Williams v. Adams

250 A.D. 603, 295 N.Y.S. 86, 1937 N.Y. App. Div. LEXIS 8411
CourtAppellate Division of the Supreme Court of the State of New York
DecidedApril 16, 1937
StatusPublished
Cited by7 cases

This text of 250 A.D. 603 (Williams v. Adams) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Williams v. Adams, 250 A.D. 603, 295 N.Y.S. 86, 1937 N.Y. App. Div. LEXIS 8411 (N.Y. Ct. App. 1937).

Opinion

O’Malley, J.

The complaint is predicated upon an implied contract on the part of all defendants to pay for services rendered by plaintiff at their request and solicitation between January 1, 1927, and September, 1931, and to recover the amount of alleged disbursements made. The reasonable value of the services was claimed to be $200,000; and the expenses and disbursements incurred the sum of $3,000. Judgment in the aggregate amount was sought.

Separate answers were interposed by the defendant Adams, by Erlanger Productions,- Inc., by A. L. Erlanger Amusement Enterprises, Inc., Mitchell L. Erlanger, and by Saul J. Baron and Marcus Heiman, jointly. These put in issue generally the allegations of the complaint, and in addition, pleaded the Statute of Frauds, predicated upon the averment that the agreement was not to be performed within one year, and that neither it nor any memorandum thereof in writing was ever subscribed.

The defendant Maude Adams is the well-known American actress who played under the management of Charles Frohman from about 1890 until his death. In 1918 she retired, due to ill health.

The plaintiff has for many years been engaged in the theatrical business as a press man, publicity agent, stage director, author and producer. He, too, was with the Frohman organization, beginning about the year 1905 or 1906. He continued with it for about ten years in the capacity of publicity man, and as such handled all press work in connection with the plays in which the defendant Adams appeared. In addition to his regular press or publicity work, he attended to the business end of special per[605]*605formances of plays given by Miss Adams at various universities. This extra work concededly was without the regular scope of his duties, and he was never specially compensated therefor.

During the time the plaintiff was thus employed, a rather close relationship and friendship developed between him and the defendant Adams. After her retirement she, at plaintiff’s request, saw dress rehearsals and plays he was directing and she read and gave her opinion respecting a number of plays sent to her by the plaintiff. She also rendered assistance to another actress who played the part originally played by her in a revival of one of her plays which was being directed by the plaintiff. She neither sought, nor received compensation for services thus rendered.

Early in 1927, Miss Adams, who was contemplating a return to public life, consulted with plaintiff. She owned the motion picture rights of Kipling’s story “ Kim,” and desired to direct the motion picture herself. The plaintiff, however, after interviewing producers and parties who might be interested in financing the venture, discovered that producers did not favor the plan of Miss Adams directing the picture, preferring their own directors.

There was next discussed a lecture tour, and after numerous conferences with a manager experienced in this field (all arranged through the plaintiff’s efforts), the matter progressed to a point where a contract was prepared and signed by the tour manager. The defendant Adams, however, did not sign the contract and the idea was abandoned.

Sometime in 1929 the defendant Adams informed plaintiff that she had an idea for a play, which, if satisfactory, might lead to her return to the legitimate stage. The proposition was considered and discussed over a period of months, and finally plaintiff’s friend, John Colton, a well-known playwright, was consulted. The defendant Adams had read the manuscript of a Colton] play and was favorably impressed. About May, 1930, plaintiff suggested that financial and other backing of some producer would be required. He thereupon interviewed first the Shuberts and then the Erlanger organization. Finally, the defendant Adams, on May 12, 1930, wrote to the defendant Mitchell L. Erlanger, then the head of the Erlanger organization, as follows:

If you and I like the play I have spoken to you about, Mr. John Colton’s comedy tentatively called ‘ The Joyous Adventures of Clementine,’ it is my understanding that I am tó come under your management, each of us having in mind the following:
“ That you and I shall be quite satisfied with the play as finally submitted by Mr. Colton, and that it shall be submitted not later than September 1st, 1930.
[606]*606“ That it is agreeable to you that the selection of the cast, the stage director, the choice of scenery and properties for Mr. Colton’s play shall have my approval * * *.
That the advertisements, announcements and press matter used in connection with my appearance shall be under the management or supervision of Mr. John D. Williams because of his familiarity with my usual policy.
“ That the compensation I am to receive from you shall be as follows:
16% of the gross weekly receipts up to $18,000, but for any week that totals $18,000 or over, then in lieu of the above I am to receive 20% of the gross receipts.”

With the terms of this letter the plaintiff was thoroughly conversant. Indeed, it was he who, on May 14, 1930, personally delivered it to the defendant Erlanger, who accepted the terms as satisfactory.

Under date of May 16, 1930, the plaintiff himself entered into an agreement with the A. L. Erlanger Amusement Enterprises, Inc., as. follows:

“ This is to confirm our agreement regarding ' The Joyous Adventures of Clementine.’
1. In consideration of your bringing to our offices the above play and Maude Adams as the star of said play, and in consideration of your agreement to direct and stage the said play and supervise the selection of the cast with Miss Adams, and the choice of scenery, costumes and so forth, we agree to pay you the following sums of money: * * *
“ 3. Your share of the net profits are [is] to be paid to you monthly. * * *
“4. You are to receive the usual weekly statements, showing the detailed operating cost, and any other cost incident to the presentation of said play, the gross receipts and so forth, including daily box-office statements.
5. During the period of rehearsal you agree to be prompt and punctual at all rehearsals, and supervise and stage said play. During said rehearsal period you are to receive a salary of Five Hundred Dollars ($500) per week, and in addition thereto, as a royalty for staging and directing, and for working on the manuscript of the said play you are to receive One Hundred and Fifty Dollars ($150) per week each and every week during the run of the said play. As an advance against, expenses we agree to advance you the sum of Two Thousand Dollars ($2,000) to be used by you for your expenses in going to California to work with Miss Adams and John Colton on the manuscript of said play. • |
[607]*6076. In all newspaper publicity under our control and on the programs in theatres, and in other announcements pertaining to said play, you are to receive the following credit, to wit:
“ ‘ Staged or Directed by John D. Williams/
“7.

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Bluebook (online)
250 A.D. 603, 295 N.Y.S. 86, 1937 N.Y. App. Div. LEXIS 8411, Counsel Stack Legal Research, https://law.counselstack.com/opinion/williams-v-adams-nyappdiv-1937.