ABKCO Music & Records, Inc. v. Coda Publising, Ltd.

District Court, S.D. New York·Decided September 28, 2022·No. 1:19-cv-11892·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ABKCO MUSIC & RECORDS, INC.; ABKCO MUSIC, INC.; UMG RECORDINGS, INC.; UNIVERSAL-SONGS OF POLYGRAM INTERNATIONAL, INC.; POLYGRAM PUBLISHING, INC.; SONGS OF UNIVERSAL, INC.; UNIVERSAL MUSIC CORP.; and CAPITOL RECORDS, LLC, 19 Civ. 11892 (KPF) Plaintiffs, OPINION AND ORDER -v.- CODA PUBLISHING, LTD., ROBERT KIRK CARRUTHERS, CLARE ANNE GAMBOLD, GWILYM MICHAEL DAVIES, and VISION FILMS, INC., Defendants. KATHERINE POLK FAILLA, District Judge: This copyright infringement case arises out of the commercial distribution of several documentary films involving some of the biggest acts in modern music, including The Rolling Stones, Nirvana, U2, the Red Hot Chili Peppers, and Elton John. The instant dispute, however, implicates something far more prosaic: litigants’ obligations to make timely discovery disclosures. After the parties briefed cross-motions for summary judgment and motions to preclude expert testimony, Defendants Coda Publishing, Ltd., Robert Kirk Carruthers, Clare Anne Gambold, Gwilym Michael Davies, and Vision Films, Inc. moved for discovery sanctions pursuant to Federal Rule of Civil Procedure 37 against Plaintiffs ABKCO Music & Records, Inc.; ABKCO Music, Inc.; UMG Recordings, Inc.; Universal-Songs of Polygram International, Inc.; Polygram Publishing, Inc.; Songs of Universal, Inc.; Universal Music Corp.; and Capitol Records, LLC. Defendants contend that Plaintiffs failed to timely produce records demonstrating their ownership of certain of the

intellectual property at issue in the case, and that Plaintiffs’ breach of their discovery obligations warrants the dismissal of the case or, at minimum, the preclusion of the untimely ownership records. Plaintiffs do not dispute that they violated their discovery obligations or that sanctions are appropriate, but argue that their violation was unintentional and that any sanctions should be limited to the reopening of fact discovery and the scheduling of supplemental summary judgment briefing. For the reasons that follow, the Court grants in part Defendants’ motion

for discovery sanctions. The Court will not dismiss the case or preclude the ownership records, but will reopen fact discovery and allow Defendants to file a supplemental brief in support of their motion for summary judgment. The Court will also order Plaintiffs to pay the reasonable expenses Defendants incurred in litigating their motion for discovery sanctions and in remedying Plaintiffs’ discovery violation. Lastly, the Court will defer decision on the parties’ pending cross-motions for summary judgment and motions to preclude expert testimony until after Defendants have been given an opportunity to file

supplemental briefing. BACKGROUND1 Plaintiffs comprise several music recording and distribution companies that have “entire portions of their business[es] devoted to the licensing of their intellectual property[.]” (Pl. 56.1 ¶ 17). Defendants create and distribute

documentary films depicting famous recording artists and rock bands throughout the world, including in New York. (Id. at ¶¶ 23-29). In this case, Plaintiffs allege that Defendants violated their intellectual property rights by producing several documentary films that included recordings of performances by musical acts such as Lynyrd Skynyrd, The Rolling Stones, ABBA, U2, Nirvana, Elton John, and the Red Hot Chili Peppers. (Pl. 56.1 ¶¶ 19-20). Plaintiffs assert that they own the copyrights in these musical compositions and video recordings of the performances, and allege that

Defendants did not have permission to exploit them. (Id. at ¶¶ 20-21, 56-57). Plaintiffs’ ownership rights have been a hotly contested issue in this litigation since Plaintiffs filed the initial Complaint in December 2019. (See Dkt. #1).2 On January 31, 2020, Defendants filed a letter motion requesting

1 The facts set forth in this Opinion are drawn primarily from the parties’ statements of undisputed material facts submitted pursuant to Local Civil Rule 56.1. The Court cites to these statements using the convention “Pl. 56.1” (Dkt. #133) and “Def. 56.1” (Dkt. #123). Citations to a party’s Rule 56.1 Statement incorporate by reference the documents cited therein. The Court also draws facts related to the parties’ exchange of discovery from their memoranda of law submitted in connection with Defendants’ motion for discovery sanctions. For ease of reference, the Court refers to Defendants’ memorandum of law in support of their motion for discovery sanctions as “Def. Br.” (Dkt. #214); Plaintiffs’ memorandum of law in opposition to Defendants’ motion as “Pl. Opp.” (Dkt. #221); and Defendants’ reply memorandum of law as “Def. Reply” (Dkt. #222). The Court’s citations to the parties’ briefing include, as appropriate, any documents or materials that are referenced in the cited pages. 2 Plaintiffs filed an Amended Complaint, the operative pleading in this case, on March 5, 2021. (Dkt. #73). an order directing Plaintiffs to file a more definite statement pursuant to Rule 12(e) of the Federal Rules of Civil Procedure. (Dkt. #34). Defendants argued that the Complaint was “vague and ambiguous” as to issues that included, but

were not limited to, Plaintiffs’ ownership and registration of the copyrights at issue in the case. (Id. at 1). The Court ultimately denied Defendants’ motion (Dkt. #41), and issued a Civil Case Management Plan and Scheduling Order (the “CMP”) that set a fact discovery deadline of September 21, 2020 (Dkt. #51). During discovery, Defendants sought the agreements purporting to establish Plaintiffs’ ownership interests in the works at issue in the case. On June 12, 2020, Defendants requested several categories of documents from Plaintiffs, including “[a]ll documents or communications relating to [Plaintiffs’]

purported claim of ownership of exclusive rights in each of the” compositions and recordings described in the Complaint. (Def. Br. 3). That same day, Defendants also requested that Plaintiffs “[i]dentify the existence, location, custodian, and general description of any and all documents relevant to the claims asserted in the Complaint or to the underlying subject matter of this Action, including without limitation pertinent agreements[.]” (Id. at 4). In the several productions made between August and November 2020, Plaintiffs disclosed at least 718 documents relevant to their ownership claims. (Pl.

Opp. 6). The Court later extended the fact discovery deadline to December 21, 2020 (Dkt. #61), and the parties conducted depositions in late November (Def. Br. 4). As relevant here, Defendants deposed Jody Klein, Plaintiffs’ designated representative pursuant to Federal Rule of Civil Procedure 30(b)(6), on November 30, 2020. (Id.).3 Defendants briefly questioned Klein on the assignments that culminated in Plaintiffs holding the ownership interest in

certain Rolling Stones compositions. (Id.). In response to a question about whether there were documents evidencing these assignments, Klein testified that “there is a 60-year history of documents relating to the Jagger/Richards compositions [that is] well documented, and so I just don’t know as I sit here today what the document is that you are looking for.” (Id. at 5).4 At least one of the documents at issue here was the subject of some discussion in Spring 2021. In a letter sent to Plaintiffs’ counsel, for instance, Defendants’ former counsel referenced an “Exclusive Songwriters Agreement”

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ABKCO Music & Records, Inc. v. Coda Publising, Ltd., (S.D.N.Y. 2022).

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