United States v. American Society of Composers, Authors & Publishers

586 F. Supp. 727, 1984 U.S. Dist. LEXIS 16692
District Court, S.D. New York·Decided May 15, 1984·No. Civ. 13-95 (WCC)·Published·Cited by 7 cases

Opinion

OPINION AND ORDER

CONNER, District Judge.

This action, a relic of a bygone era, stands as a living monument to. a prior generation of draftsmen. The Amended Consent Judgment (the “Consent Judgment” or “Consent Decree”), originally entered on March 14, 1950, ■ reflects their efforts to develop a workable solution to the antitrust problems arising from the business practices of defendant American Society of Composers, Authors and Publishers (“ASCAP”). Today, the terms of the Consent Decree continue to regulate the manner in which ASCAP licenses its music inventory. Pursuant to § XVII of the Consent Judgment, a Judge of this Court is assigned to oversee the ongoing implementation of these provisions. For the past nine years I have been charged with that task.

The action is currently before the Court on ASCAP’s application for an Order modifying the Consent Judgment by adding to § VII the following clause:

The provisions of this Section VII shall not apply to a prospective licensee which is a telecasting network holding a blanket license from Broadcast Music, Inc. for such periods of time as the telecasting network holds such a license from Broadcast Music, Inc.

Currently, § VII contains no such express exception to the requirement that ASCAP offer a per-program license upon the written request of any unlicensed radio or television broadcaster. The government opposes the proposed modification, as do the All-Industry Television Station Music License Committee (“All-Industry”), the American Broadcasting Companies, Inc. (“ABC”), Broadcast Music, Inc. (“BMI”), CBS, Inc. (“CBS”), and the National Broadcasting Company, Inc. (“NBC”), all of whom filed amicus curiae briefs upon the Court’s invitation. For the reasons set forth below, ASCAP’s application is denied.

As Justice Cardozo once stated, “[a] continuing decree of injunction directed to events to come is subject always to adaptation as events may shape the need.” United States v. Swift & Co., 286 U.S. 106, 114, 52 S.Ct. 460, 462, 76 L.Ed. 999 (1932). This is true whether the injunction has been entered with the consent of the parties or following litigation. Id. Thus, there can be no doubt that this Court is empowered to modify the Consent Judgment in response to changed conditions, regardless of the government’s opposition to the proposed modification. See id. The proper exercise of this power is, however, strictly limited, and ordinarily “nothing less than a clear showing of grievous wrong evoked by new and unforeseen conditions” will justify a court in altering the terms of an injunction that was entered with the consent of all concerned. Id. at 119, 52 S.Ct. at 464. Moreover, while a court may *729 modify a consent decree to effectuate its underlying purpose upon an appropriate showing that the decree has not succeeded in achieving the intended results, it may not change the decree in favor of a defendant unless the goals of the litigation as embodied in the decree have been fully satisfied or, alternatively stated, unless the dangers which gave rise to the decree have become “attenuated to a shadow.” United States v. United Shoe Machinery Corp., 391 U.S. 244, 248-49, 88 S.Ct. 1496, 1499, 20 L.Ed.2d 562 (1968); Swift & Co., 286 U.S. at 119, 52 S.Ct. at 464.

Measured against this standard, AS-CAP’s application to modify the Consent Judgment falls short. Based upon the current state of the industry, ASCAP contends that any requirement that it offer a per-program license to a network already holding a BMI blanket license will result in discrimination by that network against AS-CAP licensed compositions and a consequent exodus of composers from ASCAP to BMI. ASCAP asserts that as between AS-CAP and BMI licenses, networks will always choose a BMI blanket license and an ASCAP per-program license, and not the reverse. To support this doomsday premise, ASCAP relies upon the differences between the ASCAP and BMI consent decrees and points to the broadcaster-based ownership of BMI. Moreover, ASCAP cites the rise of the three major networks— ABC, CBS, and NBC — as formidable economic forces on the purchaser’s side of the music licensing market, the growth of BMI as a major music licensor, and the unprecedented expansion of the television industry in general, including specifically the unforeseen shift from live to pre-recorded programming, as changed circumstances obviating the need for the mandatory per-program license option contained in the Consent Decree.

I cannot, however, agree with ASCAP that these factors justify the proposed modification at this time when evaluated under the guidelines of Swift and United Shoe. Putting aside for the moment any issues raised by the source of BMI’s ownership and by the differences between the ASCAP and BMI consent decrees, the mandatory per-program license option as it currently exists in the Consent Judgment remains consistent with the purposes underlying the decree, even in light of the changed market conditions noted by AS-CAP. Nor can it be said that such a requirement necessarily imposes an undue hardship upon ASCAP or that its ultimate effect on ASCAP will in any way approach the dire prediction of economic downfall that has been put forth.

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United States v. American Society of Composers, Authors & Publishers, 586 F. Supp. 727, 1984 U.S. Dist. LEXIS 16692 (S.D.N.Y. 1984).

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