White-Smith Music Pub. Co. v. Goff

187 F. 247, 109 C.C.A. 187, 1911 U.S. App. LEXIS 4505
CourtCourt of Appeals for the First Circuit
DecidedMarch 1, 1911
DocketNo. 909
StatusPublished
Cited by27 cases

This text of 187 F. 247 (White-Smith Music Pub. Co. v. Goff) is published on Counsel Stack Legal Research, covering Court of Appeals for the First Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
White-Smith Music Pub. Co. v. Goff, 187 F. 247, 109 C.C.A. 187, 1911 U.S. App. LEXIS 4505 (1st Cir. 1911).

Opinion

PUTNAM, Circuit Judge.

This appeal grows out of a bill in equity brought by the complainant, the White-Smith Company, against the respondents, Goff and Darling, alleging infringement of a copyrighted musical composition. The complainant is the publisher, and not the author. It claims a statutory extension of a copyright as proprietor under sections -1952 and 4954- of the Revised Statutes (U. S. Comp. St. 1901, pp. 3106, 3407). It offered registration under the statute, and, although registration was refused, yet it fully complied with the requirements of law,'and is entitled to maintain this suit if it had any statutory right to the extension. Whether at this time the author was living does not appear. The respondents make no claim under any copyright. The complainant acquired its original rights under the following contract:

“Boston, June 29, 1878.
“Memo, of agreement between Eben H. Bailey, of the first part, and Mess. White, Smith & Co.. Music Publishers, of the second part. The parly of Ihe first part hereby agrees to furnish the party of the second part, eight (8) MSS. of his own original instrumental compositions each year, during the tetm of this contract,, and upon the acceptance of which, the party of the second pari agrees 1o pay the sum of (825.00) twenty-five dollars each, as soon as published. This contract to remain in force 3 years from above date, or until June 29, 1879, and during which time, the party of the second park [248]*248shall hold the éxclusive right and title to all original inst’l compositions or transcriptions by the party of the first part, who shall not in any case offer them to any other party or publisher, either under his own name or “nomde-plume.” It is also agreed by the party of the first part, to give to the party of the second part, all his trade and influence in furtherance of this contract [Seal.] White Smith & Co.
“[Signed] Eben H. Bailey.
“Witness: [Signed] Frank E. Crane.”

As the bill alleged no other right than what we have stated, it was' demurred to, and the decision of the Circuit Court was in favor of the respondents, on the ground that the complainant had no statutory-interests in the extension.

Sections 4952 and 4954 of the Revised Statutes applied to the copyright at the time it was taken out:

“See. 4952. Any citizen of the United States, or resident therein, who shall be the author, inventor, designer, or proprietor of any book, map, chart, dramatic or musical composition, engraving, cut, print, or photograph or negative thereof, or of a painting, drawing, chromo, statue, statuary, and of models or designs intended to be perfected as works of the fine arts, and the executors, administrators, or assigns of any such person shall, upon complying with the provisions of this chapter, have the sole liberty of printing, reprinting, publishing, completing, copying, executing, finishing, and vending the same; and, in the case of a dramatic composition, of publicly performing or representing it, or causing it to be performed or represented by others. And authors may reserve the right to dramatize or to translate their own works.”
“See. 4954. The author, inventor, or designer, if he be still living and a citizen of the United States and resident therein, or his widow or children, if he be dead, shall have the same exclusive right continued for the further term of fourteen years,' upon recording the title of the work or description of tiie article so secured a second time, and complying with all other regulations in regard to original copyrights, within six months before the expiration of the first term.”

When the copyright thus acquired under section 4952 expired, the act approved March 4, 1909, c. 320, 35 Stat. 1080 (U. S. Comp. St. Supp. 1909, p. 1297), was in force, of which so much of the twenty-fourth section as is pertinent at this point reads as follows:

“Sec. 24. That the copyright subsisting in any work at the time when this act goes into effect may, at the expiration of the term provided for under existing law, be renewed and extended by the author of such work if still living, or the widow, widower, or children of the author, if the author be not living, or if such author, widow, widower, or children be not living, then by .the author’s executors, or in the absence of a will, his next of kin, for a further period such that the entire term" shall be equal to that secured by this act, including renewal .period.”

