United States v. Peter Hoffman

901 F.3d 523
Court of Appeals for the Fifth Circuit·Decided August 24, 2018·No. 16-30104; cons. w/ 16-30226, cons. w/ 16-30013, cons. w/ 16-30527·Published·Cited by 53 cases

Opinion

GREGG COSTA, Circuit Judge:

We withdraw the prior panel opinion and substitute the following:

With its colorful history and rich cultural stew, Louisiana has long been a popular setting for works of fiction, including movies. In recent years the state has also tried to become a place where films are made. That effort enjoyed considerable success. The Curious Case of Benjamin Button , Django Unchained , Twelve Years a Slave , The Dallas Buyer's Club , and Dawn of the Planet of the Apes are some recent films of note shot in New Orleans. Believe it or not, in one recent year (2013) Louisiana surpassed even California as the most popular locale for filming major-studio productions. Mike Scott, Louisiana Outpaces Los Angeles, New York, and All Others in 2013 Film Production, Study Shows , TIMES-PICAYUNE (Mar. 10, 2014). This development led some to call New Orleans "Hollywood South." Id.

State tax credits for the film industry spurred much of this growth. Id. ("[M]ake no mistake: The state's tax-credit program ... is largely responsible for the surge in local productions."). They also *531 provided an incentive for fraud. A jury found that to be the case for Peter Hoffman, Michael Arata, and Susan Hoffman. It credited the government's allegations that they submitted fraudulent claims for tax credits, mostly by (1) submitting false invoices for construction work and film equipment or (2) using "circular transactions" that made transfers of money between bank accounts look like expenditures related to movie production. Their principal challenge to those convictions is an argument that the tax credits are not property within the meaning of the mail and wire fraud statutes but are instead akin to the video poker licenses the Supreme Court rejected as a basis for federal prosecution in Cleveland v. United States , 531 U.S. 12 , 121 S.Ct. 365 , 148 L.Ed.2d 221 (2000). If we conclude that the credits are property subject to the federal fraud statutes, defendants also contend that the evidence was insufficient to convict because they made a good-faith effort to comply with a state program riddled with gray areas.

While the defendants seek to undo their convictions, the government is unhappy with the sentences of probation that all three received. So it too appeals, arguing that the substantial downward variances exceeded the district court's discretion. The government also contends that the district court improperly vacated a number of the jury's guilty verdicts.

I.

The Hoffmans and Arata owned and jointly operated Seven Arts Pictures Louisiana, LLC (Seven Arts). Each of them was also involved in several other film-related ventures. Through their companies, defendants purchased a "dilapidated mansion" at 807 Esplanade in New Orleans, intending to renovate the structure and turn it into a postproduction facility where films are edited and prepared for final release. To offset the cost of this project, Seven Arts applied for film infrastructure tax credits with the state.

A.

Louisiana enacted the Motion Picture Incentive Tax Credit in 1992 to encourage local development of the movie and television industry. La. Rev. Stat. § 47:6007. In its initial form, the law authorized investors to claim a credit for 50% to 70% of losses sustained during in-state film production. In other words, it was a "safety net" for bad film investments. John Grand, Motion Picture Tax Incentives: There's No Business Like Show Business , STATE TAX NOTESat 791 (Mar. 13, 2006). The state legislature extended the program in 2002, permitting investors to claim tax credits for money spent on profitable projects. La. Rev. Stat. § 47:6007(C)(1) (2002). The next year saw further amendment, this time allowing investors to sell or transfer the tax credits. Id. § 47:6007(C)(4) (2003). This was an important innovation because many investors-those like Peter Hoffman who resided in California-did not themselves owe Louisiana taxes. Nontransferable credits had been of little value to these numerous out-of-state producers.

The program was again amended in 2005 (and extended in 2007), when the legislature authorized income tax credits for state-certified infrastructure and production projects. 1 See generally *532 La. Rev. Stat. § 47:6007(C) (2005). Projects with total base investment exceeding $300,000 could qualify for tax credits worth up to 40% of in-state expenditures. Id. § 47:6007(C)(1)(b)(i), (iii) ; see also Dep't of Revenue, Policy Servs. Div., 2005 Regular Legislative Session: Legislative Summaries 5 (Jan. 13, 2006), http://www.rev.state.la.us/publications/lsls(2005).pdf.

Louisiana's Office of Entertainment Industry Development, a component of the Department of Economic Development, administered the program. Issuance of film tax credits was a two-step process. First, the applicant had to file an initial application for tax credits and obtain a precertification letter from the state agencies. See Red Stick Studio Dev., L.L.C. v. Louisiana , 56 So.3d 181 , 183-84 (La. 2011). After receiving that authorization, the applicant still had to submit a cost report tallying its expenditures, accompanied by an audit from an independent accountant. Id. at 183 n.4. After a review of those materials, the same state agencies determined whether the expenditures should be certified and tax credits issued.

Free access — add to your briefcase to read the full text and ask questions with AI

United States v. Peter Hoffman, 901 F.3d 523 (5th Cir. 2018).

901 F.3d 523 (United States v. Peter Hoffman) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

Related

Bellamy v. Ford
Fifth Circuit, 2026
Untitled Case
N.D. Texas, 2026
United States v. Ortiz
Fifth Circuit, 2026
United States v. Baker
Tenth Circuit, 2025
United States v. Fulcher
Fifth Circuit, 2025
United States v. Legendre
Fifth Circuit, 2025
United States v. Brown
Fifth Circuit, 2025
United States v. Perez-Gorda
115 F.4th 653 (Fifth Circuit, 2024)
D. Rodriguez
28 I. & N. Dec. 815 (Board of Immigration Appeals, 2024)
Macomber v. State
Court of Appeals of Kansas, 2023
United States v. Recio-Rosas
Fifth Circuit, 2023
United States v. Hoffman
70 F.4th 805 (Fifth Circuit, 2023)
United States v. Said
Fifth Circuit, 2023
Exxon Mobil v. United States
43 F.4th 424 (Fifth Circuit, 2022)
United States v. Wills
40 F.4th 330 (Fifth Circuit, 2022)
Comerica Inc v. Department of Treasury
Michigan Supreme Court, 2022