

claims against the Gascards. The Gascards move the court to dismiss each of those claims, asserting that none states a

viable cause of action. See generally Fed. R. Civ. P. 12(b)(6).

For the reasons discussed, that motion is granted in part and

denied in part.

Standard of Review

When ruling on a motion to dismiss under Fed. R. Civ. P.

12(b)(6), the court must “accept as true all well-pleaded facts

set out in the complaint and indulge all reasonable inferences

in favor of the pleader.” SEC v. Tambone, 597 F.3d 436, 441

(1st Cir. 2010). Although the complaint need only contain “a

short and plain statement of the claim showing that the pleader

is entitled to relief,” Fed. R. Civ. P. 8(a)(2), it must allege

each of the essential elements of a viable cause of action and

“contain sufficient factual matter, accepted as true, to state a

claim to relief that is plausible on its face,” Ashcroft v.

Iqbal, 556 U.S. 662, 678 (2009) (citation and internal

punctuation omitted).

In other words, “a plaintiff’s obligation to provide the

‘grounds’ of his ‘entitlement to relief’ requires more than

labels and conclusions, and a formulaic recitation of the

elements of a cause of action will not do.” Bell Atl. Corp. v.

Twombly, 550 U.S. 544, 555 (2007). Instead, the facts alleged

2 in the complaint must, if credited as true, be sufficient to

“nudge[] [plaintiff’s] claims across the line from conceivable

to plausible.” Id. at 570. If, however, the “factual

allegations in the complaint are too meager, vague, or

conclusory to remove the possibility of relief from the realm of

mere conjecture, the complaint is open to dismissal.” Tambone,

597 F.3d at 442.

As to his fraud claim, Hall must meet the heightened

pleading standard imposed by Federal Rule 9(b), which provides

that when alleging fraud, “a party must state with particularity

the circumstances constituting fraud.” Fed. R. Civ. P. 9(b).

That means the complaint must, at a minimum, allege “the

identity of the person who made the fraudulent statement, the

time, place, and content of the misrepresentation, the resulting

injury, and the method by which the misrepresentation was

communicated.” Clearview Software Int'l Inc. v. Ware, 2009 WL

2151017, at *1, n. 3 (D.N.H. July 15, 2009) (quotation omitted).

See also Rodi v. S. New England Sch. of Law, 389 F.3d 5, 15 (1st

Cir. 2004) (“This heightened pleading standard is satisfied by

an averment of the who, what, where, and when of the allegedly

false or fraudulent representation.”) (citation and internal

3 Background

Accepting the allegations of Hall’s complaint as true - as

the court must at this juncture - the relevant factual

background is as follows. Beginning in approximately 1998 and

until quite recently, Lorettann Gascard was a professor of art

history and fine arts at Franklin Pierce University, where she

also served as the university’s art historian and the director

of its art gallery (the Thoreau Art Gallery at Franklin Pierce

University). She is “also an artist in her own right.”

Complaint (document no. 1-4) at para. 3. See also Gascard v.

Franklin Pierce Univ., 2015 WL 1097485 at *1, 2015 DNH 49, at 3

(D.N.H. March 11, 2015). Nikolas Gascard is her adult son.

Leon Golub was an American artist who died in 2004.

According to the complaint, “Golub’s work has been featured in

numerous solo exhibitions throughout the United States and

abroad,” Complaint at para. 7, and his work “has long been

represented in many of the world’s most important art museums

and public art collections, among them, the Metropolitan Museum

of Art, the Art Institute of Chicago, the Israel Museum, the

Boston Museum of Fine Arts, the Carnegie Museum of Art, the

Corcoran Gallery of Art, the Fogg Museum at Harvard University,

the Tate Modern, and the Whitney Museum of American Art.” Id.

at para. 8. Hall says that in 2003, shortly before Golub died,

4 he began acquiring Golub’s works from a variety of sources. By

2009, he had acquired approximately forty paintings and drawings

by the artist. And, from September of 2009 through

approximately November of 2011, Hall says he acquired an

additional twenty-four works of art either directly or

indirectly through the Gascards, all of which were represented

to have been original works produced by Golub. Specifically,

Hall alleges the following:

On September 23, 2009, he purchased a painting called “Untitled” from Christie’s New York Auction House for $47,000, which he says was consigned by one or both of the Gascards, who represented it was an original work by Golub which they had acquired directly from the artist.

In March of 2010, Hall acquired three more works from Christie’s New York for $75,000, each of which he says was consigned by one or both of the Gascards, who represented to Christie’s that they were original pieces by Golub.

In September of 2010, Hall acquired another work purportedly painted by Golub, this time from Sotheby’s and at a cost of $31,250. Again, he says the work was consigned by one or both of the Gascards, who represented that it was an original work by Golub.

In March of 2011, Hall acquired two more works from Christie’s, at a cost of $53,750. He claims those works were consigned by one or both of the Gascards, who represented that they were original works by Golub.

Around the same time, Hall says he was in direct contact with the Gascards after learning that they had listed another ostensible Golub work on an online auction house. In that transaction, Hall acquired

5 another work he says the Gascards represented was an original Golub, at a cost of $28,750.

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