Aghdashloo v. Parvaresh Mohseni

CourtDistrict Court, S.D. Ohio
DecidedSeptember 30, 2022
Docket2:21-cv-03618
StatusUnknown

This text of Aghdashloo v. Parvaresh Mohseni (Aghdashloo v. Parvaresh Mohseni) is published on Counsel Stack Legal Research, covering District Court, S.D. Ohio primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Aghdashloo v. Parvaresh Mohseni, (S.D. Ohio 2022).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE SOURTHERN DISTRICT OF OHIO EASTERN DIVISION

AYDIN AGHDASHLOO, an individual : : Plaintiff, : Case No. 2:21-cv-03618 : v. : Chief Judge Algenon L. Marbley : MOHSEN PARVARESH MOHSENI : aka AFSHIN PARVARESH, an individual : : Defendant : OPINION & ORDER The matter is before this Court on Plaintiff Aydin Aghdashloo’s Motion for Default Judgment. (ECF No. 6). For the reasons that follow, Plaintiff’s Motion for DEFAULT JUDGMENT is DENIED against Defendant Mohsen Parvaresh Mohseni and this matter is DISMISSED without prejudice for want of subject-matter jurisdiction. I. BACKGROUND A. Alleged Defamatory Actions Per the Complaint, Aghdashloo is an internationally recognized, Iranian-Canadian artist of modern art. (ECF No. 1 at ¶¶ 1-3). Aghdashloo’s art is most widely known for reflecting loss, destruction of beauty, destruction of enlightenment, and for recreating classical works of art in a modern context. (ECF No. 6 at 2). Aghdashloo was involved in opening art museums in Iran, and following the 1979 Iranian Revolution, established a private art academy to provide continued access to the contemporary arts banned from “Islamicized” curriculums. (ECF No. 6 at 2). According to the Complaint, Aghdashloo’s international and independent political views have made him a target of conservative, hardline factions within Iran that have a history of waging character assassinations on those considered opposed to the Iranian regime. (ECF No. 1 at ¶ 3). Parvaresh is a blogger and investigative journalist focused on the Iranian arts. (ECF No. 6 at 3). Per the Motion for Default Judgment, Parvaresh’s writings have appeared in Iranian, government-owned news agencies and typically criticize independent artists, such as Aghdashloo, of unethical and criminal conduct. (Id.). Aghdashloo alleges that Parvaresh makes his living by launching defamation campaigns against independent artists, which suggests that he

is a “puppet reporter” paid by corrupt interests in the Iranian regime and art world. (ECF No. 1 at ¶¶ 6-7). Since September 5, 2020, Parvaresh has published the following statements about Aghdashloo in Persian on Parvaresh’s social media accounts, which Aghdashloo alleges are defamatory:  That Aghdashloo assaulted and raped numerous women, and then threatened them to ensure they remained silent;  That Aghdashloo is a pedophile, who has had sexual relations with and raped underage students, and then threatened them to ensure they remained silent;

 That Aghdashloo raped his daughter;  That Aghdashloo runs a sex trafficking operation with well-known Iranian art galleries;  That Aghdashloo forged artwork by other artists, stole artwork from museums he has operated, and smuggled ancient, Iranian artifacts out of Iran;  That Aghdashloo arranged sham auction sales to increase the value of his artwork and engaged in other corrupt and criminal conduct;  That Aghdashloo lied about his familial heritage; and

