American Federation of Television & Radio Artists v. Benton & Bowles, Inc.

627 F. Supp. 682
CourtDistrict Court, S.D. New York
DecidedFebruary 3, 1986
Docket85 Civ. 1067 (GLG)
StatusPublished
Cited by2 cases

This text of 627 F. Supp. 682 (American Federation of Television & Radio Artists v. Benton & Bowles, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
American Federation of Television & Radio Artists v. Benton & Bowles, Inc., 627 F. Supp. 682 (S.D.N.Y. 1986).

Opinion

GOETTEL, District Judge.

The plaintiff, American Federation of Television and Radio Artists, AFL-CIO (“AFTRA”), brought this action to vacate and modify a portion of an arbitration award. AFTRA now moves for summary judgment pursuant to Fed.R.Civ.P. 56. The defendant, Benton & Bowles, Inc. (“B & B”), cross-moves for summary judgment confirming the award.

I. Background

The facts on this motion are essentially undisputed. The action is, therefore, ripe for summary judgment.

AFTRA is a labor union representing, among others, television performers throughout the United States. Defendant B & B, as part of its business, produces television programs. Both AFTRA and B & B were, at all pertinent times, parties to a collective bargaining agreement known as the 1979-82 AFTRA National Code of Fair Practice for Network Television Broadcasting (the “TV Code”). The TV Code governs the terms and conditions of employment of performers on programs originally produced for network television. 1

A. The TV Code

The TV Code sets a pay-scale for compensating performers when programs in which they appeared are subsequently rebroadcast. The compensation varies depending on the nature of the rebroadcast. The TV Code provides for “re-play” fees in the event a program is rebroadcast over “free” television, as opposed to cable or pay television. An addenda to the Code specifies substantially smaller fees payable when a program is released for exhibition on pay cable, on basic cable, in flight, or on video cassette.

The TV Code also restricts a producer’s right to “edit” a previously broadcast pro *684 gram without first obtaining AFTRA’s consent on mutually agreeable terms and conditions. Specifically, subparagraph 73(d) of the TV Code provides, in pertinent part, that “no excerpt, part, portion, segment or version of any program or edited variation thereof or combination of program material, may be used in any manner or for any purpose unless AFTRA consents thereto upon terms and conditions as mutually agreed upon.” Jaffe Affidavit, Exhibit A 1173(d). However, a producer has the right to “replay an edited-down program, where editing is required by program time exigencies.” Id. Disputes between a producer and AFTRA are arbitrable under a very broad arbitration clause in the TV Code. 2

B. The Dispute

In 1981 and 1982, B & B produced “Texas,” a soap opera. During those years, “Texas” was exhibited over the facilities of the National Broadcasting Company (“NBC”) television network. “Texas” was seen over “free” television. Each episode of “Texas” as originally produced and exhibited was sixty minutes in length. NBC cancelled “Texas” in December 1982.

B & B thereafter entered into an agreement with WTBS Superstation, Inc. (“Su-perstation”) to provide “Texas” to Supers-tation for exhibition as two thirty-minute episodes on consecutive days each week. B & B did not obtain AFTRA’s consent to provide “Texas” to Superstation in two thirty-minute versions as opposed to one sixty-minute program. Commencing on October 3, 1983, Superstation exhibited the original “Texas” episodes over the facilities of WTBS, a “free” television station in the Atlanta area, and, simultaneously, via satellite to cable television systems throughout the country. 3

As compensation for these rebroadcasts, B & B paid performers who appeared on the episodes of each program the fees payable under the TV Code when a network television program is rebroadcast over basic cable. AFTRA objected to this, contending that “Texas” performers were entitled to both the basic cable fee and to the far greater payment for rebroadcasts over free television. A dispute having arisen between AFTRA and B & B concerning the fees paid by B & B to the performers who appeared on “Texas” and with respect to B & B’s right to edit “Texas” into two thirty-minute programs, AFTRA served and filed an arbitration demand, pursuant to the arbitration provisions of the TV Code.

On November 26, 1984, following nine separate days of hearing memorialized in over 1100 pages of trial transcript and 90 exhibits, the arbitration panel rendered its opinion and award. Bertram T. Kupsinel, the neutral arbitrator and chairman of the arbitration panel wrote the opinion. The B & B-designated arbitrator concurred. 4 The AFTRA-designated arbitrator dissented.

C. The Arbitration Opinion and Award

Bertram Kupsinel’s opinion concludes that B & B violated the TV Code by exhibiting the one-hour program as two one-half hour programs without obtaining AFTRA’s consent. According to the opinion, this editing was not required by “program time exigencies.” With respect to the fee dispute, the panel found that the TV Code did *685 not address the question of what fees were due when a program is simultaneously shown on both free TV and basic cable. Nor had the parties ever agreed on this question.

The arbitration panel specifically rejected the remedies requested by each party. These included AFTRA’s suggestion that it award both a replay fee and a cable fee, B & B’s invitation to deem sufficient the basic cable fee that it had already paid, and AFTRA’s suggestion that it award double the cable fee, in addition to any other fee award, to compensate for the improper editing.

The panel recognized that the parties had previously tried and failed to settle their dispute. It therefore refused to direct the parties to negotiate, since such a direction would have served no purpose. Instead, it ordered that

Benton & Bowles, Inc. shall forthwith pay to each performer an additional sum of money equal to the amount already paid to each performer in “Texas” to date for rebroadcasts on WTBS.
Should any further rebroadcasts of the program “Texas” take place in the same one-half hour format, then each performer shall be paid double the amount each had been paid for rebroadcasts on WTBS prior to the date of this award.

Jaffe Affidavit, Exhibit B.

D. The Current Action

Both parties agree that their dispute was arbitrable. But, according to the plaintiff, the arbitrators exceeded the scope of their contractual authority as proscribed by sub-paragraph 95(g) of the TV Code which states, “Nothing herein contained shall be deemed to give the arbitrators the authority, power or right to alter, amend, change, modify, add to or subtract from any of the provisions of this Code.” Jaffe Affidavit, Exhibit A 1195(g)e. AFTRA maintains that a literal reading of the TV Code requires payment of both a replay fee and a cable fee, and that the arbitrators had no right to depart from the express provisions of the TV Code in this regard.

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Bluebook (online)
627 F. Supp. 682, Counsel Stack Legal Research, https://law.counselstack.com/opinion/american-federation-of-television-radio-artists-v-benton-bowles-inc-nysd-1986.