Youssoupoff v. Widener

126 Misc. 491, 215 N.Y.S. 24, 1925 N.Y. Misc. LEXIS 1197
CourtNew York Supreme Court
DecidedSeptember 14, 1925
StatusPublished
Cited by2 cases

This text of 126 Misc. 491 (Youssoupoff v. Widener) is published on Counsel Stack Legal Research, covering New York Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Youssoupoff v. Widener, 126 Misc. 491, 215 N.Y.S. 24, 1925 N.Y. Misc. LEXIS 1197 (N.Y. Super. Ct. 1925).

Opinion

Davis, J.

In July, 1921, the plaintiff was the owner of two original oil paintings by Rembrandt, known respectively as A Gentleman with a High Hat, his Gloves in his Left Hand,” and “ A Lady with an Ostrich Feather Fan in her Right Hand.”

These paintings had been in the ownership of the plaintiff’s family for many years and were regarded as precious heirlooms. They are the product of the best period of Rembrandt’s work, and it is claimed that they have a great intrinsic value. On the issue of the market value it is in evidence that Sir Joseph Duveen offered £150,000 for them in February, 1921. He testified that during the six months preceding February, 1921, he was negotiating for the pictures, and was anxious to get them at that price. Other offers to buy these portraits were made in preceding years at prices ranging from £100,000 to £110,000. Other competent experts testified that in June, July and August, 1921, their market value was about £100,000.

In June, 1921, the plaintiff, then residing in Paris, sought the defendant as a possible purchaser of the pictures in question. Through a Mr. Wickfeld an appointment was made for plaintiff and defendant to meet in London on June twenty-fourth, at the residence of plaintiff’s friend, Baron de Zuylen, 8 Carlos Place W. At that time plaintiff’s finances were in a very critical condition, [493]*493and he was stopping at the residence of Baron de Zuylen pending his attempts to raise money from a sale or pledge of his Rembrandts.

Plaintiff did not keep the engagement personally, but sent his intimate friend, Captain Maziroff, to represent him. In explanation of his absence plaintiff wrote the defendant before the day of the appointment: “ * * * my friend, Mr. Maziroff, who attends to all my affairs here and has sole charge of the disposal of my pictures, will come to see you as arranged and give you all details. I have asked him to give you every facility in dealing with this matter, so as to dispose of the high charges made by dealers. I have arranged that you can see the pictures, which are deposited in the City, any time at your convenience to-morrow * *

Pursuant to the appointment Widener and Maziroff met on June twenty-fourth. The interview was short. Prices were discussed, but no agreement resulted, the parties being very far apart as to the money value of the paintings. The evidence on both sides shows that the chief subject then under discussion was an absolute sale of the pictures.

Maziroff having reported his interview to the plaintiff, the latter wrote the defendant on June 29, 1921, as follows:

“ Dear Mr. Widener.— I have just heard from Maziroff your conversations with him.
Many thanks for your warning against dealers and their transactions. You quite understand through Maziroff’s explanations, that the dealers’ statements are far from just. This, therefore, has decided me to treat only direct with prospective purchasers.
“ Appreciating the sympathy you expressed with my poor country, I take the liberty in making you two proposals, which if on principle, you could give consideration to, I should be only too pleased to discuss in details with you, on your return to London.
The first is: A loan as mortgage on the pictures, which latter you would take with you to America as guarantee, with option to purchase later, when the financial outlook will have again become established.
The second is: A conditional sale at a sum by mutual agreement, you having the right, should you decide later this purchase price was exaggerated, that I shall be bound to repurchase the pictures from you, at the same price you paid; at a future date by personal agreement * * *.
Sincerely yours,
“ PRINCE F. YOUSSOUPOFF.”

In answer to this letter Mr. Widener wrote on July first from Paris as follows:

[494]*494Dear Sir.— * * * Your pictures naturally have great value, tho’ I fear you have an exaggerated opinion on this subject. I have in my collection ten paintings by Rembrandt, some of greatest importance, so naturally it isn’t to my interest to undervalue the works by this great master — but I can assure you there has never been a time, when money was plentiful, which isn’t the case now, when your two pictures would have brought more than one hundred thousand pounds, which would have been a record price for a portrait by Rembrandt, as I have never known one to have sold for more than forty-five thousand pounds.

I know that very recently the dealers were scheming thru some loan to get these pictures away from you for about forty-two thousand pounds, which would have strained them, even at that figure. Today, you know, as I do, that there is no money for investment in art.

“ Dealers are all over extended with loans and large stocks of pictures, so your market appears limited to some private collector. I expect to arrive in London, at the Ritz, on July 10th for a couple of days visit, and will be glad to discuss the matter with you that evening after eight o’clock, or at another time mutually agreeable.

Should you arrive at a realization of the present market value of your pictures, I will be glad to entertain their purchase, tho’ raising the necessary cash wouldn’t be any more convenient for me at this time, than for most other people * *

On July 4, 1921, Prince Youssoupoff in answer to Mr. Widener’s letter wrote suggesting that Mr. Widener examine the pictures before discussing the matter and expressing his dissent from the latter’s judgment of their value — asserting that the dealers had formed a ring against him and were designedly undervaluing the pictures to prevent private purchasers from dealing direct with him. He also refers to an offer of £150,000 made by a big dealer. The Prince closes his letter as follows: “ Realizing the difficult financial situation of today, I should like to entertain any proposition to afford you every opportunity to secure these pictures by mutual concessions, such as I wrote you in my last letter, after you have seen the pictures as I suggest,” and proposed a meeting for July eleventh. It was arranged by wire to meet on July twelfth at the Ritz Hotel in London. Widener and Maziroff met at the Ritz on the day appointed and went together to the safe deposit company’s office where the pictures were stored. The Prince was there waiting for them, and after the defendant had examined the paintings, all three returned in a taxicab to the Ritz. It is a fair inference from their conversation in the cab that the parties had in mind an absolute sale of the pictures to Widener, but that they were [495]*495far apart on the price, the Prince asking £200,ÓÚ0 and Mr. Widener willing to pay not more than £100,000.

Finally a result was reached in the form of a thirty-day option to Widener. The weight of evidence favors the plaintiff’s claim to the extent that this document was composed in the main part by Widener. It follows: „

g Ca].los place
“ London, W.
“ I the undersigned Prince F. Youssoupoff agree upon receipt of one hundred thousand pounds from Mr. Joseph Widener within one month from today to sell to him my two well known Rembrandt portraits.

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Cite This Page — Counsel Stack

Bluebook (online)
126 Misc. 491, 215 N.Y.S. 24, 1925 N.Y. Misc. LEXIS 1197, Counsel Stack Legal Research, https://law.counselstack.com/opinion/youssoupoff-v-widener-nysupct-1925.