 That Aghdashloo has collaborated with Iranian intelligence services. (ECF No. 1 at ¶ 45). Aghdashloo alleges that these statements are false and greatly disparage and damage his reputation. (Id. at ¶¶ 46-59). Further, Aghdashloo claims that Parvaresh knew these statements were false when he published them because he had no credible information to support the statements. (Id. at ¶ 58). Aghdashloo believes that these statements were part of a premeditated attack by Parvaresh. (ECF No. 6-3 at ¶ 6). Aghdashloo alleges that Parvaresh is financially

motivated to publish these statements on behalf of conservative, hardline factions within the Iranian regime and art world, and personally motivated to increase his online readership. (ECF No. 1 at ¶ 58). Aghdashloo’s Declaration alleges that because of the dissemination of these falsehoods to Parvaresh’s thousands of followers, Aghdashloo has been continuously harassed, his life and the lives of his family members have been threatened, and he was confined to his home for several months due to embarrassment. (ECF No. 6-3 at ¶¶ 9-20). Further, Parvaresh published the contact information of Aghdashloo’s son and son-in-law, threatening the safety of his family. (Id. at ¶ 14). Aghdashloo feels extreme anxiety and pain because of this harassment and has contemplated killing himself “to relieve [his] family of having to endure this continuing

horror.” (Id. at ¶ 19). Finally, Aghdashloo alleges that he has lost several professional opportunities following Parvaresh’s actions, including invitations to lecture and publicly display his art. (Id. at ¶ 22). B. Procedural History Aghdashloo filed a Complaint against Parvaresh on June 15, 2021, alleging defamation and seeking general, special, and punitive damages. (ECF No. 1 at 13). Aghdashloo also requested a permanent injunction requiring Parvaresh to remove and delete the allegedly defamatory statements made about Aghdashloo from Parvaresh’s social media accounts. (Id.). Aghdashloo invoked this court’s subject-matter jurisdiction over the action pursuant to 28 U.S.C. § 1332(a). (ECF No. 1 at ¶ 16). The Complaint alleged that Aghdashloo is a Canadian citizen and resident of Toronto and that, “on information and belief”, Parvaresh is a United States citizen. (Id.). Parvaresh was personally served with Summons and Complaint on July 8, 2021, in Pittsburgh, Pennsylvania. (ECF No. 3). Parvaresh’s answer to the Complaint was due on July 29,

2021, but Parvaresh did not respond to the Complaint by answer, motion, or otherwise. On August 6, 2021, Aghdashloo applied to the Clerk of this Court for Entry of Default against Parvaresh. (ECF No. 4). On August 18, 2021, the Clerk entered default against Parvaresh in accordance with Rule 55(a) of the Federal Rules of Civil Procedure. (ECF No. 5). C. Motion for Default Judgment On September 16, 2021, Aghdashloo submitted a Motion for Default Judgment against Parvaresh. (ECF No. 6). Aghdashloo requested the following relief: (1) a judgment finding that Parvaresh defamed Aghdashloo in violation of Ohio law; (2) $750,000 in damages to repair Aghdashloo’s reputation through a corrective advertising campaign and to compensate for the

humiliation and pain caused by Parvaresh; (3) and a permanent injunction requiring Parvaresh to delete the defamatory statements made about Aghdashloo from Parvaresh’s social media accounts. (Id. at 2). Aghdashloo filed the Declaration of Craig Kronenberger in support of the damages sought. (ECF No. 6-2). Parvaresh did not respond. On October 14, 2021, Aghdashloo filed a Reply Brief and Supplemental Evidence in Support of the Motion for Default Judgment, alleging that Parvaresh resumed publishing false statements about Aghdashloo on Parvaresh’s social media accounts after filing and service of the Motion for Default Judgment. (ECF No. 7 at 1-3). In addition to the relief sought in the Motion for Default Judgment, Aghdashloo requested that this Court expand the permanent injunction to include: (1) the allegedly defamatory statements Parvaresh made on his social media accounts following service of the Motion for Default Judgment; and (2) to enjoin Parvaresh from publishing any new defamatory statements about Aghdashloo on Parvaresh’s social media accounts. (Id. at 2). Parvaresh did not respond to either motion. Accordingly, the matter is ripe for adjudication.

II. DEFAULT JUDGMENT Federal Rule of Civil Procedure 55 governs defaults and default judgments. The first step is entry of default.

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Aghdashloo v. Parvaresh Mohseni, Counsel Stack Legal Research, https://law.counselstack.com/opinion/aghdashloo-v-parvaresh-mohseni-ohsd-2022.