United States v. Peter Tarantino

CourtCourt of Appeals for the Eleventh Circuit
DecidedJune 21, 2024
Docket22-14074
StatusUnpublished

This text of United States v. Peter Tarantino (United States v. Peter Tarantino) is published on Counsel Stack Legal Research, covering Court of Appeals for the Eleventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United States v. Peter Tarantino, (11th Cir. 2024).

Opinion

USCA11 Case: 22-14074 Document: 115-1 Date Filed: 06/21/2024 Page: 1 of 54

[DO NOT PUBLISH] In the United States Court of Appeals For the Eleventh Circuit

____________________

No. 22-14074 ____________________

UNITED STATES OF AMERICA, Plaintiff-Appellee, versus PETER TARANTINO, TODD CHRISLEY, a.k.a. Michael Todd Chrisley, JULIE CHRISLEY,

Defendants-Appellants.

Appeals from the United States District Court for the Northern District of Georgia USCA11 Case: 22-14074 Document: 115-1 Date Filed: 06/21/2024 Page: 2 of 54

2 Opinion of the Court 22-14074

D.C. Docket No. 1:19-cr-00297-ELR-JSA-3 ____________________

Before ROSENBAUM, NEWSOM, and TJOFLAT, Circuit Judges. PER CURIAM: This criminal appeal revolves around three defendants and two schemes: tax evasion and bank fraud. The tax-evasion scheme involved all three defendants. De- fendant Michael Todd Chrisley1 (“Todd”) owed back taxes. Rather than directing his income payments into a personal account, which the Internal Revenue Service (“IRS”) could have found and used to satisfy his back taxes, the Chrisleys hid Todd’s income payments in an account that Defendant Julie Chrisley owned. And as soon as the IRS started looking into accounts Julie owned, the Chrisleys transferred that account to yet another family member. Mean- while, the Chrisleys’ accountant, Defendant Peter Tarantino, made false statements to federal agents to keep the IRS off the trail. This conduct, and more described below, resulted in convictions for tax evasion and conspiracy to defraud the IRS. As for the bank-fraud scheme, the Chrisleys and Todd’s prior business partner sent fabricated financial documents to banks when they applied for loans, loan renewals, and lines of credit. These

1 Because this case involves several people whose last name is Chrisley, to

avoid confusion, we use these individuals’ first names when we speak of one of them. We refer collectively to Todd and Julie as “the Chrisleys.” USCA11 Case: 22-14074 Document: 115-1 Date Filed: 06/21/2024 Page: 3 of 54

22-14074 Opinion of the Court 3

false financial statements grossly overrepresented the Chrisleys’ as- sets to make the applications more attractive to banks. After a joint trial, the jury convicted all three defendants on all counts, and the district court sentenced them. The defendants now raise several issues on appeal. First, the Chrisleys argue that the district court erred in denying their motion to suppress certain electronic evidence. Second, the Chrisleys assert their convictions for bank fraud, tax evasion, and conspiracy to defraud the IRS were based on insufficient evidence. Third, all three defendants seek a new trial or evidentiary hearing based on the prosecution’s failure to correct allegedly false testimony. Fourth, Julie asserts that the district court erred in sentencing her by holding her accountable for the loss amount of the entire bank-fraud scheme. Fifth, the Chrisleys challenge the restitution and forfeiture money judgments against them. And sixth, Tarantino argues that the district court abused its discretion in declining to sever his case from the Chris- leys’. After careful consideration, and with the benefit of oral ar- gument, we affirm the district court on all issues except for the loss amount attributed to Julie. The district court did not identify the evidence it relied on to hold Julie accountable for losses incurred before 2007, and we cannot independently find it in the record. So we vacate Julie’s sentence and remand solely for the district court to make the factual findings and calculations necessary to deter- mine loss, restitution, and forfeiture as to Julie and to resentence her accordingly. USCA11 Case: 22-14074 Document: 115-1 Date Filed: 06/21/2024 Page: 4 of 54

4 Opinion of the Court 22-14074

I. BACKGROUND

A grand jury returned a superseding indictment charging the Chrisleys with bank fraud, tax evasion, and various conspiracy counts. Julie was also charged with wire fraud and obstruction of justice. As for Tarantino, the indictment charged him with aiding the filing of false tax returns, as well as conspiring to defraud the IRS with the Chrisleys. After nearly three weeks of trial and three days of delibera- tions, the jury found the three defendants guilty on all counts. The district court sentenced Todd to 144 months’ imprisonment, Julie to 84 months’ imprisonment, and Tarantino to 36 months’ impris- onment. The court also ordered the Chrisleys, jointly and sever- ally, to pay $17,270,741.57 in restitution and the same amount in forfeiture. The court ordered Tarantino to pay a $35,000 fine.

A. The Trial Evidence

We summarize the relevant trial evidence, in the light most favorable to the government. United States v. Duenas, 891 F.3d 1330, 1333 (11th Cir. 2018).

i. Evidence Related to Tax-evasion Counts

Todd (but not Julie) owed over $500,000 in taxes for the 2009 tax year. That year, Todd had filed a married-filing-separately tax return, which meant the IRS could (generally) collect against only Todd and not against Julie as to that amount. USCA11 Case: 22-14074 Document: 115-1 Date Filed: 06/21/2024 Page: 5 of 54

22-14074 Opinion of the Court 5

While that tax debt was still due and owing, in 2013, the Chrisleys were hired to make a reality television show called Chris- ley Knows Best. The Chrisleys’ attorney testified that the show’s production company required the Chrisleys to set up a loan-out company to receive payments on the Chrisleys’ behalf. Successful artists and entertainers use loan-out corporations for the financial benefits their structure allows. Bozzio v. EMI Grp. Ltd., 811 F.3d 1144, 1147 (9th Cir. 2016). More specifically, a loan-out corpora- tion “is a duly organized corporation, typically wholly owned by an artist, the sole function of which is to ‘loan out’ the services of the artist-owner to producers and other potential employers. The form offers limited personal liability and beneficial tax treatment.” Id. (quoting Aaron J. Moss & Kenneth Basin, Copyright Termination and Loan-Out Corporations: Reconciling Practice and Policy, 3 Harv. J. Sports & Ent. L. 55, 72 (2012)) (cleaned up). The Chrisleys created a loan-out company called 7C’s Pro- ductions (“7C’s”), in the form of a Subchapter S corporation. The IRS describes Subchapter S corporations as “corporations that elect to pass corporate income, losses, deductions, and credits through to their shareholders for federal tax purposes. Shareholders of S corporations report the flow-through of income and losses on their personal tax returns and are assessed tax at their individual income tax rates. This allows S corporations to avoid double taxation on the corporate income.” S corporations, IRS, https://www.irs.gov/businesses/small-businesses-self-em- ployed/s-corporations [https://perma.cc/FKS3-95MW]. USCA11 Case: 22-14074 Document: 115-1 Date Filed: 06/21/2024 Page: 6 of 54

6 Opinion of the Court 22-14074

The Chrisleys set up 7C’s in Julie’s name. Julie had sole sig- nature authority over the 7C’s bank account. The production com- pany paid the Chrisleys for their performances on the television show by sending checks for each recipient to 7C’s, care of the indi- vidual who rendered the services. Once the money was in the 7C’s account, Todd and Julie controlled payment to the other family members who appeared on the show. To be clear, even though the 7C’s account was in Julie’s name, the government presented testimony that Todd had access to the account. Evidence also showed that Todd shared control over the account. For example, Todd emailed someone associated with production and said, “[W]e . . .

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