Washington Theatre Club, Inc. v. District of Columbia

311 A.2d 492, 1973 D.C. App. LEXIS 388
CourtDistrict of Columbia Court of Appeals
DecidedNovember 21, 1973
Docket6953
StatusPublished
Cited by3 cases

This text of 311 A.2d 492 (Washington Theatre Club, Inc. v. District of Columbia) is published on Counsel Stack Legal Research, covering District of Columbia Court of Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Washington Theatre Club, Inc. v. District of Columbia, 311 A.2d 492, 1973 D.C. App. LEXIS 388 (D.C. 1973).

Opinion

GALLAGHER, Associate Judge:

The Washington Theatre Club, Inc., (hereinafter referred to as Theatre Club) is a professional resident theatre and drama school in this city. In 1969, appellant applied to the Property Assessment Division, District of Columbia Department of Finance and Revenue, for an exemption from real estate taxation on the basis that it was an educational institution within the meaning of D.C.Code 1973, § 47-801a(j). 1 The application was denied and appellant brought this action in the Tax Division of the Superior Court appealing the assessment of the tax. 2

*493 At trial appellant introduced extensive evidence to bring itself within the ambit of Section 47-801a(j) which requires a showing by substantial evidence that the taxpayer (1) is not organized or operated for private gain; (2) has a generally recognized relationship of teacher and student; and (3) is a school, college or university. On the first two issues the trial court found that appellant satisfied the letter and spirit of the statute. On the third issue, however, the trial court held that appellant had not met its burden of showing that its primary objective was educational.

The court arrived at this conclusion by applying the general rule that “[ejxemptions from taxation are [to be] strictly construed against those claiming the exemption,” Washington Chap. of American Inst. of Banking v. District of Columbia, 92 U.S.App.D.C. 139, 141, 203 F.2d 68, 70 (1953). Drawing upon the same case, the court found that education must be the prime objective of those claiming exemption, id. at 142, 203 F.2d 68, 72, but that it need not be their exclusive objective. 3 These standards are not disputed by the parties. In applying them to the evidence before it, the court concluded that appellant’s primary activity was the operation of a professional theatre and not an educational institution.

The Theatre Club was incorporated in the District of Columbia in 1963 as a nonprofit organization, which it continues to be. It is located in a two-story structure, formerly a church, which has been converted into a theatre. The first floor consists of a large room, which serves as a work area and classroom, an art gallery, a small storage area, a dressing room and a box office. The second floor consists of a theatre, a costume workshop, a light room, and a stage manager’s booth.

The Theatre Club sponsors the production and presentation of plays, educational activities, an art gallery offering paintings for sale, and provides a chamber for music and jazz programs. An admission fee is charged for the theatre productions and subscription" are solicited.

It offers various educational courses in acting techniques, dance, scene study, speech, improvisation, creative dramatics, introduction to acting, intermediate acting, advanced acting, playwriting, mime, directing, vocal development,'movement and other similar courses relating to theatrical production on a semester basis in three different programs denominated Adult Workshop, Teenage Theatre and Junior Stage. It accommodates approximately 800 students during the course of a year, and at the time of trial the enrollment was approximately 150 students. There is a full-time director and an assistant director, and it also normally employs 10 teachers (part-time), many of whom hold advanced academic degrees. It also has training arrangements with various accredited schools by which students from these schools receive credit at their home schools.

Appellant offered evidence to show that a local theatre club, The Washington Drama Society (Arena Stage), is engaged in similar activities and under a formal opinion of the Corporation Counsel in 1962 was exempted from the payment of real property taxes pursuant to Section 47-801a(j).

The principal question is whether the trial court utilized incorrect standards in arriving at its ruling that the primary use of appellant’s facilities was not for educational purposes and that it was therefore *494 not entitled to a real property tax exemption under the statute (§ 47-801a(j)). Put affirmatively, the court concluded, on the contrary, that the facilities were being employed primarily for the purpose of operating a professional theatre.

It was appellant’s position in the trial court, and is here, that the theatrical productions are so interconnected with its educational activities as to be inseparable from them. Testimony was elicited to show the value of the theatre to the school. There was uncontradicted testimony that there is a direct relationship between the theatre and the school in that the school uses the theatre facilities for teaching purposes and in providing the kinds of instruction which the theatre gives. Pupils are attracted to the school by the opportunity to observe theatre in action. One college course in theatre management uses the Theatre Club as a laboratory. The school makes use of the theatre productions in that students assist with the productions in varying degrees. Teachers use the theatre facilities in the presentation of classroom instruction in order to take students beyond the theoretical which would be impossible without the facilities of the theatre. Two teachers testified that they would not teach at the Theatre Club were it not for the presence of the theatre and the laboratory atmosphere provided. There was testimony that several students appear in appellant’s major productions and that others are involved in supportive ways. It was shown that 70 former students are now engaged in professional theatre in various capacities. Finally, it was adduced at trial that appellant’s theatre productions were not presented to make a profit but rather to encourage creativity and allow an outlet for theatrical expression that would not necessarily be commercially successful.

In rejecting appellant’s contention relating to the interconnection of the educational and theatre activities the trial court stated that while “dramatic productions may be educational in nature” and “the presentation of the dramatic arts may be morally and educationally uplifting” it could not “find a ‘generally recognized relationship of teacher and student’ existing between [appellant’s] paying audience and its actors on the stage.” But this was not appellant’s contention. Instead, as we have related, the position was that the presence of a going theatre in the building with the drama school, and the interconnection of the personnel and physical facilities, was important to the success, including the financial viability, of the school.

Additionally, the court avowedly placed considerable weight on the fact that appellant “spend[s] nearly five times more money for its professional theatre productions than it does for the school” and “the productions also generate over five times more income than the ' school tuitions.” 4

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Industrial Commission v. Old Republic Insurance
219 P.3d 285 (Court of Appeals of Arizona, 2009)
Gosnell Development Corp. v. Arizona Department of Revenue
744 P.2d 451 (Court of Appeals of Arizona, 1987)
Capitol Cablevision Corp. v. Hardesty
285 S.E.2d 412 (West Virginia Supreme Court, 1981)

Cite This Page — Counsel Stack

Bluebook (online)
311 A.2d 492, 1973 D.C. App. LEXIS 388, Counsel Stack Legal Research, https://law.counselstack.com/opinion/washington-theatre-club-inc-v-district-of-columbia-dc-1973.