2301 M Cinema LLC D/B/A West End Cinema v. Silver Cinemas Acquisition Co.

CourtDistrict Court, District of Columbia
DecidedSeptember 28, 2018
DocketCivil Action No. 2017-1990
StatusPublished

This text of 2301 M Cinema LLC D/B/A West End Cinema v. Silver Cinemas Acquisition Co. (2301 M Cinema LLC D/B/A West End Cinema v. Silver Cinemas Acquisition Co.) is published on Counsel Stack Legal Research, covering District Court, District of Columbia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
2301 M Cinema LLC D/B/A West End Cinema v. Silver Cinemas Acquisition Co., (D.D.C. 2018).

Opinion

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

) 2301 M CINEMA LLC, et al., ) ) Plaintiffs, ) ) v. ) Civil Action No. 17-1990 (EGS) ) SILVER CINEMAS ACQUISITON CO., ) et al., ) ) Defendants. ) )

MEMORANDUM OPINION

I. Introduction

To show a film, a movie theater must obtain a license from

the film’s distributor. The case before the Court involves the

competitive market between theaters for exclusive licenses to

show specialty films. Plaintiffs—2301 M Cinema d/b/a West End

Cinema (“West End Cinema”), the Avalon Theatre Project, Inc.

(“the Avalon”), the Denver Film Society, and the Cinema Detroit

(collectively, “plaintiffs”)—bring this action against Silver

Cinemas Acquisition Co. d/b/a Landmark Theatres and its parent

corporation 2929 Entertainment, LP (collectively, “Landmark”).

Plaintiffs allege that Landmark violated federal antitrust law

by using its national market power to coerce film distributors

into granting Landmark exclusive licenses, preventing plaintiffs

and other independent theaters from showing specialty films.

Plaintiffs’ four-count complaint charges Landmark with: (1)

1 circuit dealing in violation of Section 1 of the Sherman Act;

(2) using its monopoly power in violation of Section 2 of the

Sherman Act; (3) attempting to use its monopoly power in

violation of Section 2 of the Sherman Act; and (4) interfering

with plaintiffs’ business relations.

Pending before the Court is Landmark’s motion to dismiss

plaintiffs’ complaint. See Defs.’ Mot., ECF No. 16. After

careful consideration of the motion, the response, the reply

thereto, and the applicable law, Landmark’s motion to dismiss is

GRANTED IN PART and DENIED IN PART.

II. Background

Plaintiffs are four independent, community theaters that

primarily show specialty films. Compl., ECF No. 1 ¶¶ 14-17.

Specialty films include “independent films, art films, foreign

films, and documentaries.” Id. ¶ 24. Unlike mainstream

commercial films, specialty films are not intended to appeal to

a broad audience and are therefore released less widely than

commercial films. Id. The first plaintiff, West End Cinema,

operated in the District of Columbia from 2010 until 2015. Id. ¶

14. In 2015, West End Cinema was “forced” out of business,

allegedly by Landmark’s anticompetitive licensing practices. Id.

Landmark leased the West End Cinema’s space and has since opened

a Landmark theater in its place. Id. The Avalon is another

independent theater located in the District of Columbia. Id. ¶

2 15. The Denver Film Society is a nonprofit organization located

in Denver, Colorado that provides specialty film programming via

“year-round screening, film festivals, and other special

events.” Id. ¶ 16. It operates the Sie FilmCenter, a specialty

film theater. Id. Finally, Cinema Detroit is a non-profit

specialty film theater located in Detroit, Michigan. Id. ¶ 17.

Defendant Landmark is a Delaware corporation and subsidiary

of 2929 Entertainment, LP. Id. ¶ 18. It operates fifty-one

specialty film theaters in twenty-two geographic markets

nationwide. Id. It is “the largest specialty film movie theater

chain in the country” and is purportedly opening new theaters on

a regular basis. Id.

Both plaintiffs and Landmark are “exhibitors,” the industry

term for movie theaters. Id. ¶ 21. Exhibitors must negotiate

with film distributors for licenses to exhibit films at their

theaters. See id. ¶ 22. Distributors are the entities

responsible for marketing the film; they act as a “middleman”

between the production studio and the exhibitor. Id. ¶ 5.

Generally, a distributor’s income for each film is tied to the

revenue earned by the exhibitor during its run of the film. See

id. ¶¶ 75-76. License agreements between distributors and

exhibitors specify the terms under which the exhibitor may show

a particular film. See id. ¶¶ 21-22, 25. In some instances,

license agreements may include “clearances,” or an exclusive

3 right to show a film. Id. ¶ 25. In acquiescing to a clearance, a

distributor agrees not to license a film to any other exhibitor,

or to specific exhibitors, in the same geographic market. Id.

Clearances are generally negotiated either for the first few

weeks a film is shown, a “first-run” clearance, or for the

entire period a film is screened by an exhibitor, a “day and

date” clearance. See id. ¶¶ 21, 25, 28. Clearances must be

negotiated on a theater-by-theater, film-by-film basis.

Therefore, exhibitors may not engage in circuit-dealing, whereby

“a dominant movie theater chain,” known as a “circuit,” “uses

its market power to obtain preferential agreements, particularly

clearances, from distributors for the licensing of films . . .

in multiple geographic markets.” Id. ¶ 28 (citing United States

v. Paramount Pictures, 334 U.S. 131, 154-55 (1948)).

Plaintiffs allege that Landmark, as the “dominant theater

‘circuit’ for the exhibition of specialty films in the United

States,” leverages its market position to obtain clearance

agreements nationwide. Id. ¶¶ 29, 30. Rather than negotiating

clearances on an individual theater-by-theater, film-by-film

basis, plaintiffs assert that Landmark obtains “blanket

clearances” for more than one film or theater from distributors

that accede to Landmark’s demands for fear of retribution and

loss of Landmark’s business. Id. ¶ 29. Plaintiffs seek an

4 injunction, treble damages, costs and fees, and actual damages.

See id. ¶¶ 89-90, 97-98, 102-04, 112-13.

III. Standard of Review

A motion to dismiss pursuant to Federal Rule of Civil

Procedure 12(b)(6) tests the legal sufficiency of a complaint.

Browning v. Clinton, 292 F.3d 235, 242 (D.C. Cir. 2002). A

complaint must contain “a short and plain statement of the claim

showing that the pleader is entitled to relief, in order to give

the defendant fair notice of what the . . . claim is and the

grounds upon which it rests.” Bell Atl. Corp. v. Twombly, 550

U.S. 544, 555 (2007) (quotations and citations omitted).

Despite this liberal pleading standard, to survive a motion

to dismiss, a complaint “must contain sufficient factual matter,

accepted as true, to state a claim to relief that is plausible

on its face.” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009)

(quotations and citations omitted). A claim is facially

plausible when the facts pled in the complaint allow the court

to “draw the reasonable inference that the defendant is liable

for the misconduct alleged.” Id. The standard does not amount to

a “probability requirement,” but it does require more than a

“sheer possibility that a defendant has acted unlawfully.” Id.

“[W]hen ruling on a defendant’s motion to dismiss [pursuant

to Rule 12(b)(6)], a judge must accept as true all of the

factual allegations contained in the complaint.” Atherton v.

5 D.C.

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