Wolf, John v. Northwest IN

CourtCourt of Appeals for the Seventh Circuit
DecidedMay 21, 2001
Docket99-4018
StatusPublished

This text of Wolf, John v. Northwest IN (Wolf, John v. Northwest IN) is published on Counsel Stack Legal Research, covering Court of Appeals for the Seventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Wolf, John v. Northwest IN, (7th Cir. 2001).

Opinion

In the United States Court of Appeals For the Seventh Circuit

No. 99-4018

John Wolf,

Plaintiff-Appellant,

v.

Northwest Indiana Symphony Society,

Defendant-Appellee.

Appeal from the United States District Court for the Northern District of Indiana, Hammond Division. No. 98 C 488--James T. Moody, Judge.

Argued February 14, 2001--Decided May 21, 2001

Before Posner, Coffey, and Ripple, Circuit Judges.

Coffey, Circuit Judge. On September 2, 1998, John Wolf filed suit against his former employer, the Northwest Indiana Symphony Society ("Symphony") pursuant to Title VII of the Civil Rights Act of 1964, 42 U.S.C. sec. 2000e, et seq., and the Equal Pay Act, 29 U.S.C. sec. 206(d). Wolf alleged that the President and CEO of the Symphony, Cheryl Cox, sexually harassed him. Wolf also alleged that the Symphony violated the Equal Pay Act because it paid him less than similarly situated female employees at the Symphony. The district court granted the Symphony’s motion for summary judgment. Wolf appeals, arguing that the district court erred in granting summary judgment, and also that the district court erred in allowing a motion for summary judgment to proceed even though he had outstanding discovery motions pending and furthermore had requested additional discovery before the court ruled on defendant’s summary judgment motion, Fed. R. Civ. P. 56(f). We affirm.

I. FACTUAL BACKGROUND

In 1989, John Wolf became a part-time employee of the Symphony as its Production Stage Manager, responsible for all physical concert preparation./1 In 1994, the Symphony hired Cheryl Cox as President and CEO and she served as Wolf’s direct supervisor. In a February 1995 evaluation, Cox gave Wolf a written evaluation that described him as "diligent," "self-motivated," "reliable," and "a rare find," among other similarly favorable descriptions.

Around the same time as Cox’s evaluation of Wolf, Cox decided that to create a new position in the Symphony’s organizational hierarchy and designated it as the "Operations Manager." The Operations Manager position would combine three part-time positions (Wolf’s position as Production Stage Manager, Librarian, and Personnel Manager) into one full-time position. The Symphony’s job qualifications recited that the compensation for the position would be "commensurate with experience, plus excellent benefits, with a salary range of $17,000 to $35,000." Further, the Symphony listed the qualifications for the position as:

Bachelor’s Degree or similar musical experience working with orchestras. Applicants must be highly motivated, capable of managing multiple tasks, and should possess strong organizational, conceptual, and writing skills. Ability to work with musicians is essential. Computer experience a plus.

Wolf applied for the position, and on July 1, 1995, the Symphony hired him as the Operations Manager (though Wolf did not have a Bachelor’s degree, he did have prior "experience working with Orchestras" due to his tenure as the Symphony’s production manager). The Symphony offered Wolf a salary of $20,000 (a salary at the low end of the stated range because, in part, Wolf did not have a Bachelor’s degree), and further provided health insurance benefits for him, but not for his family.

After he accepted the position, Wolf alleged that Cox began to sexually harass him. For instance, Wolf alleged that she told both Wolf and female Symphony employees that she treated men differently than women, from which Wolf inferred that Cox would discriminate against him. Further, Wolf alleged that Cox made comments such as "girls, we have to watch ourselves. We have a man in the office now" and that she liked having "muscle in the office now." Wolf also claimed that Cox denigrated men and told him that men were untrustworthy. Beyond Cox’s comments, Wolf also alleged that she repeatedly assigned him menial tasks- -such as carrying boxes from her car, assembling office furniture, and dismantling an office Christmas tree-- that were above and beyond the boundaries of his job responsibilities.

Wolf further was of the belief that Cox was desiring of creating a sexual relationship with him. In one instance, after Wolf discussed with Cox the question of whether he might be able to receive some overtime pay, she advised him that she would speak to the Symphony’s finance director, and immediately thereafter allegedly informed him that she "hadn’t been with a man in over six years." Sometime later, while at a luncheon, Cox gave Wolf her house keys and told him that he would "never know when [he] might need them." In addition, Wolf claimed that Cox once phoned him at home late at night and told him that she was sitting in the dark in her pink nightgown, in her king-sized bed, and was alone and afraid. Wolf took Cox’s comments as an invitation to visit Cox at her house for the purpose of having a sexual relationship with her. According to Wolf, there were assorted other incidents, similar to those discussed above, in which he believed that Cox was inviting him to have sex with her. Cox never did explicitly request a sexual relationship with Wolf; nor did Wolf ever report Cox’s allegedly harassing conduct to the Symphony’s Executive Director (or anyone else in the Symphony for that matter) in accordance with the Symphony’s published sexual harassment policy.

Sometime during the time frame in which Cox allegedly harassed him, Wolf discovered that the Symphony’s female marketing director made approximately $10,000 more per year than Wolf did. Upset by the lesser compensation he was receiving Wolf, subsequently decided to resign and tendered a letter of resignation to Cox on January 11, 1996. Wolf did not mention that he was quitting because of any type of sexual discrimination, but instead wrote: I gained the satisfaction of doing a job that everyone said could not be done and not only did I come to respect you as the best boss that I have ever had, but I came to love you as a dear friend. That’s what is making this one of the hardest things I have ever had to do. Hard, but necessary. Please let this serve as my official resignation as Operations Manager of the [Symphony].

In August, I told you that I did not know how long I could stick it out at $20,000/yr. My paychecks just are not enough to pay the bills. This is a reality that I have to deal with. I have had our student loan payments deferred since July and now I must begin paying on them again. I know that this is awful timing. But I should have left much earlier. . . . This job has been so incredibly time consuming that I have been unable to do as much other part time work as I need to. Don’t get me wrong, I love my job, but supporting my family and paying my bills has to be my #1 priority . . . .

In the past months, I have been insulted, demeaned, humiliated, and abused by Orchestra members and Bob [Vodnoy, the Symphony’s conductor], a slimy do-nothing bastard who has done everything in his power to destroy this organization, was getting $70,000 to walk off into the sunset. . . . However, Cheryl, I feel I owe it to you to be perfectly honest. I am aware that Anne is making nearly ten thousand dollars more than me plus the Society is paying for half of the health insurance for her family. Icannot tell you how deeply this has hurt me. Cheryl, I don’t think that you can look me in the eyes and tell me that I am not as valuable to this organization as Anne is. . . . The more I think about it, the more upset I get. I told you before Cheryl that you were the only reason that I was sticking around . . . .

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