Westfeldt Bros. v. United States

36 Cust. Ct. 112
CourtUnited States Customs Court
DecidedFebruary 9, 1956
DocketC. D. 1760
StatusPublished
Cited by5 cases

This text of 36 Cust. Ct. 112 (Westfeldt Bros. v. United States) is published on Counsel Stack Legal Research, covering United States Customs Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Westfeldt Bros. v. United States, 36 Cust. Ct. 112 (cusc 1956).

Opinion

JOHNSON, Judge;

The merchandise involved in this case consists of a main altar and parts, a communion rail, 2 side altars, 14 stations of the cross, statuary, woodenware, and candelabra, imported from Italy in January and February 1949. It arrived in three shipments and was covered by three separate entries, each in the name of West-feldt Brothers, as importer of record, for the account of Bernardini Studios. According to the declarations of the nominal consignee, Bernardini Studios is the actual owner for customs purposes. The merchandise was entered free of duty under paragraph 1774 of the Tariff Act of 1930, as altars and other articles, imported for presentation (without charge) to, and for the use of, an association organized and operated for religious purposes.

Free entry was denied by the collector and duty was assessed on the marble portions of the shipments at 25 per centum ad valorem under paragraph 232 (d) of the Tariff Act of 1930, as modified by the General Agreement on Tariffs and Trade, T. D. 51802, and on the portions in chief value of wood at 25 per centum ad valorem under paragraph 412 of said tariff act, as modified by the said trade agreement, and the President’s proclamation of April 22, 1948, T. D. 51898.

Protest herein was filed on behalf of Westfeldt Brothers, the nominal consignee, wherein it was claimed that the articles were entitled to free entry under paragraph 1774, on the ground that they were imported in good faith for presentation without charge to, and for the use of, the Immaculata Preparatory Seminary at Lafayette, La. At the trial, it was conceded that the candelabra were not of the type of articles entitled to free entry under paragraph 1774.

Paragraph 1774 of the Tariff Act of 1930, as originally enacted, provided as follows:

Altars, pulpits, communion tables, baptismal fonts, shrines, or parts of any of the foregoing, and statuary (except casts of plaster of Paris, or of compositions of paper or papier-máché), imported in good faith for presentation (without charge) to, and for the use of, any corporation or. association organized and operated exclusively for religious purposes.

[114]*114The record before us consists of the testimony of Claude E. Blancq, Jr., deputy collector in charge of the liquidating division at New Orleans, the testimony of John A. Yigliero, chancellor of the diocese of Lafayette, La., and certain documents. From this record, the following facts appear:

The merchandise involved herein was imported for installation in the chapel of the Immaculata Seminary, a seminary of the diocese of Lafayette for the education of young men studying for the priesthood. There had been competitive bidding to supply the furnishings for the chapel, and Bernardini Studios made the lowest bid, in the sum of $15,000. Its proposal, dated May 8, 1948 (plaintiff's exhibit 1), was submitted to the bishop of the diocese and was accepted by him. It was stated therein, among other things:

Since all of the marble work mentioned in this proposal would be manufactured in Italy, we wish to state that no duty is contemplated in the above price.

A notation of acceptance, signed by John A. Yigliero, chancellor of the diocese, appears on the proposal, but a letter from the bishop to Bernardini Studios, dated June 14, 1948 (plaintiff’s collective exhibit 3), states:

I have just sent you the following telegram: “Your proposal for Immaculata Seminary dated May 8th. of the present year is herewith accepted. You may proceed to order altars and communion rail in marble.
Bishop Jeanmard”.

According to Monsignor Vigliero, Bernardini Studios was to procure the marble articles from Italy. He said he had tried to do it directly but had been told that it was too complicated and that he should employ someone in this country who was accustomed to that kind of work. He stated that it was the bishop, his superior, who decided which bid for the work was to be accepted and who entered into the contract with Bernardini Studios. The goods were purchased by the diocese acting through its officer, the bishop. Monsignor Vigliero could not have canceled the contract without the consent of the bishop. Final payment was not made until everything was completed to the satisfaction of all concerned, the architect, who had been retained by the bishop, and the bishop.

Some of the funds for the purchase had been collected prior to the acceptance of the bid, but, in view of certain information received in regard to customs duties, the money was returned to the donors, and they were requested to send checks for specific purposes. The bishop then appointed Monsignor Vigliero as agent to collect the money. A donor, in making his gift, wrote a letter to the bishop, stating that he wished to present a particular article, such as a station of the cross, and named Monsignor Vigliero as his agent in all transactions. It was further stated that, in presenting the gift, it was understood that [115]*115neither the bishop nor the diocese nor the seminary would be put to any expense in connection therewith. Each gift was accepted by the bishop.

The bishop also appointed Monsignor Vigliero as agent or custodian of special donations to be made by the clergy of the diocese toward the purchase of the main altar. In making their gift, the members of the clergy stated that they desired to present the main altar and the communion rail and that it was understood that neither the bishop nor the diocese would he put to any expense (plaintiff’s collective exhibit 5).

Donations of $100 each were requested for the 14 stations of the cross, but additional contributions were accepted and used for the purchase of vestments and other articles, although the donor specifically asked to present a station of the cross.

A statement of Bernardini Studios itemized the cost of the altars and other articles as follows (plaintiff’s exhibit 4):

High Marble Altar_ $4, 260. 00
Tabernacle_ 650. 00
Four smaller Altars @ $1,000_ 4, 000. 00
Two marble statues_ 1, 500. 00
Communion Railing with gates_ 3, 200. 00
Stations of the Cross_ 1, 400. 00

Monsignor Vigliero testified that he collected $7,477 from the clergy for the main altar and the communion rail. However, an itemized statement of the contributions made for the main altar totals $7,452 (plaintiff’s collective exhibit 2). The witness stated, further, that he received $1,750 each from the bishop and from Monsignor Lerschen, and $2,000 from the estate of Mrs. Gaudin, which was more than the total amount needed. (Apparently, these amounts were for the side altars.) He said that the tabernacle was part of the main altar, but he was under the impression that it had not been imported. However, according to the invoice in consumption entry 04202, the importation included “Gates iron and bronze (2 pieces) and bronze Tabernacle door.” There is nothing in the record to show that the tabernacle or the tabernacle door was specifically presented by anyone.

Monsignor Vigliero accumulated the funds for the work and eventually paid them to Bernardini Studios. Some of the donors sent checks directly to Bernardini.

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36 Cust. Ct. 112, Counsel Stack Legal Research, https://law.counselstack.com/opinion/westfeldt-bros-v-united-states-cusc-1956.