Williams v. American Multi-Cinema, Inc.

District Court, N.D. Indiana·Decided June 27, 2022·No. 2:20-cv-00140·Unknown

Opinion

UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA HAMMOND DIVISION LEROY WILLIAMS, ) ) Plaintiff, ) ) vs. ) CAUSE NO. 2:20CV140-PPS ) AMERICAN MULTI-CINEMA, INC. and ) AMC SHOWPLACE THEATRES, INC., ) ) Defendants. ) OPINION AND ORDER On September 5, 2017, Leroy Williams went to a movie at the Hobart 12 AMC Theater at Southlake Mall in Merrillville, Indiana. During the movie, Williams’ seat suddenly broke without warning. Williams brings this action seeking damages for the injuries he suffered in the incident. Now before me is a motion for summary judgment by defendants American Multi-Cinema, Inc. and AMC Showplace Theatres, Inc. which I’ll refer to as “AMC.” Because no reasonable jury could find that AMC should have discovered the unreasonably dangerous condition of Williams’ seat, judgment must be entered for AMC. Undisputed Facts The determination what material facts are undisputed is obviously critical in the summary judgment context, and Rule 56 requires the parties to support facts, and disputes of fact, by “citing to particular parts of materials in the record,” or by “showing that the materials cited do not establish the absence or presence of a genuine dispute, or that an adverse party cannot produce admissible evidence to support the fact.” Fed.R.Civ.P. 56(c)(1). This court’s Local Rules in effect at the time the parties

briefed the summary judgment motion required the moving party’s brief to “include a section labeled ‘Statement of Material Facts’ that identified the facts that the moving party contends are not genuinely disputed.” N.D.Ind. L.R. 56-1(a) (adopted Nov. 18, 2019). AMC satisfied these requirements, with a Statement of Material Facts in which each asserted fact is supported by a citation to particular evidence of record.

Then-applicable Local Rule 56-1(b)(2) required Williams in his opposition brief to “include a section labeled ‘Statement of Genuine Disputes’ that identifies the material facts that the party contends are genuinely disputed so as to make a trial necessary.” Williams did not comply with this requirement, instead offering a “Facts” section that

sets out his view of the facts without identifying any specific disputes of the facts asserted (and supported) by AMC. [DE 32 at 1-5.] This suggests a refusal to plainly acknowledge facts that are not in dispute as required by the summary judgment procedure. Williams’ approach also off-loads to the court the work of sifting through

the parties’ rival contentions and the evidence to determine what material facts are genuinely disputed, when the briefing should have clearly identified those disputed facts. By failing to directly dispute AMC’s assertions of material fact made in compliance with the rules, Williams gives me the option to consider those facts

2 undisputed for purposes of the motion, pursuant to Fed.R.Civ.P. 56(e)(2). AMC’s reply does not seize upon these procedural defects of Williams’ opposition, but instead

engages directly with Williams’ own assertions of fact. On this record, I will begin my treatment of the facts by setting out the material facts asserted by AMC with evidentiary support, which are not disputed by Williams in his summary judgment response. Thereafter, I will address Williams’ various attempts to establish disputes of material fact, each of which I find to be unsuccessful for the reasons I explain.

On September 5, 2017, Leroy Williams visited Auditorium 10 of AMC’s theater in Southlake Mall to see the 7:30 p.m. showing of a movie called Annabelle. ]DE 6 at ¶4; DE 26-1 at ¶5; DE 26-2 at 53, ll. 10-16.]1 Before Williams sat in his seat, the cushion was in an upright position, as were the cushions of the seats to its left and right. [DE 2-2 at

55, ll. 18-23.] In order to sit in the seat, Williams placed his hands on the armrests of the seat, then moved one hand to push the seat down, and then sat on the seat. [Id. at 57, ll. 3-8.] In so doing, Williams did not notice anything unusual about the seat and heard no creaking or other noise from the seat. [Id., ll. 9-14, ll. 21-25.] Nothing seemed loose, and

he didn’t notice any indication of a problem with the seat. [Id. at 58, ll. 2-8.] For the next 90 minutes, Williams sat and watched the movie, and perceived no indication of anything wrong or unusual with the seat. [Id. at 59, ll.15-19; id. at 60, ll. 3-10.]

1 I will cite to the record using the ECF document number and page numbers, rather than any page numbering internal to the document. 3 Williams has described what happened next: “Without notice and without moving around, the seat to my chair abruptly broke and I fell to the ground hitting my

tailbone.” [DE 26-2 at 60, ll. 18-25.] The photo Williams took of the broken seat shows the cushion no longer at a right angle to the backrest, but hanging straight down from its hinge. [DE 26-3.] Williams agrees that he does not know how the seat broke or what was wrong with the seat that caused or allowed it to break. [DE 26-2 at 61, l.23 - 62, l. 2.] Courtney Scharnagle, the General Manager of the theater, has attested that

“AMC ushers are trained to and do clean the movie auditoriums after every single movie showing - which means that each auditorium is cleaned and inspected multiple times each day, including the floors and seating.” [DE 26-1 at ¶8.] According to Scharnagle, this function includes walking “through each row in the auditorium,

inspecting the seating for any debris or problems.” [Id.] Scharnagle claims that she “instructed the AMC ushers to look for and report any problems with any auditorium seat,” as directed in AMC’s “On-the-Job Training Checklist” for ushers. [DE 26-1 at ¶9; DE 26-4 at 10 (“Check for any damaged seats. If they cannot be repaired/cleaned

immediately, cover with AMC ‘Out of Service’ slipcovers.”).] Scharnagle attests that approximately every other week, she would remind all ushers to look out for and report any repairs needed in any auditoriums, including any issues with seats, and that about twice each year, she would conduct a “crew summit” with follow-up training on auditorium maintenance. [DE 26-1 at ¶7.]

4 The Southlake Mall theater’s facilities manager, Charles Talley, reiterates these assertions about ushers being required to regularly examine the auditorium seats. [DE

26-4 at ¶¶6-7.] Talley and Scharnagle both attest that an existing dysfunction of the seat cushion’s platform, or “bucket,” is usually obvious because when the seat is unoccupied the bucket/cushion would not return to its usual near-vertical position. [Id. at ¶8; DE 26-4 at ¶12.] In his more than 8 years with the theater, Talley has never heard of any other instance of a seat at the theater breaking in this manner after the cushion was

resting in an upright position before the customer sat down. [Id. at ¶10.] Neither has Scharnagle in her approximately 15 years managing AMC theaters. [DE 26-1 at ¶¶2, 14.] In the seven days prior to the Williams incident, given the number of movie showings, ushers had conducted at least 24 inspections of Auditorium 10. [DE 26-1 at

¶10.] Before the incident experienced by Mr. Williams, there had been no reports of a seat in Auditorium 10 that needed repair. [DE 26-1 at ¶¶10, 15; DE 26-4 at ¶11.] In his deposition, Williams testified that immediately after the incident, he spoke with an unnamed AMC supervisor. [DE 31-3 at 2, l.25 - 3, l. 3.] Williams asked whether

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Williams v. American Multi-Cinema, Inc., (N.D. Ind. 2022).

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