The complainant maintains that the result in the Circuit Court was to deprive it of a vested right; but, as the language of the two statutes which we have cited was for this purpose essentially the same, no such question can arise. Moreover, as is thoroughly settled by the Supreme Court, all rights of copyright in the United States are purely statutory, whatever they may once have been in England; and it is not so easy to understand how there can be a vested right under a public statute which has not actually accrued, and which lies only in the future. This proposition, however, we can pass by.

It is to be noted that in each statute the grant of the original [249]*249copyright is to the author or proprietor, while as to the provision for an extension the word “proprietor” is studiously stricken out. Neither is it true that the provision for the extension in either statute operates automatically or in any line which recognizes a continuing right. While the words “renewed and extended,’’ in their proper and ordinary construction, relate to a continuing right, yet the fact that, if the "author is not living, the “widow, widower or children” of the author arc entitled to the additional term makes the provision of each statute in reference thereto strictly personal, and not really and truly a renewal or extension. Therefore neither statute on its face provides really and truly an extension to the author, his assigns, executors, and administrators, but a new grant to the author or others enumerated as we have said.

In this connection we will observe that the complainant relies on the word “proprietor” appearing in what follows in the same section 24., namely:

“Provided, however, that, if the work be a composite work upon which copyright was originally secured by the proprietor thereof, then such proprietor shall be entitled to the privilege of renewal and extension granted under this section.”

This has reference, of course, to the provision about composite work in section 23 of the same act of March, 1909; yet by its own implication it clearly defeats tlie proposition of the complainant, because, if that were correct, this proviso would not be necessary in order to entitle a mere proprietor to the privilege of renewal and extension under any circumstances whatever. Indeed, whether the position of the complainant or the respondents be correct, the word "proprietor” comes in legitimately because, in connection with the renewal, the persons who control the right thereto, whether widow, widower, or the author himself, may, during the year prior to the expiration of die existing term nominated in section 24, assign the right to renewal, so that the then proprietor may make the new registration required, and take out the extension in his own name.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Stewart v. Abend
495 U.S. 207 (Supreme Court, 1990)
Schmid Brothers, Inc. v. W. Goebel Porzellanfabrik KG.
589 F. Supp. 497 (E.D. New York, 1984)
Cadence Industries Corp. v. Ringer
450 F. Supp. 59 (S.D. New York, 1978)
G. P. Putnam's Sons v. Lancer Books, Inc.
251 F. Supp. 210 (S.D. New York, 1966)
Gibran v. ALFRED A. KNOPF, INCORPORATED
153 F. Supp. 854 (S.D. New York, 1957)
Ballentine v. De Sylva
226 F.2d 623 (Ninth Circuit, 1955)
Edward B. Marks Music Corp. v. Borst Music Pub. Co.
110 F. Supp. 913 (D. New Jersey, 1953)
G. Ricordi & Co. v. Paramount Pictures, Inc.
189 F.2d 469 (Second Circuit, 1951)
Fred Fisher Music Co. v. M. Witmark & Sons
318 U.S. 643 (Supreme Court, 1943)
M. Witmark & Sons v. Fred Fisher Music Co.
125 F.2d 949 (Second Circuit, 1942)
Edward B. Marks Music Corp. v. Jerry Vogel Music Co.
42 F. Supp. 859 (S.D. New York, 1942)
M. Witmark & Sons v. Fred Fisher Music Co.
38 F. Supp. 72 (S.D. New York, 1941)
Shapiro, Bernstein & Co. v. Bryan
27 F. Supp. 11 (S.D. New York, 1939)
Fox Film Corp. v. Knowles
261 U.S. 326 (Supreme Court, 1923)
Silverman v. Sunrise Pictures Corp.
273 F. 909 (Second Circuit, 1921)

Cite This Page — Counsel Stack

Bluebook (online)
187 F. 247, 109 C.C.A. 187, 1911 U.S. App. LEXIS 4505, Counsel Stack Legal Research, https://law.counselstack.com/opinion/white-smith-music-pub-co-v-goff-ca1-1911.