United Scenic Artists, Local 829, Brotherhood of Painters and Allied Trades, Afl-Cio v. National Labor Relations Board

655 F.2d 1267, 211 U.S. App. D.C. 37, 107 L.R.R.M. (BNA) 2642, 1981 U.S. App. LEXIS 12958
CourtCourt of Appeals for the D.C. Circuit
DecidedMay 26, 1981
Docket79-1898
StatusPublished
Cited by5 cases

This text of 655 F.2d 1267 (United Scenic Artists, Local 829, Brotherhood of Painters and Allied Trades, Afl-Cio v. National Labor Relations Board) is published on Counsel Stack Legal Research, covering Court of Appeals for the D.C. Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United Scenic Artists, Local 829, Brotherhood of Painters and Allied Trades, Afl-Cio v. National Labor Relations Board, 655 F.2d 1267, 211 U.S. App. D.C. 37, 107 L.R.R.M. (BNA) 2642, 1981 U.S. App. LEXIS 12958 (D.C. Cir. 1981).

Opinion

Opinion for the court filed by Circuit Judge TAMM.

TAMM, Circuit Judge:

In this case a labor union challenges the finding by the National Labor Relations Board that the union violated section 8(b)(4)(ii)(B) of the National Labor Relations Act. Because we find that the result reached by the Board is not supported by substantial evidence, we reverse and remand for further proceedings.

I. BACKGROUND

Theater Techniques, Inc. (TTI) is a general contractor that supplies theatrical settings, props, and draperies for Broadway productions, motion pictures, and television programs. Nolan Scenery Studios, Inc. (Nolan) is similarly involved in the manufacture of settings, although primarily in the painting 1 of scenery and props. Although Nolan has on occasion acted as a general contractor, its usual contractual relationship with TTI from January of 1977 to June of 1978 was that of subcontractor for the painting of scenery and props provided by TTI.

Nolan is a party to a collective bargaining agreement with United Scenic Artists, Local 829 of the Brotherhood of Painters and Allied Trades, AFL-CIO (Local 829 or Union). This agreement contained the following relevant clause:

For the purpose of clarification, it is specifically provided herein that the jurisdiction of the Union shall include all Scenic Artists’ work for Broadway Productions, “Off-Broadway,” Resident and Regional Theatres ... etc. This includes painting and application of all decorative material when applied by any means including all scenic creative art work, whether applied by painting or otherwise. It is agreed between the parties that the jurisdiction of the Union with regard to sculpturing shall include drawings, pounces and application of pounces, modeling or sculpturing over and above the rough blocking, in accordance with past practice.

Joint Appendix (J.A.) at 321. Nolan’s president, Arnold Abramson, stated his understanding that this agreement prohibited his company from subcontracting out any sculpturing work that had been assigned to it. J.A. at 150.

The alleged unfair labor practice at issue here involved the painting of scenery for a show entitled “Stop the World I Want to Get Off.” TTI entered into a contract with Nolan on April 26, 1978 for the painting of certain elements for this show. Exhibit 3A, J.A. at 308-09. Other elements were added by a separate contract dated April 28, 1978. Exhibit 3B, J.A. at 310-11. TTI shipped the necessary props and materials to Nolan on May 3 and 8. Included within the last shipment were the design sketches and materials necessary to construct the “environment unit.” At least four pieces of sculpture had to be created as a part of this unit. Nolan fabricated two of these pieces while two props, a dragon’s head and an airplane, arrived at Nolan already fabricated.

On May 9, Abramson telephoned the president of TTI, Peter Feller, to inform him that Nolan employees refused to work on those two prefabricated props. Abramson informed Feller later that day that a Union representative would visit the Nolan plant and that Abramson would see that the props were painted. Doug LeBrecht, assistant business representative for the Union, visited the plant on May 9 and spoke separately with Abramson, Nolan employees, and the designer for the show in question. *1269 Abramson testified that he informed Le-Brecht that the props had come from TTI. United Scenic Artists, Local 829, 243 N.L. R.B. No. 7 (June 25,1979) (Board Decision), J.A. at 6.

On May 10, Abramson telephoned the Union business representative, Domingo Rodriguez, about the two prefabricated props. Rodriguez gave his permission for the painting of the props by Nolan employees but told Abramson that Nolan had violated the collective bargaining agreement which, Rodriguez asserted', entitled Nolan’s employees to all of the sculpturing work. Rodriguez also informed Abramson that Nolan would be assessed a certain monetary amount based upon an estimate of the amount of time it would have taken Nolan employees to fabricate the props. Feller testified that Abramson subsequently informed him that the Union planned to charge Nolan in the future for painting props fabricated elsewhere as if Nolan employees had actually executed them. On May 11, Rodriguez sent a telegram to Abramson that stated:

It has come to our attention that you intend to paint sculpture which has not been produced by scenic artists employed by you. Painting of such sculpture constitutes a flagrant violation of Section 1 of the collective bargaining agreement between United Scenic Artists Local 829 and Theatrical Contractors Association Inc. to which you are a party. We demand that any and all work on such sculpture be stopped immediately and that you immediately comply with your contractual commitments.
It has also come to our attention that Nolan has entered into an illegal conspiracy with Theatre Techniques, Inc. [TTI] to deprive scenic artists of work opportunities. Please be advised that this Union will take appropriate action to the maximum extent permitted by law to counteract the effects of your improper activities.

J.A. at 320.

TTI filed charges before the Board on May 12, alleging that the Union had encouraged the refusal of Nolan employees to paint certain props sent by TTI to Nolan and that the Union had threatened Nolan with a financial penalty should it continue to paint props from TTI; a complaint issued on June 7. The Administrative Law Judge, after hearing evidence and considering the parties’ briefs, found that the Union had induced or encouraged a work stoppage in violation of section 8(b)(4)(i)(B) and violated the secondary boycott provision, section 8(b)(4)(ii)(B). National Labor Relations Act (Act), 29 U.S.C: §§ 158(b)(4)(i)(B) & (ii)(B) (1976). United Scenic Artists, Local 829, Case 2-CC-1553, Decision of the Administrative Law Judge (Sept. 22, 1978) (AU Decision), J.A. at 15-30. A Board panel, after evaluating exceptions to this decision, reversed the ALJ’s decision as to the work stoppage violation, but upheld his finding of a violation of the secondary boycott provision. Board Decision, J.A. at 4-14. The Union petitioned for review of this decision and order; the Board cross-petitioned for enforcement.

II. DISCUSSION

The “secondary boycott” provision of the Act states simply that it shall be an unfair labor practice for a labor organization or its agents “to threaten, coerce, or restrain any person engaged in commerce” where “an object thereof is — forcing or requiring any person to cease using, selling, handling, transporting, or otherwise dealing in the products of any other producer, processor, or manufacturer, or to cease doing business with any other person .... ” 29 U.S.C. § 158(b)(4)(ii)(B) (1976). The Union attacks the Board’s decision that it violated this provision on two fronts. First, the Union argues that it possessed no “secondary” objective but was concerned only with the preservation of work for its members.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
655 F.2d 1267, 211 U.S. App. D.C. 37, 107 L.R.R.M. (BNA) 2642, 1981 U.S. App. LEXIS 12958, Counsel Stack Legal Research, https://law.counselstack.com/opinion/united-scenic-artists-local-829-brotherhood-of-painters-and-allied-cadc-1981.