Zervitz v. Hollywood Pictures

995 F. Supp. 596, 1996 U.S. Dist. LEXIS 21910, 1996 WL 938051
CourtDistrict Court, D. Maryland
DecidedNovember 26, 1996
DocketCivil Action WMN-94-1068
StatusPublished
Cited by2 cases

This text of 995 F. Supp. 596 (Zervitz v. Hollywood Pictures) is published on Counsel Stack Legal Research, covering District Court, D. Maryland primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Zervitz v. Hollywood Pictures, 995 F. Supp. 596, 1996 U.S. Dist. LEXIS 21910, 1996 WL 938051 (D. Md. 1996).

Opinion

MEMORANDUM

NICKERSON, District Judge.

A jury trial on the merits of this copyright infringement case having resulted in a Plaintiffs verdict, pending before the Court are the following post-trial motions filed by Defendants: 1) Motion for New Trial and/or Judgment Notwithstanding the Verdict, Paper No. 101; 2) Motion by Defendants Hollywood Pictures, Inc. and Buena Vista Distribution, Inc. for Judgment Notwithstanding the Verdict or, in the Alternative, Modification of the September 19, 1996 Judgment, Paper No. 103; and 3) Motion for New Trial or in the Alternative Remittitur as to the Award of Actual Damages, Paper No. 102. 1 Plaintiff opposed these motions and Defendants replied. Upon a review of the motions and the applicable ease law, the Court determines that no hearing is necessary (Local Rule 105.6), that Defendants’ first motion will be denied, and that Defendants’ second and *598 third motions will be granted in part and denied in part.

BACKGROUND

Plaintiff wrote a six page movie synopsis entitled “Recruiting” which he submitted to Barry Levinson, a movie producer. His synopsis was described by Levinson’s assistant as “interesting,” but she declined to purchase the synopsis in that form, suggesting thát Plaintiff get back to her if and when he had expanded the synopsis into a script. Subsequently a movie entitled “The Air Up There” was produced by Defendants, one of whom had been associated with Barry Levinson and had corresponded on another film idea with Plaintiff. A number of similarities between Plaintiffs “Recruiting” and the movie “The Air Up There” led Plaintiff to argue that Defendants had stolen his idea, thereby infringing his copyright. After an eight-day trial, Plaintiff received a jury verdict in the ■following amounts: $222,000 in actual damages (jointly and severally against all Defendants); $278,808.00 against Defendant Hollywood Pictures for profits; $278,808.00 against Defendant Buena Vista Pictures Distribution for profits; and $600,000.00 against Defendant Interscope Communications, Inc. for profits. Paper No. 97.

I. Defendants’ Motion for New Trial and/or Judgment Notwithstanding the Verdict

Defendants move for a new trial under Fed.R.Civ.P. 59 and renew their motion for judgment as a matter of law under Fed.R.Civ.P. 50(b). In considering a motion for a new trial under Rule 59, a court should set aside the verdict if the trial judge finds that it is against the clear weight of the evidence, is based on false evidence or will result in a miscarriage of justice. Poynter v. Ratcliff, 874 F.2d 219, 228 (4th Cir.1989). In ruling on a motion for judgment as a matter of law after the jury has returned a verdict, under Rule 50(b), the trial court must consider the record as a whole, viewing the evidence in the light most favorable to the non-moving party and giving that party the benefit of all reasonable inferences which arise from the evidence. Wilhelm v. Blue Bell, Inc., 773 F.2d 1429, 1432-33 (4th Cir.1985), cert. denied, 475 U.S. 1016, 106 S.Ct. 1199, 89 L.Ed.2d 313 (1986). The trial court may not weigh evidence or assess the credibility of witnesses. Id. The court must determine whether there is substantial evidence in the record to support the jury’s findings. Id.

Defendants argue that there was no jury instruction given which explained that there is no copyright infringement where the defendant shows that there was independent creation of the allegedly infringing property, and that the lack of such instruction may have caused confusion for the jury as to how to make use of Defendants’ evidence of independent creation. This evidence consisted primarily of the testimony and notes of Dr. Max Apple, the writer given credit for “The Air Up There,” which showed that his ideas for the movie allegedly predated the submission of Plaintiffs treatment.

Defendants did not object to the Court’s jury instruction on the definition of infringement at the time of trial, however. See Fed.R.Civ.P. 51 and City of Richmond v. Madison Mgmt. Group, Inc., 918 F.2d 438, 453-54 (4th Cir.1990) (purpose of Rule 51 is to prevent unnecessary new trials because of errors which might have been corrected if they had been brought to the judge’s attention at the proper time). Moreover, as aptly explained by Plaintiff in his opposition, the instruction given was consistent with Fourth Circuit law. See Paper No. 112 at 4-5. Therefore, Defendants’ motion for a new trial will be denied.

Alternatively, Defendants argue for judgment as a matter of law on the ground that there was sufficient evidence to find that there was independent creation so as to prevent a reasonable jury from finding for Plaintiff. Nevertheless, given the Plaintiffs challenges to the credibility of the dates in Dr. Apple’s notes and the jury’s apparent agreement with Plaintiffs argument, Defendants have failed to show that no reasonable jury could find for Plaintiff on the issue of independent creation.

Defendants further argue that there are striking differences between “Recruiting” and “The Air Up There” which generally should have prevented a reasonable jury from finding for Plaintiff. Plaintiff counters that there was substantial evidence of simi *599 larity between “Recruiting” and “The Air Up There” provided to the jury to support its finding of infringement. It is clear to the Court that there was sufficient evidence such that a reasonable jury could find for Plaintiff, and that no miscarriage of justice resulted in the jury’s so doing. Therefore, Defendants’ motion will be denied.

II. Defendants Hollywood Pictures and Buena Vista Pictures, Inc.’s Motion for Judgment Notwithstanding the Verdict or, in the Alternative, Modification of the Judgment

Defendants Hollywood Pictures and Buena Vista Pictures argue that there was insufficient evidence to show that they were vicarious or contributory infringers, especially Buena Vista which merely had a contractual relationship with Interscope, Inc. to distribute the film. Plaintiff argues that it is immaterial whether these corporate defendants could be liable for vicarious infringement because there was sufficient evidence to establish their direct infringement through distribution of the infringing film. See Paper No. 110 at 3-7 (citing numerous cases).

Defendants state that Hollywood Pictures had the obligation to distribute, through Buena Vista Pictures Distribution, Inc., all Inter-scope films. Paper No. 103 at 5.

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Bluebook (online)
995 F. Supp. 596, 1996 U.S. Dist. LEXIS 21910, 1996 WL 938051, Counsel Stack Legal Research, https://law.counselstack.com/opinion/zervitz-v-hollywood-pictures-mdd-1996.