Vogel v. Tunick

19 Misc. 3d 853
CourtNew York Surrogate's Court
DecidedMarch 14, 2008
StatusPublished
Cited by3 cases

This text of 19 Misc. 3d 853 (Vogel v. Tunick) is published on Counsel Stack Legal Research, covering New York Surrogate's Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Vogel v. Tunick, 19 Misc. 3d 853 (N.Y. Super. Ct. 2008).

Opinion

OPINION OF THE COURT

Anthony A. Scarping, Jr., J.

In an action for replevin pursuant to CPLR article 71 and other relief, transferred to this court by an order of the Supreme Court, Nassau County (Feinman, J.) dated October 16, 2007, the plaintiffs move: (1) pursuant to CPLR 3124 to compel defendants Christie’s, Inc. and Sotheby’s, Inc. to comply with request Nos. 1 through 8 of their first notice for discovery, dated June 8, 2007, and (2) pursuant to CPLR 306-b to extend their time to serve the “John Doe” defendants until two months after the requested documents are produced.

At issue in this action, and a related proceeding commenced by the plaintiffs in this court pursuant to SCPA 2102 and 2105, is ownership of more than 200 works of art by Willem de Kooning (hereinafter the subject artwork). The plaintiffs are the first wife (Celia Vogel) and three daughters of decedent Henry Vogel, and they claim ownership of the subject artwork. According to Celia Vogel, she owns most of the subject artwork pursuant to the 1993 separation agreement between her and the decedent. The decedent’s three daughters allege that they received the balance of the subject artwork as gifts directly from de Kooning. However, it is undisputed that the decedent and his second wife, defendant Marjorie Kassner formerly known as Marjorie Kassner-Vogel, possessed the subject artwork when the decedent died in January 2004, and that it remained in Ms. Kassner’s possession following the decedent’s death. Ms. Kassner claims that they are assets of the decedent’s estate.

[855]*855In August 2002, March 2003, and. September 2003, the decedent, and in April 2004, Ms. Kassner, as executrix of the decedent’s estate, consigned some of the subject artwork to defendant Sotheby’s, Inc. for auction. Apparently, all of the consigned items were sold at auction.

In 2004, the decedent and Ms. Kassner consigned some of the subject artwork to defendant Christie’s, Inc. for auction, and in 2005, after the decedent’s death, Ms. Kassner, as executrix of his estate, consigned additional pieces of the subject artwork to Christie’s for auction. In 2004 and 2005, Christie’s auctioned the consigned artwork. Prior to the final scheduled auction, the decedent’s daughters learned of the consignment and final pending auction (Salzman affirmation, exhibit A). By letter dated March 14, 2005, David S. Lande, Esq., the attorney for the decedent’s three daughters, memorialized an agreement between the decedent’s daughters, Ms. Kassner and Christie’s whereby the final sale of the artwork consigned to Christie’s by Ms. Kassner would proceed, subject to certain conditions. Nothing indicates that Celia Vogel was a party to this agreement (Laird affirmation, exhibit A). Christie’s sold the artwork that was the subject of that agreement, but it still holds other pieces of the subject artwork (Salzman affirmation, exhibit A).

In May 2007, the plaintiffs commenced this action in Supreme Court, Nassau County, for replevin of the subject artwork against multiple defendants, including Sotheby’s and Christie’s. They also named several categories of “John Doe” defendants, being the persons and/or entities who purchased the items of the subject artwork auctioned by Christie’s or Sotheby’s. The plaintiffs have also asserted causes of action for conversion and for money had and received against all defendants.

In item Nos. 1 through 8 of their first notice for discovery pursuant to CPLR 3120, the plaintiffs demanded that the defendants, particularly Sotheby’s and Christie’s, produce certain documents which would identify those persons/entities who purchased the items of the subject artwork which each had auctioned. Sotheby’s and Christie’s each objected to the requested disclosure.

Each defendant separately moved in Supreme Court, Nassau County, inter alia, to transfer the action to this court. In response, the plaintiffs moved pursuant to CPLR 3124 to compel Sotheby’s and Christie’s to comply with demand Nos. 1 through 8 of their first notice for discovery. They also requested pursuant to CPLR 306-b that the court extend their time to serve the [856]*856“John Doe” defendants until two months after the requested documents are produced. By order dated October 16, 2007, the Supreme Court, Nassau County (Feinman, J.), granted the defendants’ motions to transfer the action to this court pursuant to CPLR 325 (e), but it did not decide the plaintiffs’ motion (Salzman affirmation, exhibit I).

In opposition to the motion, Sotheby’s asserts that the court should not compel the requested disclosure because of a confidentiality agreement which precludes it from disclosing the identities of its buyers. It claims that its relationships with its buyers is based upon the buyers’ trust that Sotheby’s will respect this agreement and their privacy. Further, it contends that disclosing the buyers’ identities could harm Sotheby’s business advantage if future buyers go to its competitors. Finally, Sotheby’s speculates that the buyers themselves may be in some way disadvantaged in their own businesses, or have their personal security placed in jeopardy, if their identities are disclosed.

Christie’s also opposes the motion. It asserts that it will be harmed by disclosing the names of its buyers because its customers expect that it will convey good title to the artwork which they purchase. Christie’s claims that embroiling them in litigation over title to that artwork will damage its standing with those customers and its reputation in the art world generally.

CPLR 3101 (a) requires “full disclosure of all evidence material and necessary in the prosecution or defense of an action, regardless of the burden of proof.” This rule is “to be interpreted liberally to require disclosure, upon request, of any facts bearing on the controversy which will assist preparation for trial by sharpening the issues and reducing delay and prolixity. The test is one of usefulness and reason” (Allen v Crowell-Collier Publ. Co., 21 NY2d 403, 406 [1968]), and the regulation of disclosure is generally left to sound discretion of the trial court (Scalone v Phelps Mem. Hosp. Ctr., 184 AD2d 65, 70 [1992]).

Applying the foregoing to the facts of this case, the court grants that branch of the plaintiffs’ motion to compel Sotheby’s and Christie’s to comply with request Nos. 1 through 8 of their first notice for discovery. In simplest terms, the identity of those individuals and/or entities who purchased some of the subject artwork from Sotheby’s and Christie’s is material and necessary to the prosecution of the plaintiffs’ causes of action against them (Matter of Alexander v Spanierman Gallery, LLC, 33 AD3d [857]*857411 [2006]; cf. Matter of Peters v Sotheby’s Inc., 34 AD3d 29, 35-36 [2006]). Without this information, the plaintiffs cannot identify those individuals or entities who may currently possess some of the subject artwork.

The court rejects the contention by Sotheby’s and Christie’s that they should not have to provide such disclosure until after the plaintiffs establish that they are entitled to the return of the subject artwork. The plaintiffs need not prove their claim in order to be entitled to disclosure under CPLR 3101. Although the disclosure sought will not help the plaintiffs prove that they own the subject artwork, they cannot effectively commence an action for replevin against those in possession of the artwork without this information.

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Cite This Page — Counsel Stack

Bluebook (online)
19 Misc. 3d 853, Counsel Stack Legal Research, https://law.counselstack.com/opinion/vogel-v-tunick-nysurct-2008.