United States v. Sampson

256 F. Supp. 470, 1966 U.S. Dist. LEXIS 6533
CourtDistrict Court, N.D. Mississippi
DecidedJuly 11, 1966
DocketNo. GC6449
StatusPublished

This text of 256 F. Supp. 470 (United States v. Sampson) is published on Counsel Stack Legal Research, covering District Court, N.D. Mississippi primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United States v. Sampson, 256 F. Supp. 470, 1966 U.S. Dist. LEXIS 6533 (N.D. Miss. 1966).

Opinion

PER CURIAM:

This action was brought by the United States pursuant to section 206(a) of the Civil Rights Act of 1964, [42 U.S.C. § 2000a-5(a)] against the Mayor, Police Commissioner, Chief of Police and Assistant Chief of Police of the City of Greenwood, Mississippi, to obtain injunctive relief against alleged violation of that Act by the defendants. Upon the Attorney General’s request and upon his certification that in his opinion, the case is one of general public importance, 42 U.S.C. § 2000a-5(b), a court of three judges was convened to hear the case. Trial on the merits was held in January 1965 before the court as originally constituted. Afterward one of the judges of that original court died before judgment. The parties stipulated that a replacement for the deceased judge could be appointed to participate in disposition on the basis of the record on briefs. The first replacement judge designated pursuant to the stipulation was relieved before judgment and Circuit Judge Coleman was designated to sit with Judges Brown and Clayton for disposition. He has examined and considered the full record in this case, the transcript of the evidence taken and the briefs and has participated fully in conference with the other two judges.

The focal point of the controversy here is the Leflore Theater in Greenwood, Mississippi. We hold that this theater, as its owners concede and the government claims, was a place of public accommodation within the meaning of 42 U.S.C. § 2000a(a), since it [471]*471showed films which moved in interstate commerce, 42 U.S.C. § 2000a(c) (3), and therefore was an establishment whose operations affected commerce, 42 U.S.C. § 2000a(b) (3). Heart of Atlanta Motel, Inc. v. United States, 379 U.S. 241, 85 S.Ct. 348, 13 L.Ed.2d 258 (1964); Katzenbach v. McClung, 379 U.S. 294, 85 S.Ct. 377, 13 L.Ed.2d 290 (1964); Twitty v. Vogue Theatre Corporation, 242 F.Supp. 281 (M.D.Fla.1965); United States v. Gulf-State Theaters, Inc., 256 F.Supp. 549 (N.D.Miss. June 29, 1966). Prior to the effective date of the Act, 2 July, 1964, the theater maintained a policy of racial discrimination in that it admitted only members of the white race to its shows. Shortly before the effective date of the Act, the owners of the theater determined that they would “obey the law” and discontinue their former policy of racial discrimination in full compliance with the mandate of the Act. The local manager so advised defendants, and at least some of them suggested that he not comply with the Act until its constitutional validity had been tested in the courts. We think it can be fairly stated that defendants believed in good faith that the Act was unconstitutional and that they were opposed to its passage and to its enforcement, until its constitutiqnality could be adequately tested in‘ the courts.

When the new policy of the theater became effective Negroes began to attend the scheduled showings of motion pictures therein. The first one to do so was attacked, following which he was escorted by the local manager to the Greenwood Police Station. There he was unable to identify his assailant and he refused to return to the theater with the chief of police to try to do so. At this victim’s request, the assistant chief of police drove him approximately three miles out into the country to his home.

A few days later when a second effort was made by a Negro to attend this theater, he was attacked by other patrons of the'theater (all of whom were white) in spite of remonstrances by the theater manager. The assistant chief of police responded to a call, and when he arrived at the theater, he found the second victim in the theater manager’s office and the theater manager requested this officer to take him away. This victim was escorted to the police station by the officer who, with the chief of police, assumed that the manager intended to file some criminal charge.1 When the assistant chief of police promptly returned to the theater, he then learned from the manager for the first time that no charges were contemplated. The officer immediately returned to the police station and advised the victim that he could leave. And he did so.

None of the defendants were told anything about any assault on this Negro until later in the night, long after this victim had departed. On that night the police commissioner upbraided the theater manager for calling for police to remove a person from the theater when no charges were to be filed against him.

Shortly after this second incident, the manager of the theater persuaded six Negroes who had purchased tickets and had been admitted, to leave the theater after their money was refunded. They did this after a statement was read to them by an attorney whose services were engaged by the theater manager. None of the defendants are shown to have had any connection with this incident. However, two days later, the police commissioner telephoned the president of the corporation which owns and operates this theater and tried to persuade him not to comply with the Act until it was tested in the courts, saying that the police department could not prevent' assaults on Negro patrons, such as the two which had occurred, nor handle the difficulties arising from desegregation of the theater. This call was unsuccessful.

[472]*472On July 12, the City Council of Greenwood passed an ordinance giving the chief of police the power to close a business establishment whenever he felt that a breach of the peace was likely to occur. The admitted purpose of this ordinance was to deal with the situation at the Leflore Theater. Within hours after the passage of this ordinance, the defendant chief of police required the local manager to close the theater. This interdiction was not long lived, but lasted for only one day.

During the remaining portion of July, at least two other incidents occurred which involved Negro patrons of this theater. Continuously for a number of nights, white people had gathered in substantial numbers on private property and across the street from this theater on the three other corners of the intersection at which the theater is located. Most of the times the composition of these gatherings was constantly changing, with some people leaving and others coming. It also must be noted that most of the times, with respect to Negro patrons of the theater, these people did nothing more than verbally harass or heckle them or greet their appearances with the sounding of automobile horns. On one occasion when Negro patrons were leaving the theater, someone followed the automobile in which they were riding in other automobiles and an effort was made to block a street to prevent movement of that vehicle. It must be noted that this effort was aborted because of the prompt action of local officers:

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Related

Heart of Atlanta Motel, Inc. v. United States
379 U.S. 241 (Supreme Court, 1965)
Katzenbach v. McClung
379 U.S. 294 (Supreme Court, 1964)
Twitty v. Vogue Theatre Corporation
242 F. Supp. 281 (M.D. Florida, 1965)
United States v. Gulf-State Theaters, Inc.
256 F. Supp. 549 (N.D. Mississippi, 1966)

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Bluebook (online)
256 F. Supp. 470, 1966 U.S. Dist. LEXIS 6533, Counsel Stack Legal Research, https://law.counselstack.com/opinion/united-states-v-sampson-msnd-1966.