Warner Records Inc v. Charter Communications, Inc.

District Court, D. Colorado·Decided November 5, 2020·No. 1:19-cv-00874·Unknown

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Judge R. Brooke Jackson

Civil Action No. 19-cv-00874-RBJ-MEH

WARNER RECORDS INC., et al

Plaintiffs,

v.

CHARTER COMMUNICATIONS, INC.,

Defendant.

ORDER on PENDING MOTIONS (1)

The parties’ teams of lawyers have been prolific in motion practice, and currently thirteen motions are pending. This order addresses five of those motions. The others are pending before the magistrate judge or the special discovery master. BACKGROUND The background of this case has been described several times in previous orders. Plaintiffs are record companies and music publishers that produce and distribute commercial sound recordings and musical compositions. They collectively own or control millions of copyrighted musical compositions or sound recordings. The defendant, Charter Communications, Inc., is an internet service provider (“ISP”) with more than twenty-two million subscribers nationwide. Id. Plaintiffs contend that some Charter subscribers are using Charger’s ISP services to repeatedly infringe plaintiffs’ copyrighted works. Charter’s terms of service prohibit users from engaging in copyright infringement and state that Charter reserves the right to terminate accounts of participants engaged in piracy. Plaintiffs have sent Charter hundreds of thousands of notices detailing specific acts of infringement allegedly committed by specific Charter subscribers. However, according to the plaintiffs, Charter has not addressed the reported infringements because Charter does not want to lose revenue from these subscribers. On the contrary, plaintiffs

contend that Charter’s lack of action against known infringers “draws” (attracts) subscriptions, as subscribers know they can upload, download and distribute infringing content via Charter’s ISP service without consequence. The gist of this lawsuit is plaintiffs’ contention that Charter is secondarily liable for its subscribers’ infringements on theories of contributory and vicarious liability. “[C]ontributory liability attaches when the defendant causes or materially contributes to another’s infringing activities and knows of the infringement.” Diversey v. Schmidly, 738 F. 3d 1196, 1204 (10th Cir. 2013). “Vicarious liability attaches when the defendant ‘has the right and ability to supervise the infringing activity’ and ‘has a direct financial interest in such activities.’” Id. (quoting Gershwin Publ’g Corp. v. Columbia Artists Mgmt., Inc. 443 F.2d 1159, 1162 (2d Cir. 1971)).

Charter moved to dismiss the vicarious liability claim pursuant to Rule 12(b)(6). ECF No. 38. Magistrate Judge Hegarty recommended that this Court deny the motion. ECF No. 71. This Court ultimately agreed with Judge Hegarty and denied the motion to dismiss. ECF No. 157. Briefly, I found that plaintiffs had sufficiently alleged that Charter has the right and ability to terminate the users identified in plaintiffs’ infringement notices. Id. at 12-14. And, for purposes of a Rule 12(b)(6) motion, plaintiffs had sufficiently alleged that the ability to infringe coupled with Charter’s failure to exercise its authority to terminate infringers was a “draw” that gave Charter a direct financial interest in the infringing activities. Id. at 5-12. PENDING MOTIONS A. Plaintiff’s Amended Motion to Dismiss Charter’s Counterclaims Three and Four, ECF No. 189.

1. Claim Three. Defendant’s third counterclaim asserts a violation of § 512(f) of the Digital Millennium Copyright Act, 17 U.S.C. § 512(f). That section provides, in pertinent part: Misrepresentations. -- Any person who knowingly materially misrepresents under this section – (1) that material or activity is infringing, . . .shall be liable for any damages including costs and attorneys’ fees, incurred by . . . a service provider, who is injured by such misrepresentation, as the result of the service provider relying on such misrepresentation in removing or disabling access to the material or activity claimed to be infringing . . . . The premise for this counterclaim is that plaintiffs’ original complaint identified 11,482 works (sound recordings and musical compositions) that were claimed to have been infringed by Charter’s subscribers, ECF Nos. 1-1, 1-2, whereas plaintiffs’ First Amended Complaint identifies 11,027 allegedly infringed works. ECF No. 123 at 31-57. According to Charter, the fact that the First Amended Complaint identifies 455 fewer works implies that plaintiffs dropped those works because plaintiffs did not have valid infringement claims as to them. That, in turn, was a “misrepresentation” that supports a claim for damages under § 512(f). Plaintiffs argue that the third counterclaim fails to state a claim under the DMCA on which relief could be granted. I agree. Even if I assume, as does Charger, that plaintiffs dropped the 455 works because they did not have a valid infringement claim as to them, Charter has not alleged facts plausibly showing that plaintiffs knowingly or materially misrepresented its infringement claims in the original complaint. The closest the counterclaim comes to alleging a knowing misrepresentation is in paragraph 80, which asserts, “Upon information and belief, at all times, Plaintiff had or should have had knowledge of the status of their purported ownership or control of copyrights when they went infringement notices regarding those copyrights, including those at issue in this case.” ECF No. 165 at 59. That conclusory statement, asserted on “information and belief,” and

sounding in language of negligence, falls short of the mark. The several paragraphs discussing the 2016 Urban Study and the invalid infringement claims allegedly submitted by plaintiffs’ agent MarkMonitor, id. at ⁋⁋ 85-104, say nothing about the 455 dropped works. Nor does this Court find that 455 of 11,482 works is material. Describing its automated “CATS” system in the same counterclaim, Charter explained that “[a]utomation is important, because manual processing of incoming abuse complaints is infeasible for all but the smallest ISP networks.” Id. at ⁋33. So too for the volume of works claimed here (which is in turn dwarfed by the number of claims of infringement of those works, said to be in the hundreds of thousands). The dropped works represent slightly less than four percent of the total. It is also significant that plaintiffs dropped works as to which they allegedly determined

that they did not have a valid claim. It would be ironic that an amendment to reduce the number of infringed works would support a counterclaim. Finally, the Court finds that Charter has not alleged that it incurred damages “as the result of the service provider relying on such misrepresentation in removing or disabling access to the material or activity claimed to be infringing.” (emphasis added). It appears to be undisputed in this lawsuit that although Charter has notified some of its subscribers of some of plaintiffs’ claims of infringement, it has not cancelled any subscriptions or taken other actions to disable subscribers’ access to Charter’s services. Accordingly, the Court grants the motion to dismiss defendant’s third counterclaim. 2. Claim Four. The fourth claim asserts that plaintiffs violated the Colorado Consumer Protection Act, Colo. Rev. Stat. § 6-1-101 et seq. The basis again is the “dropped works,” alleged to reflect plaintiffs’ “knowingly or recklessly sending, and causing to be sent, copyright infringement

notices concerning works for which they did not own the rights and for which they lacked authorization to send such notices.” Id. at ⁋167.

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Warner Records Inc v. Charter Communications, Inc., (D. Colo. 2020).

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