Vox Amplification Ltd. v. Meussdorffer

50 F. Supp. 3d 355, 2014 WL 4829578
CourtDistrict Court, E.D. New York
DecidedSeptember 29, 2014
DocketNo. 13-CV-4922 (ADS)(GRB)
StatusPublished
Cited by74 cases

This text of 50 F. Supp. 3d 355 (Vox Amplification Ltd. v. Meussdorffer) is published on Counsel Stack Legal Research, covering District Court, E.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Vox Amplification Ltd. v. Meussdorffer, 50 F. Supp. 3d 355, 2014 WL 4829578 (E.D.N.Y. 2014).

Opinion

MEMORANDUM OF DECISION AND ORDER

SPATT, District Judge.

On September 3, 2013 the Plaintiffs and Counterclaim-Defendants Vox Amplification Ltd., Korg Inc. and Korg USA, Inc. (the “Plaintiffs”), commenced this action against the Defendants and Counterclaim-Plaintiffs Jack Charles Meussdorffer (“Me-ussdorffer”) and Phantom Guitar Works, Inc., also known as Phantom Guitar Works (“PGW,” and collectively, the “Defendants”). The Plaintiffs seek (1) a declaratory judgment at to [the] Plaintiffs’ non-infringement of [the] Defendants’ claimed trademark rights in the terms ‘Phantom’ and ‘Teardrop’ and in the ‘Phantom’ and [360]*360‘Teardrop’ guitar body styles; [and] (2) cancellation of [the] Defendant Meussdorf-fer’s federal trademark registrations for these same word marks and guitar designs!.] (Compl., ¶ 1.) The Plaintiffs also assert a claim for “tortious interference with [the] Plaintiffs’ supply network and unfair competition with [the] Plaintiffs based on [the] Defendants’ threats of suit and assertions of trademark infringement, despite the Defendants’ awareness of its lack of enforceable rights and inability to prove infringement.” (Compl., ¶ 1.)

On October 15, 2013, the Defendants filed an Answer and Counterclaim against the Plaintiffs. The next day, October 16, 2013, the Defendants moved for a preliminary injunction pursuant to Federal Rule of Civil Procedure (“Fed. R. Civ.P.”) 65 and the Lanham Act, 15 U.S.C. § 1501 et seq., enjoining the Plaintiffs from the Defendants’ four federally registered trademarks, particularly in connection with the marketing, advertising, distributing or selling of musical instruments. On October 25, 2013, the Court referred the matter to United States Magistrate Judge Gary R. Brown for the purpose, if necessary, of holding a hearing and issuing a Report and Recommendation addressing the Defendants’ motion for a preliminary injunction.

Thereafter, on November 8, 2013, the Plaintiffs moved to dismiss the Defendants’ Counterclaim pursuant to Fed. R.Civ.P. 12(b)(6). In response, on November 18, 2013, the Defendants filed a First Amended Counterclaim, thereby rendering the Plaintiffs’ November 8, 2013 motion moot. However, on December 5, 2013, the Plaintiffs moved to dismiss the Defendants’ First Amended Counterclaim, alleging that it was still legally insufficient under Fed.R.Civ.P. 12(b)(6). The First Amended Counterclaim asserts causes of action for (1) trademark infringement pursuant to 15 U.S.C. § 1114; (2) false designation of origin and unfair competition pursuant to 15 U.S.C. § 1125(a); (3) common law trademark infringement pursuant to New York State law; and (4) common law unfair competition pursuant to New York State law.

On February 11, 2014, 2014 WL 558866, Judge Brown issued a Report and Recommendation (the “R & R”), in which he recommended that the Defendants’ motion for a preliminary injunction be granted as to the Plaintiffs’ allege use of the Defendants’ incontestable registered Phantom trademarks, but denied as to the Defendants’ claims emanating from the Teardrop guitar body design and Teardrop word mark, as applied to electric guitars. Judge Brown also recommended that the Court deny any claim concerning the Plaintiffs’ production of electric ukuleles, which the Defendants’ had alleged infringed on the Teardrop trademarks.

On February 25, 2014, the Plaintiffs filed written objections to the R & R only with respect to Judge Brown’s recommendation concerning the Phantom trademarks. The Defendants oppose the Plaintiffs’ objections and argue that the R & R should be adopted in its entirety.

Thus, presently before the Court is the R & R, which the Court “may accept, reject, or modify, in whole or in part, the findings or recommendations made by the magistrate judge.” 28 U.S.C. § 636(b)(1)(C). Also before the Court is the Plaintiffs’ motion to dismiss the First Amended Counterclaim, as well as a motion by the Plaintiffs’ to supplement the preliminary injunction record with a consumer survey that was completed after Judge Brown issued the R & R.

For the reasons set forth below, the Court denies the Plaintiffs’ motion to dismiss; denies the Plaintiffs’ motion to supplement the preliminary injunction record; [361]*361and overrules the Plaintiffs’ objections and adopts the R & R in its entirety.

I. BACKGROUND

Beginning in late 1961, a United Kingdom company known as Jennings Musical Industries (“JMI”) began producing and selling guitars in the United Kingdom under the “Vox” brand name and with “Phantom” as the model designation. These guitars were unique due to their rounded trapezoidal body shape. In 1963, JMI began manufacturing and selling guitars in the United Kingdom that had a rounded body shape, similar to a teardrop, under the ‘Vox” brand name and using “Phantom III” and “Phantom IV” as their model designations. JMI began manufacturing these guitars for the United States market, but it appears that the parties do not provide further details as to when JMI started to do so.

In any event, in 1963, JMI stopped producing the above guitars for the United States market. Rather, on behalf of JMI, from 1963 to 1969, an Italian company called EKO manufactured these guitars for the United States market, but the guitars sold in very limited quantities during this period. ' In 1969, JMI ceased manufacturing all guitars, thus abandoning any trademark rights it may have had to either the guitar’s model names or body shapes.

At some point about the early 1990s, the Defendant Meussdorffer, who is a luthier, or maker of stringed instruments, decided to manufacture, market and sell guitars in similar shapes as those produced by JMI and EKO in the 1960s. Thus, in 1993, Meussdorffer formed the Defendant PGW, which started producing guitars and basses with model designations of Phantom and Teardrop. PGW’s Phantom guitars had a rounded trapezoidal body shape with a rounded shaped headstock (the “Phantom Body Shape”), while the Teardrop guitars had a teardrop body shape with a rounded shaped headstock (the “Teardrop Body Shape”). PGW has continued to sell Phantom guitars and Teardrop guitars without interruption from 1993.

According to the Defendants, since 1993, they have policed their marks in connection with the Phantom guitars and Teardrop guitars. In this regard, the Defendants claim the following four marks: (1) a mark for the word “Phantom”; (2) a mark for the word “Teardrop”; (3) a mark for the Phantom Body Shape; and (4) a mark for the Teardrop Body Shape.

The Defendants have licensed these marks to various companies, including EKO, which was one of the original manufacturers of the Vox guitars in the 1960s, as well as Roland Corporation, which is one of the Plaintiffs’ main competitors. In addition, the Defendants claim to have developed significant goodwill over the last twenty years in connection with these marks.

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50 F. Supp. 3d 355, 2014 WL 4829578, Counsel Stack Legal Research, https://law.counselstack.com/opinion/vox-amplification-ltd-v-meussdorffer-nyed-2014.