Altoona Publix Theatres, Inc. v. American Tri-Ergon Corp.

72 F.2d 53
CourtCourt of Appeals for the Third Circuit
DecidedAugust 6, 1934
Docket5392, 5393
StatusPublished
Cited by12 cases

This text of 72 F.2d 53 (Altoona Publix Theatres, Inc. v. American Tri-Ergon Corp.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Third Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Altoona Publix Theatres, Inc. v. American Tri-Ergon Corp., 72 F.2d 53 (3d Cir. 1934).

Opinion

BUFFINGTON, Circuit Judge.

These are appeals from two decrees of the District Court holding claims 5, 7, 9-, 13, 17, 18, and 19, of United States Patent No. 1,713,726, valid and infringed.

The main contest below and here is on the validity of the claims in suit. If they are valid, infringement, while not admitted, is rather feebly pressed. The patent, including the claims in issue, is presumptively valid, both as to novelty and utility. Lehnbeuter v. Holthaus, 105 U. S. 94, 26 L. Ed. 939; Johnson Automobile Lock Co. v. Noser Instant Auto Lock Co. (C. C. A.) 9 F.(2d) 265, 267; Galvin Electric Mfg. Co. v. Emerson Electric Mfg. Co. (C. C. A.) 19 F.(2d) 885. This follows from the grant of the patent by the Commissioner of Patents and the finding of order vacated and writ of certiorari granted 55 S. Ct. *54 the District Judge. Apparently extrinsic evidence was necessary to explain the terms and state of- the art, and after hearing in open court that evidence, much of which was conflicting and directly contradictory, the trial judge, upon extensive findings of fact and conclusions of law, held the claims in issue to be valid and infringed. We could affirm the decree upon his able and comprehensive opinion. Where facts have been found by a proper party or tribunal, a decree based thereon will not be reversed by an appellate court unless it is obvious that a plain mistake has been made: Tilghman v. Proctor, 125 U. S. 136, 149, 8 S. Ct. 894, 31 L. Ed. 664; Crawford v. Neal, 144 U. S. 585, 12 S. Ct. 759, 36 L. Ed. 552; Furrer v. Ferris, 145 U. S. 132, 12 S. Ct. 821, 36 L. Ed. 649 ; Davis v. Schwartz, 155 U. S. 631, 636, 15 S. Ct. 237, 39 L. Ed 289; Hutchins v. Munn, 209 U. S. 246, 250, 28 S. Ct. 504, 52 L. Ed. 776. No such mistake appears here. However, we have decided to state our own conclusions upon the faets and the law.

The patent deals with recording photographic sound on film and the reproduction therefrom for use in talking moving pictures as distinguished from recording and reproducing sound on disk which had long been used on phonographs. The patent contains both apparatus and method claims. Of the claims in issue, claims 5>, 7,13, and 17 are for an apparatus, and claims 9', 18, and 19 are for a method.

The art of photographic sound recording involves the translation of light upon a photographic film. Reproduction therefrom involves translation of the sound record on such a film into aecoustically modulated electric currents through the medium of light. The patentees do not claim tó be the first to have conceived this idea. However that may be, the practical problem was how to utilize it in overcoming distortion in reproducing sound in talking moving pictures.

Ruhmer, the German scientist, had the idea and tried to solve the problem of using it in the production of talking moving pictures, but without success, and his abandoned experiments are recognized as only a crude beginning of what the patentees after years of patient research accomplished. Edison also had the idea, but his efforts, culminating in the use of a cylinder phonogram, synchronized with a picture machine, failed to produce any results that had any effect upon the art. Others tried and failed. The patentees working together for years on this problem finally solved it and gave to the world a machine and method which revolutionized the moving picture art and drove “sound on disk sound pictures from the market.”

The inventors had tó overcome many difficulties before they successfully produced and translated sound on film sound pictures. One of the difficulties was to overcome what is-called “distortion” of sound. Records on picture film contain many hundreds per inch of precisely placed photographic fine lines varying in frequency and transparency according to complex sound vibrations. In order to record sound without distortion, the spacing and transparency of these lines must vary precisely in accordance with the aecoustically modulated light which is being photographed. In the reproducing machine, these fine photographic lines must be rapidly moved without disturbance of their frequency relationship through a focused beam of light at the point of sound translation, the light being varied according to the sound record. This aecoustically modulated light shines on what is known as the photo-electric cell which converts the light variations into modulated electric currents which vary in proportion to the light variations. These light variations in turn vary according to the spacing and degree of the transparency of the photographed lines.

Light acts without inertia or friction and so does not distort the most complex and rapid sound vibrations. Attempts to use a beam of light for sound reproductions were futile before this invention, because of the presence of many disturbing factors such as-irregular, intermittent, and vibratory movement of the film at the translation point caused mainly by take-up reels, driving gear, imperfect meshing of the sprocket with the perforations in the film and the varying friction and irregular deflections of the film in the “straight light gate.” These had never been segregated and diagnosed and then collectively remedied, until the patentees did it.

They discovered that this photo-electric cell acts without inertia in co-operation with the light beam, and that the rapidly moving, flimsy, curling film must be uniform in, its movements and so controlled that the position and motion of each fine line at the beam of light must be accurate within the thousandth of an inch per small fraction of a second. Unless this is so, the synchronism between the sound and movements, in talking moving pictures, is destroyed and the reproduction a failure.

In the place of the “straight light gate,” they eliminated the troublesome transverse curling and irregular buckling of the film at *55 the sprocket perforations by areuately bending the film longitudinally. This gave firmness to the film at the focal point oí: the optical system, permitted it to be free from physical supports which accumulated dust and scratched and*displaced the film. They thus prevented vibrations.

The well-known function of a flj wheel .is to give uniformity of motion by absorbing energy when speed is increased and by releasing it when speed is decreased, but this knowledge was not enough to solve the problem of preventing sound distortion in recording sound on film and in, reproducing the same for which uniformity of motion is absolutely necessary. The patentees utilized this knowledge of the function of a flywheel which they made an element o f their new combination in order to secure the necessary uniform motion of Ihe flimsy film as it passed over Ihe sound head.

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