Allen Organ Co. v. Galanti Organ Builders Inc.

798 F. Supp. 1162, 25 U.S.P.Q. 2d (BNA) 1510, 1992 U.S. Dist. LEXIS 11146, 1992 WL 182900
CourtDistrict Court, E.D. Pennsylvania
DecidedJuly 28, 1992
DocketCiv. A. 89-7636
StatusPublished
Cited by8 cases

This text of 798 F. Supp. 1162 (Allen Organ Co. v. Galanti Organ Builders Inc.) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Allen Organ Co. v. Galanti Organ Builders Inc., 798 F. Supp. 1162, 25 U.S.P.Q. 2d (BNA) 1510, 1992 U.S. Dist. LEXIS 11146, 1992 WL 182900 (E.D. Pa. 1992).

Opinion

MEMORANDUM

BARTLE, District Judge.

Plaintiff Allen Organ Company (“Allen”) instituted this non-jury action against Defendants General Electro Music Corporation (“GEM USA”), GEM Industry S.p.A. (“GEM Italy”), and Galanti Organ Builders, Inc. (“GOBI”), seeking injunctive and compensatory relief for false advertising pursuant to section 43(a) of the Lanham Act, 15 U.S.C. § 1125(a). Allen also sought relief based on common law claims of unfair competition, defamation and disparagement. 1 At the time of trial the only remaining defendants were GEM Italy and GEM USA. The following are this Court’s findings of facts and conclusions of law pursuant to Rule 52(a) of the Federal Rules of Civil Procedure.

This Court has subject matter jurisdiction over this action under 15 U.S.C. § 1121 and § 1125 as well as 28 U.S.C. § 1338(b) and § 1331.

Allen is a leading manufacturer and seller of electronic church organs in the United States. GEM USA, an Illinois corporation, is a wholesale distributor of electronic organs. GEM Italy, an Italian company located in Mondaino, Italy, manufactured the electronic organs which GEM USA distributed.

The pipe organ is considered the ultimate in organ sound. However, due to price, many churches and congregations cannot afford one. Allen and other manufacturers of electronic organs produce a less expensive product but strive to reproduce tonal sounds of the classic pipe organs through the use of technology. 2 In 1971, Allen introduced an electronic church organ utilizing digital tone generation, its “digital computer organ.” Allen’s electronic organs apply digital technology to the tonal *1164 production of the organs. In digital tone generation, the sound of one or more of the pipes of a pipe organ is tape recorded. The sound is then converted into digital numbers. The information is fed in the form of binary numbers into the computer memory. When a key of the electronic organ is pressed, the information is retrieved and the sound is emitted. The digital tone generation enables more accurate tonal reproduction of pipe organ sounds than the systems previously used.

GEM Italy likewise manufactured electronic church organs utilizing digital tone generation. It began marketing them, under the name of GEM Organs, in the United States through GEM USA beginning in 1986. After about a year, GEM Italy recruited James Walls, formerly the president of Rodgers Organ Company, to head a separate United States company to market the church organs that GEM Italy had been distributing and marketing through GEM USA. The entity formed was Galanti Organ Builders, Inc. (“GOBI”), incorporated in April 1987. James Walls is GOBI’S president and CEO.

In 1987, GOBI began marketing church organs with a “Galanti” nameplate. When GEM USA/GEM Italy first introduced their church organs with digital tone generation in the United States, they made an attempt to differentiate their organs from Allen’s on the basis of price. However, for the newly named Galanti models, James Walls altered the marketing, advertising and promotional approach used previously for the GEM models. It is the materials Walls produced and disseminated beginning in 1987 which gave rise to this lawsuit.

The sound in electronic church organs is produced by a process known as “sampling.” Allen contends that GOBI falsely described the extent to which the sampling technology was used in producing the Ga-lanti organ sounds.

In sampling, notes are recorded from the ranks and stops of a pipe organ whose sound the manufacturer seeks to emulate, to the extent possible, in an electronic organ. A rank is a row of pipes belonging to one stop on the organ. A stop is a tuned set of organ pipes or reeds of the same specific type and tone quality. 3 The notes of a pipe organ are recorded during the three “stages” of sound: the “attack,” when the particular note is first activated; the “sustain,” the sound as the note is maintained; and the “decay” or “release,” the sound of the organ as the key is released. Samples of the sound, that is, various points along the time interval for which the sound is heard, are used. While many samples of individual notes are recorded, not all the recordings and not even recordings of every note are employed. Through a digital tone generation process, the samples of a few notes provide the basis for the reproduction of the full sound interval of all the notes in the electronic organ.

According to Allen, GOBI, in its brochures and other literature, falsely claimed it recorded samples of every note of every rank from a classic pipe organ and included samples of every note of every rank in the computer memory of its electronic organs. Thus, if there were 61 keys on a manual and there were 25 stops on an organ, the manufacturer would be recording each pipe in the rank of pipes for each stop. If 25 stops were selected by the manufacturer, the note-by-note claim suggests that 1,525 notes were recorded for any one manual, that is 61 keys multiplied by 25 stops, and that the 1,525 recorded notes were incorporated into the electronic organ.

GOBI disseminated information about the Galanti organ through mailers, training materials and brochures sent to dealers and through advertisements. The allegedly false and misleading representations about the sound production methods of the Galanti organ began appearing in 1987. The representations included the following:

(1) [On the Galanti organ,] “Europe’s best pipe ranks are recorded note-by-note, with this information stored on a chip, then played back digitally” (Trial Exhibit 1180);
*1165 (2) [Galanti organs] “feature the actual note-by-note recording of Europe’s most notable pipe organs, with this information stored on a chip, then played back digitally to deliver real pipe sound” (Trial Exhibit 1181) (emphasis in original);
(3) [Galanti organ features] actual note-by-note recording of Europe’s best pipe specimens, stored on a chip, then played back digitally to deliver perfect pipe sound. No digital synthesis or analogy tone generating circuitry is employed (Trial Exhibit 1183) (emphasis in original);
(4) [Galanti organ sound is] accomplished by actual note-by-note recording and digital play-back of Europe’s best pipe ranks stored on a chip (Trial Exhibit 1186);
(5) “Sampled Wave Processing allows us to derive from selected recordings the information necessary to faithfully reproduce the sounds of each pipe organ stop, store that information in memory, and play it back digitally” (Trial Exhibit 1206) (emphasis in the original).

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798 F. Supp. 1162, 25 U.S.P.Q. 2d (BNA) 1510, 1992 U.S. Dist. LEXIS 11146, 1992 WL 182900, Counsel Stack Legal Research, https://law.counselstack.com/opinion/allen-organ-co-v-galanti-organ-builders-inc-paed-1992.